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"Autumn Rain Hua Shan Run" painting method steps
Step 1: Sketch
This picture is the third of the four seasons of landscapes, depicting the rain scene of Huashan Mountain in Xiyue, to show the danger of Huashan Mountain, and to paint the rain scene to be moist.
Use charcoal strips to lightly outline the mountain, leave the sky on it, the mountain road and pine trees should be properly coordinated with the mountain, the white space except for the sky, are white clouds, the cloud shape should be vivid and natural, and the cloud shape can be outlined with very light ink in advance.
The figure is roughly the upper middle and lower three segments, the lower segment is left, the middle segment is small, and the upper segment is to the right. The traditional composition has the theory of bearing and turning, the close view of the large triangle in the lower left is the beginning, the small triangle in the middle is the bearing, the upper left is the turn, and the main peak on the right is the combination. Roughly it is a glyph.
The ink line uses hard lines to highlight the characteristics of the mountain structure with solid stones. The lower close-up lines are thicker, the ink is thicker, and the upwards are weakened sequentially. The left and upper left mountains can not be drawn with ink lines, but with a slightly larger sheep pen dipped in light ink, a few strokes from top to bottom. Do not use broken pens to prevent clutter of pen marks. The horizontal line of the stone steps of the mountain road should be flat.
Step 2: Rub
Huashan is mainly stone, the mountain stone is hard, the stone pattern is like an axe splitting, the lines are hard and straight, and the traditional painting method is expressed by axe splitting. This kind of method is strong, and the relationship between light and dark is clear.
When the pen tip is slightly sideways, press the pen, quickly and straight to close the pen, there are nails in front and fly white in the back, and the rubbing is expressed in a change, which is consistent with the hard lines outlined by the mountain stone. The end of the pen has a feeling of rubbing, after the end, use the dry pen light ink flanker to make up for it.
It should be noted that the pen belly should not contain too much water, the tip of the pen is dipped in ink, the pen is powerful, and there must be a thick and light dry and wet change. The outer contours of each layer of the mountain must be rubbed more solidly, and the mountain path and the clouds and smoke must be squeezed out.
Step 3: Spot dyeing
There are more trees in Huashan Stone, and when painting leaves, the tip of the pen can be pinched into a comb shape, such as a row of brushes, which is used to point pine leaves. When dotting moss and other miscellaneous trees, dip the tip of the pen into ink, poke scattered on the paper, and poke the dot with the scattered edge. This kind of point is called a scattered point, commonly known as a broken pen point.
When dyeing ink, the contrast between light and shade is emphasized, and the close-up is the darkest, but there is also light in the dark, and the light contrast here with the light of the mountains behind is only slightly bright. There is also darkness on the back hill, but it is only slightly darker in contrast to the dark side of the nearby mountain. Although there are not many clouds in Akiyama, there should also be some clouds interspersed in the mountainside to show the unfathomable depth of the mountain.
This figure has been rendered many times and is itself a complete ink painting that can be colored without color.
Step 4: Coloring
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