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Mi Jia Shan and Liang Tian and Ge You recently took a photo
Mi Jiashan is a talented and well-known director, directing many film and television works such as "Stubborn Lord", "Yuan's Legacy Case", "You Are Not 16 Years Old", "Cradle with a Rudder", "Yellow Flowers on the Battlefield", "Love at 30 Degrees North Latitude", "Left Behind Man", "Gunner from Paris" and many other film and television works, and is one of the best directors in China.
He had a failed marriage, his ex-wife was the popular actress Pan Hong, married for 8 years and had no children. In 1986, Mi Jiashan divorced Pan Hong.
After the divorce, Pan Hong continued to become popular, while Mijiashan gradually faded out of the public eye, and the audience knew very little about him. So what has Mijiashan been doing for more than 30 years? What is his emotional condition now?
01
Mi Jiashan was born in May 1947 in Shanxi, his father Mi Jianshu joined the revolution in 1931 and made great contributions to the founding of New China in the War of Resistance Against Japanese Aggression and the War of Liberation.
Mikayama's parents
After liberation, Mi Jianshu served as the mayor of Chengdu and the secretary of the municipal party committee. Mijiashan's father was from Gaocheng, Hebei Province, and her mother Ma Junzhi was a native of Shanxi, full of loyal martyrs, and the whole family of 15 people threw themselves into the War of Resistance, and before she retired, she was the party secretary of West China Medical University.
Mi Jiashan's sister Mi Ruirong is a famous female entrepreneur in Sichuan, who has won honorary titles such as the National March 8th Red Flag Bearer and the Outstanding Woman of China, and has a huge influence on the real estate industry in Chengdu.
In middle school, Mijiashan excelled in science and excelled in both character and learning, and was the president of the school's student council. His ideal at that time was to apply for Harbin Institute of Technology and become a military scientist.
However, after the beginning of the special era, Mijiashan's parents suffered unfair treatment and both lost their personal freedom.
Mi Jia Shan and her sister Mi Rui Rong
In 1968, Mijiashan left Chengdu and returned to the countryside of Shanxi to join the team. He had never done farm work as a city boy, and his hands were blood blistered when he went down to the field to cut wheat.
The village cadres felt sorry for him, and seeing that he had culture, they arranged for Mijiashan to teach in the primary school. Mijiashan taught while frantically reading. It was this inadvertent decision of the village cadres that changed the fate of Mijiashan.
In 1972, he was recommended to shanxi university for further study in the art department, majoring in fine arts. In 1975, after graduating from Mijiashan University, he was assigned to Emei Film Studio as an artist.
In 1977, Emei Film Studio was preparing to shoot the film "Slave's Daughter", but it had not found a suitable heroine, so the unit sent the artist Mi Jiashan and the production director Zhang Lukun to the Shanghai Film Studio to select actors.
Young Pan Hong
Poster of The Slave's Daughter (1978)
When Mijiashan walked into the auditorium, she saw an actress in a skirt wiping glass with a rag in her hand. After Mijiashan and his party entered, the girl smiled back at them, and this smile suddenly gave birth to sunshine in Mijiashan's heart.
This girl is Pan Hong, a young actor from the Shanghai Film Studio, and Mi Jiashan has a crush on her. After consulting with Zhang Lukun, he decided to second pan Hong to Eying Studio to shoot "Slave's Daughter".
Originally, Mijiashan had a girlfriend, and after returning to Chengdu, he took the initiative to break up with the other party and turned to pursue Pan Hong.
Born in Shanghai in 1954, Pan Hong is 7 years younger than Mijiashan, and she stands tall at 1.72 meters, with a pair of melancholy eyes that are unforgettable.
When Pan Hong was 10 years old, her father died unexpectedly, and she grew up in an environment without her father's love, and her bones longed for her father's love.
Mijiashan and Pan Hong
During the filming, MiJiashan cared for Pan Hong like both her father and brother, which made her cold and arrogant heart have a temperature. After the film was filmed, the two established a relationship.
In the spring of 1978, MiJiashan and Pan Hong were licensed to marry in Chengdu. After marriage, Pan Hong returned to the film studio, and the couple separated.
02
Soon, the Shanghai Film Studio filmed the film "Distressed Laughter", Pan Hong was arranged to be the female number one, and the male number one "Fu Bin" was played by the famous actor Li Zhiyu, who was also Pan Hong's teacher when she was studying in the acting department of the Shanghai Theater Academy.
The director of the film is Yang Yanjin, he is handsome and talented, and he has had scandals with many actresses when directing the play. During the filming of "Distressed Laughter", someone reported a scandal between Pan Hong and Yang Yanjin.
Stills from Pan Hong's "Distressed Laughter"
Pan Hong and Li Zhiyu stills of "Distressed Laughter" (1979)
Yang Yanjin's wife, Hong Rong, who is also an actress at the Shanghai Film Studio, posted Pan Hong's love letter to Yang Yanjin in the courtyard of the studio and then made a big fuss at the unit.
