The development of Chinese freehand landscape painting has formed a complete system up to now, and the content is very rich. The technique of freehand landscape painting is different from other techniques, and the use of pen and ink requires the expression of the author's emotional interest, ending with "intention". The overall consciousness of freehand landscape painting techniques is very strong, and the use of pen, ink, water, and color strives to achieve a high degree of unity. The so-called "pen and ink", "ink does not hinder color, color does not hinder ink". In contemporary China, there is a painter who is more persistent and prominent in freehand landscapes, and his paintings have won many awards, he is the artist Ma Zhifu.
Ma Zhifu image photo
Biography
Ma Zhifu, whose ancestral home is Henan, now lives in Beijing, Zhai No. Tingquan, member of China Artists Association, member of China Gongbi Painting Society, member of China Minjian, first-class artist, vice president of Beijing Sanxitang Art Academy, president of Zhongyi Qingfeng Calligraphy and Painting Institute, studio tutor of art college of Chinese Min University, tutor of Beijing Venucia Culture Chinese Painting Advanced Research Class, specially invited resident painter of Beijing Yanshan Chinese Painting Institute, professional painter of China Ethnic Minority Foreign Exchange Association, graduated from The National Academy of Painting of China, Central Academy of Fine Arts, Chinese Institute of Fine Arts of Renmin University, Landscape Project Class of Capital Normal University, Academy of Fine Arts of Tsinghua University, Modern Gongbi Painting Institute of the Ministry of Culture, Elite Class Painter of Modern Gongbi Painting Institute of Ministry of Culture, successively studied mentors, long Rui, former president of the National Academy of Painting, Qi Enjin, Wang Tiansheng, etc. The works have participated in the national large-scale art exhibition of the China Artists Association for many times and won awards, and the latest national exhibition has won awards.
Artistic achievements
★In 2016, his work Aoyama Chunxiao won the Excellence Award in the "I Love Danqing National Exhibition of Chinese Paintings".
★2017 Works, [Green Mountains Accumulate Ruiqi] National Exhibition of Chinese Paintings The Creative Ecology of Contemporary Chinese Paintings and the Trend towards the Times Were Exhibited, and the works were collected by the Qingzhu Art Museum in Qingpu, Shanghai.
★In 2017, the China Artists Association hosted the "Danqing Yangzhou" Third National Exhibition of Chinese Gongbi Heavy Color Paintings, which was selected and exhibited in gansu art museum, Shenzhen art museum, and other national touring exhibitions.
★2018 works [Home in the green mountains and green waters] participated in the "Central Plains Painting Style" Henan Province ranked fifth, excellent art works exhibition excellence award, works to the four northwest provinces tour exhibition, is the first comprehensive art exhibition held in Henan in the four northwest provinces since the founding of New China.
★In 2018, his work [Shengshi Xinmao to Jiashan Mountain] 2018 Xiamen National Gongbi Painting Biennale won the Qualification Award for Membership and the highest award of the Artists Association.
★In the 13th National Art Exhibition in 2019, his work [Shengshi Xinmao Tojiashan] won the second prize in the Henan Exhibition Area, and his works were exhibited at the Henan Art Museum and toured the country.
★In 2019, his work [Taihang Chunquan Listening to Qingyin] won awards in the Exhibition of Art Works Celebrating the 70th Anniversary of the Founding of the People's Republic of China at the Central Committee of the China Democratic National Construction Association and was exhibited at the Exhibition Hall of the Palace of National Culture in Beijing
Today we invited teacher Ma Zhifu to create a freehand landscape around the word "father", "Cultivating father map".
The word "father", which has the meaning of father and father, is also used as a good name for men in certain industries; for example, the farmer father, that is, a farmer engaged in agriculture, the word "father" also reminds us of a poem by the Tang Dynasty poet Meng Haoran, "Tian Jia Yuan Ri", "Last night the dou returned to the north, and now the dynasty starts in the east." I am strong in my old age, and I am still worried about the farmer. Kuruno is the father of the cultivator, and the hoe follows the shepherd boy. Tian Jia occupies the climate, and it is said that this year is abundant. ”
The poem depicts a farmer farming in a field. A farm is full of mulberry trees, and the farmers are working in the fields with hoes while discussing this year's harvest, speculating that this year is a harvest year.
The teacher used the form of a fan to create this "Cultivator Diagram". In this painting, the teacher wants to express a scene in which there are fields, villages, and farmers farming. The first element in Chinese painting is to intend to write first, so first establish the intention, and express the general meaning first. In Chinese painting, it seems that there are only a few strokes, in fact, most of them come out of sketching, as a painter, you need to sketch for a long time, improve your skills, and then experience the process of creation and finally drafting.
In this painting, the teacher uses the center to double-check the lines, so that it has a texture of mountain stone texture. After that, I used the color to dye the nongjia road, which at this time could not help but remind people of a poem "winding path through the quiet place", which is also the meaning of step by step. The lines like farmland in the picture should be checked, including the trunks inside the trees, and they should also be hooked with ochre stones.
Draw the idea tree with a flower blue, and the house with a red cinnabar table. Then there is a relatively dense tree next to it, called airtight, and Chinese painting pays attention to airtightness. After that, I used the head green tone to dot the blue to dye the farmer's father's clothes. Head green plus three green tones and color of the stone after the mountain. Finally, the cinnabar family ochre was used to paint the distant mountain, which seems to have the meaning of good fortune and auspiciousness.
The teacher finally stamps the inscription at one-third of the picture. In the whole work, you can see that there are distant mountains, near mountains, far-reaching and high-reaching, because Chinese painting pays attention to three-point perspective, the teacher used the Pingyuan method and the far-reaching method to create this painting. And the content in the painting is relatively rich, interspersed with farmhouses, farmhouses and trees, including a scene of the field and the farmer's father farming, which is displayed in front of us.
A "Cultivator Diagram" was finished, I hope you like it.
Appreciation of works
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