#Movies around the world # Really not, Han Han's movies are filmed back and forth, all of them are shooting themselves, like a bird in a cage, eager to soar in the blue sky, but how can not fly out. This time, instead of flying

#Movies all over the world# It is true that Han Han's films are filmed back and forth, all of which are filming themselves, like a bird in a cage, eager to soar in the blue sky, but how can not fly out. This time, instead of flying out, it also played out in the cage. It is not from Chongming Island (Nan'ao Island) to Guangzhou, it is called four seas, that is called part-time work.

Personally, I like Han Han's movies more, mainly like the feeling of being on the road, going to fresh places, eating fresh things, meeting fresh people, and being unrestrained. Don't be trapped by the world, don't worry about the garage, and don't please anyone.

The same is true of the title of the four seas, the four seas as home, traveling the four seas and so on.

It is also the old routine of Han Han, small islands, seas, racing cars, beautiful girls, small town youth, father-son relationship. Then make some nice passages to make people laugh.

The relationship between Han Han and father should be very special and deep, and it exudes a feeling of lack of maternal love, and in the movie, it is often a father with a son, without a mother, and a flying life.

The understanding of women is always stuck in the grade of high school students in single-parent families, and there is obviously no more mature and challenging woman to accompany him.

Han Han's films come and go, all of them shoot themselves, like a bird in a cage, eager to fly, but they can't fly out.

If you shoot according to this routine, although it is not beyond the past, it is not bad. But the beginning is the climax, followed by the pulling, the lengthy, and the people watching it are sleepy.

Start some paragraphs, although a bit cheesy, but also ok to see. For example, that Wu Renteng, Wu Ren'ai and the like, have already had similar passages, formerly called Du Ziteng and the like.

After Yin Zheng went offline, the back could not be seen, forced to piece together, went to the hotel to swipe the card, repeatedly pulled the skin with the morning and did not have the morning, and then went to Guangzhou to work, and then it was a stand-in to open a motorcycle.

Not only is it cheesy, the final shot is similar to the Flying Life. And forcing a patchwork is too serious. As soon as Liu Haoran arrived in Guangzhou, he met Qiao Shan, and then continued to drive motorcycles, which is also too coincidental. The plot is not coherent.

There is also Feng Shaofeng taxi is also very boring, forced to laugh, a little Pan Changjiang scratching the feeling of creaking nest, greatly lowering the level of laughter. Compared with last year's Jia Ling Li Huanying, the real difference is vast.

The theme of the four seas, being swept away by a pair of young people, did not know what to say, did not have a sense of freedom on the road, but forcibly made up a tragedy. Not from Shanghai Chongming Island (Nan'ao Island), to Guangzhou is called the four seas, that is called going to the city to work.

An hour and a half after the movie completely collapsed, from the beginning cheerful, smooth, open and free like the sea, suddenly began to be depressed, stumbling.

Although the first paragraph is not elegant, it is not vulgar. The back makes people cry and laugh, and the inexplicable change in style has changed from being free like home in the world to working part-time to paying off debts and falling in love, which is too cheesy. This also shows that Han Han's existing model really can't play anymore, and can only be hard together, and then it seems to be bumpy and not smooth. Instead of calling it Four Seas, it is more appropriate to call it Part-time Work.