The wind rises and blows a pool of spring water. Idle Mandarin duck incense path, hand holding red apricot buds.
The fighting ducks are leaning alone, and the jasper scratches its head and falls obliquely. All day long, I hope that the king will not arrive, and I will raise my head to smell the magpie.
This song "Gurudwara Kinmen Wind Rises" is the representative work of the Southern Tang Dynasty poet Feng Yanwei, and the central idea can be summarized in one sentence, that is, the woman's mind cannot be guessed. Don't underestimate Feng Yanmi's creative style. He was a minister of the Southern Tang Dynasty, who had worshipped him three times and was an extremely popular minister. Later generations spoke highly of his lyrics, praising him for his erudition and knowledge, "opening up a generation of ethos in the Northern Song Dynasty".
From the content point of view, "Gurudwara Kinmen Wind Rises" is related to the resentment of si women, revealing complex emotions of sorrow and joy. In order to understand the meaning of this word, it is necessary to start from the psychological activities of the heroine in the word and crack her inner secrets.
Suddenly, a breeze came, blowing the calm spring water. In spring, the lake is turquoise and deep, without a trace of ripples. The wind came, the water moved, and actually hinted at the inner waves. The scene in front of you and the feelings in your heart are connected, completing the preparation from writing scenes to lyricism. Perhaps Feng Yanshu felt that laying the groundwork was not enough, and he described two details in detail.
Detail one, the woman teases the Mandarin duck in the pond water in the flower path. Detail two, the woman pulled down the red apricot blossom and slowly crushed it. Both of these details are somewhat destructive, such as the Mandarin Duck's double flight, and she wants to disturb them. The flower bud is waiting for the bees to pick it up at the core of the flower, and she wants to crush it. The woman was alone, and she couldn't see these things that reminded her of her sweetheart.
Could it be that Feng Yanshu portrayed a vicious woman? Of course not, it was a poor woman. I saw her wandering alone in the garden, tired of walking and leaning against the railing of the cloister to watch the wild ducks playing in the water. The woman was in a daze, and the jasper hairpin on her head was hanging down obliquely, and she didn't have the heart to tidy up.
Don't guess a woman's mind, because it's too complicated. When she saw that the woman was sulking because of the uncertain return date of her sweetheart, the magpie on her head suddenly cried out. At this time, whether the woman's mood is sad or happy, whether it is resentment or hope, who can say it clearly. The magic of this song is "look up and smell the magpie", and there is "blank space" in the content. The open-ended ending makes people can't help but explore what is wrong with the woman in the word, or whether Feng Yanmi has another meaning.
This inexplicable emotion gives the whole song a different beauty. Similar to the "want to say and rest" mentioned by later generations, it is also similar to the "sudden review" mentioned by later generations. What exactly is to be expressed can only rely on the reader's imagination. Feng Yanmi understands the mind of a woman, and he can write this style. On the surface, it is saying, don't guess, anyway, you can't guess accurately. In fact, the reader is guided to guess by leaving blank space. The master of the word world, it is indeed extraordinary.
Some people use the phrase "if you are in a liaising" to summarize the content of "Gurudwara, the Wind Rises", and this four-word word is used very well. Seeing this subtle feeling, he could read Feng Yanmi's thoughts. As long as you guess Feng Yanmi's mind, then the woman's mind in the word still needs to guess!