Master is a supreme title, the literary and art circles can be called "masters", the most well-known is the two great masters of the cross-talk industry: Hou Baolin and Ma Sanli. As early as the 80s, the two were officially recognized master artists, and the media reported that they were called "Taishan Beidou".

The two people have some meaning of not seeing the king, the age difference is almost the same, but the intersection is pitiful. Even according to Hou Baolin's disciple Sun Wangyang, the Hou family was secretly competing with the Ma family. In the 1990s, Wang Yang was preparing to shoot the TV series "Ma Sanli", and Hou Yaowen talked to him privately and asked him to remake "Hou Baolin". Of course, the authenticity of the incident is doubtful, and it is not excluded that Wang Yang will vent his private anger and make things up.
The master must have a technique that is different from ordinary people, and his mind is often unpredictable. This is the case with Hou Baolin Ma Sanli, a typical example of which is that the sons of both of them invariably chose to be the Master of Dairabai.
Ma Zhiming was Hou Baolin's disciple and was counted under Zhu Kuoquan's gate.
The young horse master told this story. Hou Baolin went to Ma Sanli's house to eat, the two of them made dumplings, Ma Sanli complained to Hou Baolin: Yamato this child said that there is no door for cross-talk, you say who he worships, Guo Rongqi of the Shouzi generation does not know where people are, Tao Xiangjiu is far away in Fujian is not convenient, the boss is not small and can not always be blue.
Hou Baolin understood as soon as he heard it, and immediately replied to the third uncle, you are worried about this matter, Zhiming counts me as a disciple. After Hou Baolin returned to Beijing, this matter was gone.
Later, when the QuYi Troupe performed, Ma Zhiming found Yu Shiyou and said I will buy you a train ticket, and you should go to Beijing and ask your master Hou Baolin if there is any matter of worshiping the master. He wanted to say that if he forgot, it would be all right, he would say that there was such a thing, invite him to come to Tianjin, and we will do it.
Yu Shiyou found Hou Baolin, and Master Hou replied categorically: If there is such a thing, I will go to Tianjin! The two grandfathers rushed to Tianjin overnight, and then the Qu Art Troupe activities took care of the worship of the master.
Hou Yaowen's worship was even more exquisite, and Li Boxiang's younger disciple was counted under Zhao Peiru's door.
When Hou Yaowen was young, he loved to walk around with the Chang family, and his relationship with Chang Baohua was the most iron, and he once wanted to worship under the door of Chang Siye. However, Hou Baolin did not agree, and later it was said that "the living cannot be cheapened", and I don't know whether it is true or not.
Hou Baolin belonged to the Yi worship master Zhao Peiru, teased the double absolute, the Master of the Tongtian Sect, and the Hou family members who threw themselves under him also had long faces. Hou Baolin found Wang Ping and said that you should run to your master (Li Boxiang) and ask him to help collect a little master. Li Boxiang was so clever that he understood as soon as he heard it, leave this matter alone, master and disciple I received it.
Generally artists worship masters to find the living, the bigger the wrist, the better, in case the learning of art is not refined and can not produce food, there is a master to take care of. Why did Hou Baolin let his son Deira?
The reasons are manifold. First of all, Hou Baolin's signboard is too loud, Ma Zhiming, Hou Yaowen even if it is nothing, relying on his father Meng Yin to eat and drink without worry, the details can refer to Hou Erye. Moreover, on the family origin of these two people, it is enough to eat and drink casually, and the details continue to refer to Second Master Hou.
The problem of survival is solved, and deep-seated problems arise. Hou Baolin Ma Sanli let his son Daira worship master, in a sense, also pursuing the purity of the spiritual world.
The cross-talk industry has inherited some bad habits, and apprentices are equivalent to finding another father. Many artists really take the master as a father, and the audience in the hall calls him father. This thing is intimate on the surface, but it must be depressed on the inside. For example, Chen Hanbai, who recognized 6 dry fathers, could not kiss anyone well, and returned home unbalanced in his heart to let his daughter-in-law call him daddy.
Can Hou Baolin Ma Sanli make his son suffer grievances? So Daira is the best choice.
In addition, worshiping the teacher also means that morally inferior, and is absolutely inferior. The disciple must listen to the master's words, and not listening to them is to deceive the master and destroy the ancestors, that is, to be filial piety, or to rebel against human morality and great rebellion. Hou Baolin was extremely high, Ma Sanli was low-key and thin, how could he mix these rotten things.
The choice of substitute teacher is even more interesting. The substitute master is equivalent to half a master, and Ma Sanli's choice of Hou Baolin probably also has the meaning of balancing generations.
The two are on a par with each other in the cross-talk industry, Hou Baolin has special respect for Ma Lao because of the xiaoma Sanli generation, and the third master sits behind him and stands, saying that he must be called the third uncle. Even at Ma Zhiming's worship ceremony, Hou Baolin, who was supposed to sit in a large block, let the Third Master sit in a large block out of respect.
Hou Yaowen's worship of Zhao Peiru, in addition to the consideration of "door to door", also deliberately avoided the meaning of the Ma family. Chang Baohua is Ma Sanli's apprentice, worshiping him as a teacher is equivalent to throwing himself under ma's xiangsheng door, and although Hou Baolin respects Ma Sanli, he still has to compete for strengths and weaknesses in art, so he will definitely not agree.
Zhao Peiru is undoubtedly the best choice. On the one hand, Zhao Peiru and Ma Sanli have a very good relationship, and at the end of their careers, they are only willing to give the third master a measure of work, and Zhao Peiru is equal to HouMa's two families and a distant relative.
On the other hand, the relationship between Li Boxiang and the Ma family was particularly tense, and Ma Sanli openly said at Jiang Baolin's acceptance ceremony that Li Jiechen was humane, causing the two families to have no contact for many years. In this way, Hou Yaowen was given enough "strategic" space, in case he was not particularly good with the Ma family, and there was also a master brother who carried the pot.
Just like the classic line of the TV series "Young Marshal": Jianghu is not fighting and killing, jianghu is human sophistication. In terms of master's human cultivation, ordinary people are really inferior.