According to media reports, Pan Hong denied that she wrote the love letter. Despite this, Pan Hong was pushed to the cusp of public opinion, and Yang Yanjin and Hong Rong also divorced.
As an aside, Yang Yanjin later remarried with the famous Taiwanese female writer Xuan Xiaofo. After his wife died of illness, Li Zhiyu remarried Yang Yanjin's ex-wife Hong Rong.
Mi Jiashan believes that Pan Hong is innocent and feels sorry for his wife. With his help, in 1980, Pan Hong was transferred from Shanghai Film Studio to Emei Film Studio.
Young Mi Jia Shan (left) with Pan Hong and friends
Pan Hong's "Du Shi Niang" stills (1981)
"Distressed Laughter" made Pan Hong famous in one fell swoop, and she opened her own glory. In the past few years, Pan Hong has starred in a series of classic films such as "Through the Light of the Clouds", "Song in the Whirlpool", "Du Shiniang", "Middle-aged", "Cold Night", "Fire Dragon", "The Last Queen", "Well" and so on, and won the Best Actress Award of the "Golden Rooster Award" of Chinese films three times, becoming a movie star with Liu Xiaoqing.
It is worth mentioning that the film script of "Song in the Whirlpool" was created by Mijiashan.
MiJiashan is talented, and his inner world is also very large, he first does art work, field notes, and then becomes an assistant director, and the ultimate goal is to be a director and be able to direct plays independently.
In 1983, Mi Jiashan entered the directing department of the Beijing Film Academy for further study, and two years later he returned to work at Emei Film Studio and began to embark on the road of independent directing.
At this time, Mi Jiashan and Pan Hong have been married for 7 years. In the long 7 years, the couple gathered less and more, it was difficult to have a chance to reunite, and sometimes even pan Hong spent the Spring Festival in the crew.
Pan Hong (left) with actress Zhao Na
The perennial gathering of less and more dilutes the feelings of husband and wife. At that time, there was no remuneration for filming, and Pan Hong only had a subsidy of 5 cents a day.
She was born for movies, and even without that 5 cents, she was willing to make movies. As long as you put on the costume and stand in front of the camera, Pan Hong is detached, and all her troubles are thrown out of the cloud of nine clouds.
03
Mijiashan is the only son in the family, and his parents hope that he will have a baby as soon as possible. After the Spring Festival in 1986, Mi Jiashan seriously had a conversation with Pan Hong: "We are not young, it is time to have a child." Now for me, it's more important for me to be able to be a mom than to be a good actor. ”
Pan Hong enjoyed the feeling of filming, letting her get pregnant and give birth to a baby at home, and she couldn't stand it for two or three years. Besides, she felt that she had been filming for many years, and after the birth of her child, she could not be a good mother and could not bear the responsibility of being a mother.
Therefore, Pan Hong refused her husband's request, saying that even if she gave birth to a baby, it would be 5 years later.
Mijia Mountain
In another 5 years, Pan Hong will be 37 years old, and who knows if she will change her mind again? Mijiashan insisted that she be a mother, and the couple fell into a stalemate.
At that time, Mijiashan's father fell ill in bed, and every time Mijiashan went to see him, his father asked him when he would have a baby. Mi Jiashan did not dare to face his father's dim and longing eyes, bowed his head and said a few perfunctory words to his father, and then twisted his face to shed tears.
In June 1986, Mi Jiashan and Pan Hong went through divorce procedures. According to media reports at the time, Mijiashan used a bicycle to carry Pan Hong to get a divorce certificate, and the two did not quarrel, did not tear, and were polite.
After receiving the divorce certificate, Pan Hong returned to her mother's house in Shanghai. Mi Jiashan looked at the empty home and the photo of Pan Hong on the wall, and felt that his heart was empty.
Later, in an interview with the media, Pan Hong said such a sentence: "You inadvertently made a game that broke your home." Some netizens speculated that Pan Hong was cheating in the marriage of Ma Mi Jia Shan.
But Mi Jiashan did not admit it, he said: "I have been married to Pan Hong for 8 years, but I can only be reunited with her for 380 days." Every reunion day, I made a mark on the desk calendar, and the day was not bad. It can be seen that he has a deep affection for Pan Hong.
In 1987, his father unfortunately passed away, and Mijiashan cried very sadly in front of his father's body, because his father left with regrets.
After the divorce, Mijiashan's career was also not smooth. In 1987, he directed the military film "The Unsinkable Horizon", which was asked to delete 24 scenes and cut more than 1300 feet of film. As a result, the film cost an additional 140,000 yuan.
After a year of tossing and turning, the film went through 5 reviews before finally passing. But only 8 copies were sold, losing 600,000 yuan.
Poster of "The Obstinate Lord" (1988)
In 1988, when Mi Jiashan directed the film "Stubborn Lord" based on Wang Shuo's novel, he issued a military order to the unit: If the film did not make 50% profit, he would be deducted for two years' salary, and he would not direct the play for two years.
