Victory has two meanings, one is beauty, and the other is the beautiful realm. From the scenery to the realm, this is very similar to the Chinese landscape painting. The famous modern painter Qian Songyao painted a landscape called "Jiangshan Shengjiao", which just can understand the meaning of the word "Shengjiao".
Qian Songyao is a native of Jiangsu and has studied calligraphy and painting since childhood. He once participated in the sketching of 23,000 miles and is a representative painter of the new school of Chinese painting landscapes. The inspiration for the creation of this "Jiangshan Shengjiao" comes from the sketching process, and after the later brewing and improvement, it finally depicts a magnificent, romantic and beautiful landscape. As can be seen from the composition, the painting adopts the method of focal perspective, with the mountains in the near distance becoming the main body of the picture, and the river plains in the distance. In traditional landscape painting, the tallest mountain should be in the distance of the picture, and the pen should be above the paper. Qian Songyao painted like this, and he had the courage to break the routine.
Qian Songxue Jiangshan Sheng overview
Traditional landscape painting pays attention to the vivid charm, especially the painters of the three generations of the Yuan, Ming and Qing dynasties, and have created a series of expression techniques to express the dense rhythm and the undulating rhythm. In order to emphasize the sense of space, the ancients adopted the painting method of "near small and far large". Through the continuous improvement of the line of sight, the performance space is from near to far.
Can traditional Chinese painting techniques be integrated with Western painting concepts? Of course, under the guidance of the ancient for the present and the foreign for the Chinese, the painters travel thousands of miles and create styles. The brush and ink used in "Jiangshan Shengjiao" tend to be traditional, and the composition is expressed as a focal perspective. At the same time, Qian Songyao pays attention to the temperament of the literati in his creation, emphasizing the artistic conception. People often say that the magnificent mountains and rivers are like a picture, and Qian Songyao depicts them.
Qian Songyao Jiangshan Sheng Overview Partial
There are too many problems to be solved by using traditional techniques to create new landscapes. For example, how does traditional pen and ink depict modern architecture? Qian Songyao thought of using color to solve, looking at the quaint and restrained cyan color made people ignore the appearance of the building. Landscape painting can paint the characteristics of the times, landscape painting can enhance the expressiveness through composition, and landscape painting can be painted like Qian Songyao, which is also ancient and modern, full of romantic pride.
How difficult it is to innovate and how bitter it is to seek change, you can't see the stories behind these in "Jiangshan Shengyi". This shows that Qian Songyao's technique is already quite skilled, making people feel that painting landscapes should be like this. He has entered the stage of enjoying creation, and bringing enjoyment to the audience is also enjoyment.
The ancients painted landscapes, and there are also works that praise the picturesque scenery of the country, such as the Northern Song Dynasty's "Map of a Thousand Miles of Rivers and Mountains". Qian Songyao painted a praise-style work, what to compare with the ancients? Qian Songyao is very clever, he does not amplify the elegant and lonely aesthetic taste, but shows a thriving and lively scene. There is joy everywhere in the painting, there is singing everywhere, and he has found the taste of elegant and popular appreciation and magnified it infinitely.
Works full of freshness, works that make people feel intimate, and works that make people feel proud, this is the feeling brought by "Jiangshan Shengjiao". When you appreciate the picture and get excited, don't forget that the essence of the Chinese painting that Qian Songyao pursues is moving and emotional. A good work should have an appeal and a sense of substitution, and "Jiangshan Shengyi" is such a good work.
Will works depicting the themes of the times become obsolete? Some viewers may have this question after watching "Jiangshan Shengyun". In fact, from another point of view, the era is the characteristics of the work, and how can the works with characteristics become obsolete. "Jiangshan Shengjiao" paints landscapes full of vitality, such works originate from life, record the changes of the times, and will remain in people's hearts.