Text | Li Zongyi
To the north of the famous Baotu Spring, about five or six meters away from a mountain cornice, the golden and brilliant hall is called Luoyuan Hall.
Luoyuan Hall is 3 rooms wide, 6 meters deep, about 15 meters high, and has two floors. Two-story wooden floor, the east side is the upper and lower exits, and the green brick barrier is stacked with steps. In front of the hall is a roll-up shed-style eaves, and the frieze is carved with cloud patterns, color pavilions, animals, flowers and other patterns, which look exquisite and classical. Red lacquered wooden sill pillars, golden glazed tiles, the temple platform is near the water, the hard mountain is out of the building, shining, magnificent, built in the Northern Song Dynasty during the Xining period.
The Northern Wei Dynasty Daoyuan "Notes on the Water Classics" contains: Licheng has a water, commonly known as E Jiang Shui ye, to the source of the spring there is Shunfei E Ying Temple. The famous literary scholar Zeng Gong built the Second Hall here during the Xi'ning Dynasty (1072-1073), and wrote the "Records of the Second Hall of Qizhou": "At first, when the imperial court and the envoys and officials of neighboring prefectures and counties came, there was no residence, only temporary buildings were built, let them stay, and after leaving, they were wasteful and simple, so they built two halls at the Luoshui Place for guests to live, and the South Hall was called Luoyuan Hall, and the North Hall was called Luoyuan Hall, and the North Hall was called Lishan Hall." In the Qing Dynasty, Ren Hongyuan of Licheng recorded in the "Baotu Spring Chronicle": "Lishan Hall, Luoyuan Hall: North Hall Yue Lishan, South Hall Yue Luoyuan, Zeng Nanfeng Zhi Qi Zhou built this to guests, see "Qi Zhou Er Tang Record". In February of the sixth year of Xi Ning, it was ugly."
The construction of Luoyuan Hall on the banks of Baotu Spring is undoubtedly in the words of the moment, no doubt in the buildings, halls, halls and institutes built by the government in scenic spots or scenic spots. Dignitaries come to inspect, play or stay in this group of springs, which can be viewed from a distance. The Jin and YuanYuanYuan Halls were changed to Lü Zu Temple, dedicated to the Taoist leader Lü Dongbin. Later, the Ming Dynasty salt transport envoy Zhang Kuiguang, the jinan prefect Fan Shiying, and the Licheng County Ling Lü Huangzhong changed the cabinet to a shrine, called "Lü Xian Ancestral Hall". In the eleventh year of Qing Shunzhi (1654), he Qitu observed that He Qitu changed the Alexandra Hall to a pavilion, with the upper level of The Ancestral Hall of Wenchang and the lower level of the Ancestral Bell Leaving, and at the same time changed the Li Gong Ancestral Hall after the Cabinet to the Ancestral Mother, called the "Doumu Palace" Hall collectively known as the Lüzu Temple, and did not restore the original name of the Luoyuan Hall until after liberation.
For hundreds of years, Luoyuan Hall has inlaid and hung many plaques and links. These plaques written or inscribed by dignitaries and celebrities are, respectively, the plaques written by Cao Jie, a shandong secretary during the Chongzhen period of the Ming Dynasty, the Right Tang Dynasty of the Qing Dynasty, the He Qitu inscription of the Qing Dynasty, the Qing Dynasty Yang Lin, and the plaques written by no one, respectively, hanging on the upper or lower floor of Luoyuan Hall.
