The gold process re-inlays the "golden edge" for the Zibo ceramic industry

Original title: "Jinjiao process for Zibo ceramic industry to re-inlay "golden edge""

The history of Chinese ceramics has a history of thousands of years, ceramics have played a major role in people's lives since ancient times, but the fragile nature of ceramics makes many high-value artifacts discarded as "waste" due to mutilation and damage, so restoration is particularly important.

"Jinjiao" craft is a kind of restoration technology introduced to China from Japan in the later period, although China used lacquer more than 7,000 years ago, and in the Warring States period has learned to use lacquer to decorate items, and ancient has been decorated with gold and silver to decorate utensils.

As a part of the ceramic restoration craft culture, the main function of the "Jinjiao" process is to restore and restore the broken porcelain, the most important material of which is the lacquer, which is a witness to the development of Chinese lacquer art culture and an indispensable and important part of China's excellent art culture.

As a member of the porcelain restoration process, its inheritance and development have an important influence and role on the restoration of ancient ceramics, the restoration of modern artworks, and the design of ceramic art. In the modern society with a highly developed material life, the "Jinjiao" craft needs to meet the aesthetic value needs of modern ceramic art under the core essence of traditional handicraft restoration, and innovate.

The practical value of "Jinjiao" lies in the restoration function of the porcelain itself, and the application of the "Jinjiao" process to modern ceramic art design is to transform broken porcelain into arts and crafts with unique aesthetic value on the basis of restoration, it is the exploration and innovation of artistic expression linguistic diversity on the basis of craft expression and restoration concept, from a single restoration for "restoration" to the formal connotation of acting on the re-creation of modern ceramics in the integration and integration, and the construction of lacquer art "Jinyi" oriented to the creation and design of modern artworks Craftsmanship and the language of expression acting on the innovation of modern ceramics are in line with the contemporary aesthetic characteristics to highlight the beauty and interest of the lacquer art "Jinjiao" process, and obtain the beauty of "impermanence" in the aesthetic sense.

With the craft concept of "replenishing life and restoring art", the unique craft characteristics and values of the "Golden Silk" restoration process are summarized. From this point of view, from the perspective of traditional Chinese empirical consciousness aesthetics and traditional creation, the aesthetic value of the "Metaphysical One" is analyzed and studied, combined with the significance and influence of archaeological restoration and modern ceramic artwork creation and design.

By examining the current situation and problems of the craftsmanship of the "Jinjiao" craft, combining the current situation of the craft and aesthetic consciousness to develop a sense of cultural identity in the context of modern multiculturalism, and obtaining new development opportunities from the humanistic and emotional needs of industrial civilization, in practice, the research and development of the "Jinjiao" process is explored from the perspective of modern ceramic art design and traditional "Jinjiao" restoration.

The characteristics of the "Golden Silk" process were originally a craft technique to solve the repair and decoration of ceramic damage, which has an extremely important role in the regeneration of damaged ceramics, using lacquer as an adhesive, supplemented by gold leaf, gold powder decoration, and the restored utensils are unique in both handicraft and artistic emotions and visual aesthetic effects. But with the development of modern society,

The improvement of people's material and cultural development level has prompted people's demand for the spiritual world to continue to strengthen, the "Jinjiao" craft and "ceramic art" have encountered a certain bottleneck period, the traditionalization of the "Jinjiao" craft and the demand for "ceramic art" have continuously broken through and the desire for innovative development, making new forms of innovation become the direction of breakthrough.