1 The Virgin
It is hard to imagine a film that could present the essence of religion, with a kind of crazy passion and fantasy, coupled with extraordinary wit, under the pretext of people's fear of death and irrational blind obedience, giving birth to what people call "faith". The most interesting thing is the envoy's sentence before his death, "I didn't expect you to lie in the end", and the reason why he was able to believe that Bernadette was lying was because even he himself did not believe that he would be in heaven, because a person like him who controlled the right to interpret the faith never believed in God.
2 "Bouquet of Love"
In a fairytale love program, from the unreal fit and romance, a little slipped into the trivial quagmire of seemingly mysterious, and the final restaurant breakup scene, although slightly deliberate, poked the essence of the love relationship. If both people know that love is dead, then is it to deceive themselves into marriage, or to send each other a decent breakup?
3 《Zishan Fish Recipe》
Li Maoyi is another anti-Confucian masterpiece after "Si Mourning". If "Si Mourning" talks about how patriarchy (monarchy) shackles people's souls from the deepest depths, "Zishan Fish Recipe" is about how Confucianism completely destroys the spirit of generations of people intellectually and systematically. In Confucianism, Xiu Qi Zhiping is, in the final analysis, just a cover for pursuing fame and fortune, learning in addition to the most basic qualities and knowledge, but also a person's method and channel to look at himself and the heavens and the earth, which can transcend language beyond faith, and is the meaning of life itself.
4 "Make a Good Movie"
It should be difficult for a long-established director to be so calm and sincere in front of the camera as Xu Anhua, the shots of her taking care of and accompanying her mother, the shots of her suddenly falling on the set, and the shots of explicitly refusing to say a blessing to the staff behind the scenes, all of which best explain what kind of person she is and why she shoots films that are not optimistic at the box office.
6 "Chance and Imagination"
Those subtle emotions and unprocessed mentalities can only be perceived but not expressed in words in many cases, but you can still briefly understand his true heart through words that are either paradoxical, or insincere, or blunt and quick to speak. Some words are not true or disguised, some words are more tempting than flesh, and some words that have been held back for a long time, you just need to say them and tell them to the person you imagined.
6 "Love Myth"
Pyrotechnics, a sense of humor, subtle careful thoughts between men and women, and a playful deconstruction and self-deprecation of literary styles. As a middle-aged man who watched Fellini's "Love Myth" (in fact, all of Fellini's films) ten years ago, I was full of emotions - downhill, can it be difficult to go?
7 "Still Water City"
In the end, it is not about a father trying to save his daughter, nor about an incompetent father trying to redeem himself, but about a man who, after trying to save everything, finds that he has lost everything he has. Matt Damon's cross-fleshed face and beard are indeed very helpful in playing a typical American rough guy.
8 "A Beautiful World"
It's a wonderful world and worth living hard. I disagree with the first half of the sentence, nor do I agree with the second half.
9"Asakusa Koko"
Not as delicate as described in the book, the sentimentality and righteousness of the strippers have also been reduced a lot, leaving only the role of Munwaki Mai, but the emotions between the master and the apprentice, especially Kitano Takeshi's respect and gratitude for the master, are still very good, and the two scenes of farewell and return are handled well. Yumi Yanagi has deduced Kitano Takeshi's facial charm with great difficulty.
10 "Summer Future"
This is what a youth film should look like. Do not pretend to be posture, not without illness and groaning, nor embarrassing and sensational to force life and death to leave, but to really speculate and present the thoughts and emotions of teenagers, to analyze and relieve their troubles and confusion. Zi Feng and Wu Lei, the two starring states are very right, vigorous but ignorant and shy, love Sinus just opened but do not know who to listen to, with one secret to exchange another secret, with a lie against the heart to try to defend their loved one. The most enviable thing is that they can express their likes so openly and cheerfully – whether it's something they like or someone they like. Here you can read the love of teenagers, and you can also see how teenagers have grown up.