Luoyuantang's Yang Lian is respectively the Ming Dynasty Mao Zhizhi inscription "Since the opening of the capital, the immortals were originally to the springs" of the seven-character couplet; the Qing Dynasty Shunzhi seventeenth year of the Shunzhi Liu Changchen inscription "Seventy have two springs from the number of Xianyuan first, 1,800 countries should be the victory of the unparalleled" eleven-character couplet; qing Dynasty official scholar Kharchin's "Jinqi Xia Ming Thousand Feet of Snow, Glass Wind Ripples a Pool of Pearls"; qing Dynasty celebrity Yuan Li inscribed "Xianfeng Blowing Snow Tao Two Sleeves RuiGuang Fighting for the Sun and The Moon, Crane Driving to Yao Island A Bag of Dan Grain Shou Qiankun" twelve-character couplet Jiangnan Huai'an Fu people Jin Shi Kang Xi six years of mountain left xuezheng Zhou Longjia inscription, "source of the flow of the side of the kan broken beads into ten thousand Hu, Yue Zhongjian air flywheel crushing snow gushing three piles" eleven characters.
In addition, the Wuchang people of the Xian Dynasty, the Kangxi Dynasty Ugly Jinshi, the successive officials and envoys of the Zhou Shi Emperor's "Where is the Yellow Crane from the Empty Mountain, the Flowing Water Has No Heart to Sound the White Clouds" Seven Words Lian, Lü Xian's Seven Laws "Baotu New Words Thousand Feet Sword, Lotus Mountain Old Traces Of Several Lines Book"; the anonymized "Only Gai Chu Zhang Shangyi Guangling Xiang Egret, Zhu Jie Scattered and Suspicious Stars And Pan Xiancha" Nine-Word Lian; Qing Dynasty Tai'an Officials to Cloth Envoys' Xuantian Yi Inscription Book, "The Sound of Springs Pours Out of the Source of The Source of The Endless Peize Long Stream Ring Haidai, and the Water Potential Reflects three Rolling Upward Inexhaustible Clear Light Position Shooting Stars" Thirty-six character long links, The artistic conception is elegant, the battle is neat, the rhythm is harmonious, and the spirit is transmitted, and the Baotu Spring is reflected in the brilliance.
According to > records, some of these plaques were abolished during the Kangxi Dynasty, but most of the plaques continued to hang, and there is no exact record of when they were in history. Judging from the old photos of the twenty-ninth year of Guangxu (1903), the four pillars outside the Luoyuan Hall and the front door are hung with yellow characters on a red background or yellow characters on a white background, but there is no plaque, but whether it is the original link is unknown. In 1929, two different plaques appeared in several old photographs, one with black characters on a yellow background and one with antique carved plaques on all four sides, embedded in the upper end of the eaves, and the content was different from the original plaque. In the 1931 photo, the western part of the Luoyuan Hall was built as a tea house, and there is also a plaque at the door, and the plaque reads "Benefit me without me", which is not the original plaque. In 1956, before baotu Spring was built into a park, Luoyuan Hall has long been without any plaques, and the photos of Luoyuan Hall when it was built on September 10, 1958 clearly see all this.
Nowadays, the plaque of LuoyuanTang "Luoyuantang" and the woodcut of Baoxia are linked: "The clouds and mist are steaming, and the sound of the waves is shaking Daming Lake" was hung in September 1964. There are many sources and stories.
On July 13, 1962, Jinan suffered an exceptionally heavy rainstorm. The precipitation is the largest in more than fifty years. Heavy rain poured down, and flash floods roared from south to north, flooding most of Jinan. In particular, the shanshui ditch and the Chenjia River are wrapped in sediment, like beasts rushing towards the Baotu Spring area. Baotu Spring is a vast ocean, the water depth is more than one meter, and the spring pond ditch is buried. Baotu Spring is a mess, and the appearance is different. At that time, Xu Yanliang, vice mayor in charge of urban construction work in Jinan, summoned leaders of the Garden, Construction Bureau, Literary Association, Museum and other departments to study the restoration of Baotu Spring with experts Zheng Wenzhai, Mi Jutian, Jiang Shouqian, Guan Yousheng and others. Some people proposed to hang a plaque and a link in Luoyuan Hall, and Guan Yousheng and Mi Jutian respectively recommended Zheng Zuozhen, deputy head of the exhibition group of the Shandong Provincial Museum, and Mr. Jin Di, a famous calligrapher, to write.