Originally, this film had a good response, winning 6 nominations for the "Golden Rooster Award", but a famous critic provoked this film for personal purposes, and many media forwarded his words, resulting in the poor box office of "The Stubborn Lord".
Because he did not achieve the expected goal, Mi Jiashan did not receive a salary for two years, and he could not direct the play for two years, and he was anxious.
Chen Jianyu, director of Fujian Film Studio, admired Mijiashan and asked him to shoot the commercial film "The Case of Yuan's Legacy". MiJiashan did not disappoint him, and this film made Fujian Film Studio earn hundreds of thousands of yuan.
04
Immediately after the Fujian Film Studio and Eying Film Studio jointly filmed the film "You Are Not 16 Years Old", and let Mi Jiashan serve as the director.
This is a film that reflects the theme of the campus, who knows that the drama has not yet been filmed, a leader of the film crew joined several staff members and wrote a letter to the Fujian Provincial Education Commission, saying that there was a problem with the film.
Mijia Mountain was under great pressure to finish the scene, but during the review, the relevant departments of Sichuan Province passed, but the Fujian side could not pass.
Mijiashan sadly brought home the copies, and he was sad to see those copies, until 5 years later, the film was released.
Poster of "The Mystery of St. Paul's Hospital"
In 1990, Mi Jiashan directed the commercial film "The Mystery of St. Paul's Hospital" of Eying Film Factory, which made a profit of 720,000 yuan for the factory.
Several years of directing career, let him feel deeply twisted and difficult, the director has no funds, everywhere to make a film is too difficult.
Tangled up, Mijiashan set up an advertising agency in Chengdu in 1991. His purpose was to make money and make it easier for him to make his own films.
In 1994, Mijiashan prepared to shoot the movie "Cradle with a Rudder", E-Film Factory invested 800,000 yuan, he took out more than 400,000 yuan from his own company, and successfully completed the film.
With funds in hand, Mijiashan filming is much smoother, and he no longer looks at the faces of others.
Mijiashan (left) friends group photo
Since 2000, the film market has begun to shrink, and Mijiashan has switched to tv dramas, successively directing works such as "Battlefield Yellow Flower" and "Left-behind Man".
After divorcing Pan Hong, Mijiashan fell in love with a host in Chengdu, and the age gap between the two was very large, and later the other party was transferred to Beijing to work, and this relationship also passed away with the wind.
Mi Jiashan has always wanted to be a father, but due to fate, he always failed to do so.
According to media reports, in 2010, Mi Jiashan married an actress surnamed Yang, and due to various reasons such as age, the two did not have children.
After remarriage, MiJiashan is still single-mindedly busy with his career. Since 2015, Mijiashan has spent up to 5 years to produce a large-scale documentary "The Master's Back".
A recent photo of Mijia Mountain
Through the precious oral video materials of the Chinese painting masters before their deaths, as well as the widows, descendants and disciples of dozens of Chinese painting masters such as Xu Beihong, Qi Baishi, Li Keyan, Huang Yin, Jiang Zhaohe and other dozens of Chinese painting masters, he vividly described the tear-jerking and touching stories behind many Chinese painting masters.
In 5 years, MiJiashan and the team interviewed more than 100 people, recorded more than 300 hours of material, and finally produced a 20-episode documentary "The Master's Back".
What makes MiJiashan sigh is that a painting by Qi Baishi can now sell for tens of millions of yuan, while Qi Lao only sold for 20 yuan when he was alive.
In February 2020, "The Master's Back" was grandly broadcast on iQiyi and was widely praised by the audience.
Mi Jia Shan directed the drama "Crazy Grandpa"
Pan Hong recently took a photo
In January 2022, Mijiashan was 75 years old. In his later years, he was still in good spirits and still directed plays.
Although divorced from Pan Hong, the two are still friends and have met many times, and there is no embarrassment in communicating together.
Once a reporter joked with Pan Hong and asked her if she was in contact with Mijiashan? She smiled and said, "Contact, but don't dare to contact too much, because people have families." ”
During Mijiashan's mother's illness, Pan Hong also went to see the old man, which made Mijiashan burst into tears.
epilogue:
"Taste celebrities" comments: Many people believe that Mijiashan is famous because of Pan Hong. Indeed, Pan Hong's fame was too great, and Mijiashan once became "Pan Hong's husband" in people's mouths, and even the name was omitted, which made him very distressed inside.
"Stubborn Lord" was released for 28 years, and Mi Jiashan gathered with the film's main actors
But I have to admit that Mi Jiashan is also a talented man who independently directed many influential film and television dramas.
Mi Jiashan and Pan Hong were very compatible in the eyes of outsiders, but Pan Hong was too focused on her career at that time and was unwilling to conceive a baby, resulting in the disintegration of the marriage.
Pan Hong has not entered the marriage since she divorced, and she is still alone, childless and childless. In fact, at that time, Pan Hong made two fewer plays, and he was busy giving birth to a child, and the two are now another ending.
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