Now from male frequency adaptation to animation, capital is promoting "high-end face" or "ugly person", that is, to infinitely reduce the lower limit of the public's aesthetics.
Let me first share a fragment of the Old Three Kingdoms that I recently reviewed.
Lady Gan died, and it was at this time that Eastern Wu was dissatisfied with Liu Bei's power after the Battle of Chibi, so Zhou Yu came up with an idea, under the pretext of giving Sun Quan's sister Xu to Liu Bei, asking Liu Bei to go to Eastern Wu to enter The Name, and tricking Liu Bei into Eastern Wu and ambushing him with a knife and axe to kill him in one fell swoop.
Then Zhuge Liang's response was to first let Liu Bei make a big deal out of it as soon as he entered Eastern Wu, so that everyone would know that Liu Bei was going to come and marry Sun Quan's sister.
Secondly, he made things happen in front of Wu Guotai, so that Sun Quan had to tell Wu Guotai about this plan, but wu Guotai wanted to see Liu Bei first after knowing it, to see if this person could be a hero worthy of Sun Quan's sister.
Liu Bei knew that this act was more vicious and less auspicious, and when he heard that Wu Guotai wanted to go on a blind date for Sun Quan's sister, he knew that things had turned around, but he was still worried.
As we all know, the Romance of the Three Kingdoms is a work of the late Yuan and early Ming Dynasty, the Old Three Kingdoms was filmed and produced in 1994, and when the Old Three Kingdoms handled this plot, it was not for Liu Bei to sigh at Zhao Yun and chat endlessly about the situation in Eastern Wu.
Instead, liu Bei walked to the mirror with a candle after the messenger left, and said with great sadness that he was old, and if Wu Guotai or Sun Quan's sister didn't look at him, then what should he do?
Of course, later the ending was that the male protagonist Wang's domineering spirit was revealed, and Eastern Wu felt that Liu Bei should be Sun Quan's sister-in-law, and also abducted Lady Sun back to Jingzhou.
What does this mean?
It shows that from ancient times to the present, whether it is a speech script or a current online novel, or a later TV movie, even if it is simply for the plot of male readers, the main creator and screenwriter know that the male protagonist must be a good-looking handsome man to be able to persuasively promote the plot.
This matter has nothing to do with what feminism, what women consume male sex, do not believe to turn over the twenty-four histories written by the ancients, all good-looking characters, even the historians who cherish words like gold must be specially mentioned in this chronicle. And now there is a crooked and evil atmosphere in the film and television circle, and like a dead eunuch Zhao Gao, he likes to refer to deer as horses and ugly as beauty.
Even now some cartoons are stuffed with some ugly relationship households as male protagonists, and then they are crazy marketing there to "cultural self-confidence", "promote traditional culture", "have manhood", "light comedy male protagonists themselves do not need good-looking male protagonists", do not know who they are cheating?
Who believes?
Those who are high up in the air and try to bully the audience's aesthetics should get out of the film and television circle.