Zheng Zuozhen, who has both books and prints, is humble and low-key, and has been on a par with cultural celebrities such as Wang Xiantang, Wang Tongzhao, Lu Dahuang, Ren Xiaolu, and Zheng Yiqiao. I am proficient in calligraphy, all kinds of abilities, especially good at Wei Steles. Good at seal engraving. In the early days of liberation, he was entrusted by the Shandong Provincial People's Government to seal mao zedong and Zhu Dezhi, and had previously engraved seals for Jiang. Mr. Jin Fen is good at writing Wei Monuments, and his calligraphy collects the charm of the Han and Wei Six Dynasties Steles, endowed with novelty, self-contained, bold and powerful, and has a strong artistic appeal. Who's going to collect the works of these two gentlemen? After repeated discussions, the leaders decided that the Garden and Forestry Bureau would be responsible for cultural publicity fan Chinese and the artist of the garden infrastructure team, and the famous calligrapher Wang Zhongwu would be responsible for communication and contact.
A few days later, Mr. Zheng Zuozhen sent the written Calligraphy works of Luo yuantang to Hua Chinese. When the leader saw the works with thick atmosphere, square knots, dignified and elegant, round and vigorous, and beautiful knots, he immediately sent them to the carpentry class for carving. Director Li saw that there was no inscription and seal, and Mr. Zheng called back to say that the part of the plaque he wrote was not signed and sealed. So much so that later generations mistakenly believed that the three characters of Luoyuantang were written by the Qing Dynasty calligrapher Zheng Hancheng or a collection of characters.
One morning, Wang Zhongwu made a special trip to mr. Au Jin Di's house to explain his intentions. The gentleman agreed with his mouth and immediately took the pen and seal with him to the Wulongtan office of the garden infrastructure construction team. In the room of the Tanxi Jingshe Society, Wang Zhongshu was soaked in ink on paper, and Mr. Jin held a pen in his hand, slightly detailed, and danced vertically and horizontally on the three pieces of paper prepared. The strength of the pen seems to have a sound, and the arrogance makes people look at the strings. It didn't take long for three couplets of the same content to be waved. Mr. Jin reviewed the work again and again, and a satisfied smile appeared on his face. He smiled and said to Wang Zhongwu, I have completed the task, and they have become very good friends in the future.
Zheng and Jin's works were engraved by the garden infrastructure team artist Wang Zhongwu's over-the-top, upper board, and flying white after being handed over to the carpenters Li Yuanying and Wang Peiqing, and the second paint company painted the final process. After the plaque of Luoyuan Hall was hung, leaders at all levels of the province and city and the audience came to watch, and when they saw the three big characters of Luoyuan Hall on the plaque, zhao Mengfu's "Baotu Spring" poems of the Dragon Flying Phoenix Dance were reflected in the golden and brilliant lobby, and they appeared more full of charm in front of the spring water that soared into the air.
A provincial leader with profound calligraphy skills saw this powerful Wei shu written by Jin Di and asked the accompanying Wenlian Mi Kikuta shu about the situation. Gu Dao's heart told him that Mr. Jin Fen did not yet have a legitimate occupation, and later Mr. Jin was hired as a librarian of the Provincial Museum of Culture and History, which became a good story of Qilu's love for talents.
Nowadays, Baotu Spring follows tourists in and out, and the luoyuan hall plaque and Zhao Mengfu's poem "The clouds and mist can't be steamed, and the sound of the waves shakes Daming Lake" has flown to home and abroad, and it is also imprinted in people's minds.
About the author: Li Zongyi, pen name Jingxuan, Shandong Jinan, is currently a member of the Shandong Prose Literature Society, a member of the Shandong Poetry Society, a member of the Jinan Writers Association, the vice president of the Qilin Reading Club, the vice president of the Shandong Puli Poetry Calligraphy and Painting Association, and his literary works have appeared in the central, provincial and municipal Jinan Daily, Qilu Evening News, People's Daily Overseas Edition and other newspapers, magazines and networks, and his works have won many awards.
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