Drunken flower room
Five generations of Feng Yanwei
The sunny snow garden has not yet arrived in spring, and the plum by the pool has been early in the morning. Tall tree magpie nest, oblique moon bright cold grass.
The scenery of the mountains and rivers is good, since the ancient Jinling Road, the teenager looks old. When you meet, don't get drunk on the golden cup, don't leave more, and have less fun.
Feng Yanwei (封延巳), also spelled Zhengzhong, was a native of Guangling (Yangzhou). Five generations of literati, Zeng Shi Southern Tang Liezu and Zhongzu two dynasties, officials to the prime minister.
Clear snow, that is, snow and clear. The first sentence of this word first points out the season and weather. In early spring, when the spring is cold and steep, a light snow has just passed, the weather is clear, the air is still cold, and even so, the plum trees by the small pool still bloom their petals early. The plum snow is a wonderful sight of nature. There is plum and snow, and the inkers will be poetic, and the lyricist is no exception, but the poet did not write a big article on the plum snow, only to the point, leaving the reader with room for imagination.
"Spring has not arrived" and "plum since early", the poet perceives natural changes and time sequences in detail, using only a "self" word, which not only artificially shows the characteristics of plum before the hundred flowers primrose, but also shows the wind bone of plum that is not afraid of ling cold and proud of snow. The poet's subtlety is in the subtleties, and it seems that a word that comes from hand to hand actually has been tempered by thousands of times to have such an accurate and vivid expression.
The last two sentences of the film are still a description of the foreground objects.
The birds gathered tiny branches and built a magpie's nest on a tall tree, and the oblique moon hung on the inky blue sky, and the clear light poured down, coating the delicate grass with a cold silver light.
At the end of the film, the poet merges many beautiful objects such as snow, plum, magpie and moon, from the stillness of plum snow to the movement of birds and magpies and then returns to the stillness of the cold grass of the oblique moon, the pen is ethereal, and the combination of movement and static creates a beautiful and quiet coexistence, and a slightly sad atmosphere in the cold.
Two sentences in the film, "The scenery of the mountains and rivers is good, since the ancient Jinling Road." "In my personal understanding, the word order should be upside down, and the actual word order should be: since the ancient Jinling Road, the mountains and rivers are good." These two sentences not only tighten the upper film, but also pave the way for the content of the next film.
Jinling is Nanjing, the land of gold powder of the Six Dynasties, beautiful landscapes, and treasures, which have always been the case throughout the ages.
The city is like this, but the people are not.
In the third sentence of the next film, the poet has a turn - "the teenager looks old", which means that the young man is in a hurry, and he is already dying of old age in a flash, just as the so-called "twilight into snow like green silk", to this sentence, the poet Fang points out the main theme, life is short, Shaohua is fleeting, this is the helplessness that everyone has to face, and it is also a theme that poets are particularly easy to touch, for example, Huang Tingjian said "Peach and Plum Spring Wind A glass of wine, the night rain in the rivers and lakes for ten years of lights." ("Sending Yellow Several Repetitions"; for example, Lord Li Hou said, "The flowing water falls and the flowers go in the spring, heaven and earth.") ("Flowing Sand Order"; Wang Guowei said, "The most important thing is that the human world cannot be retained, Zhu Yan cijing flower cishu" ("Butterfly Loves Flowers"),) there are two drama lines in the Peking Opera "Wu Jia Po": "The young children are old in the rivers and lakes, and the red and pink beauty has two sideburns." The reason why these verses touch people's hearts is that, in addition to having a sad and deep beauty, they can also arouse people's resonance and can express what people think.
In the last three sentences of the next film, it is clear as words, and the poet uses the poetry of Li Taibai's "Will Enter the Wine" - life must be full of joy, and do not make the golden bottle empty to the moon.
The change of age, the change of years, can not be transferred by the will of man, therefore, it leads to a lot of helplessness, but also because of its helplessness and cherished, so the poet said "meet mo tired of drunken golden cup", the time of reunion is short, just a drunken party rest. At the end, it ends with a lament, and all the Mo Ke Is helpless in a very simple six words - "Don't leave more, and have fewer parties." ”
Wang Guowei said in "Words and Sayings in the World": "Words are bodies, and they should be repaired." The so-called "to squint" is a subtle, deep aesthetic feeling, and Feng Zhengzhong is well versed in this way.
But in terms of this word alone, it is different from Feng's other lyrics to create a perfect mood, such as his "Que Ta Zhi" which concludes with the sentence "Independent bridge wind full of sleeves, Pinglin Crescent Moon People return." "The tourists have all returned, the crescent moon outside the plain forest is like a hook, the poet stands alone on the small bridge, ren Dongfeng is full of sleeves, and the people are silent--the words are knotted in a mood, as if nothing is said, and everything is said. The next piece of this word is more like "endowment", where the poet expresses his views and emotions directly to his chest. "When you meet, don't get drunk on the golden cup, don't leave more, and have fewer parties." Readers can deeply feel the poet's sense of distress that goes deep into the bone marrow, and they can better understand the poet's love and cherishing of life.
Feng Yanmi's words jump out of the "flower room" trap, so that the words have a broader artistic conception, deeper emotions, and a nobler character, which is an indelible artistic achievement of Feng Ci.