Fujian is one of the earliest birthplaces of modern lacquer painting in China. Fujian lacquer painting is created with lacquer and gold, expressing the subtle, hidden and implicit beauty of Chinese culture, and is one of China's intangible cultural heritage. Lacquer paintings are created with complex materials, including lacquer, gold, silver, lead, shells, stone chips, wood chips, etc., with complex processes and a very long time for reproduction.
On December 10, Yangtze River Daily and Canon jointly launched the "One City One Intangible Cultural Heritage" online topic collection activity. Canon uses high-definition modern printing technology to help present the patterns and colors of Fujian lacquer paintings, so that Fujian lacquer paintings can be more widely spread among the public and help the inheritance of intangible cultural heritage. Fujian lacquer paintings with great oriental charm and national characteristics walk down the clouds and walk to the human world, widely exuding the unique charm of Chinese culture.
Lacquer painting has the dual properties of painting and craftsmanship. It is both a work of art and a practical ornament closely related to people's lives. The materials of lacquer painting are diverse. In addition to lacquer, there are gold, silver, lead, tin, eggshells, shells, stone chips, wood chips, etc. In addition to silver zhu, there are also stone yellow, titanium dioxide, titanium blue, titanium blue and so on. Lacquer painting techniques are rich and colorful, according to their different techniques, lacquer painting can be divided into different varieties such as engraving lacquer, stacking paint, carving paint, inlaid lacquer, paint painting, grinding paint and so on.
The reason why lacquer painting can be based on the painting world is that it has a unique aesthetic character, and this unique aesthetic character comes from the characteristics of lacquer. Just as ink painting should be built on the basis of ink and rice paper, oil painting should be built on the basis of oil paint and canvas, and lacquer painting should be built on the basis of lacquer as the main medium. Therefore, people who are interested in lacquer painting must first learn to understand the language of lacquer in order to make a good lacquer painting article. A good lacquer painter must not only be a painter, but also a lacquer artist.
Fujian lacquer painting plays an important historical role in the development process of Chinese lacquer painting, ranking the leading position in the development of national lacquer painting, which also makes Fuzhou, Xiamen, Quanzhou and Zhangzhou the core areas of the development of Chinese lacquer painting.
One of the important reasons why Fujian lacquer painting has a great influence in the country is that it draws nutrients from the local lacquerware decoration process. In a sense, without the foundation of traditional lacquer art, there is no characteristic of modern Fujian lacquer painting.
The traditional techniques of Fujian lacquer painting are rich and diverse, mainly including drawing gold, halo gold, inlaying, grinding and painting, bullet dyeing, gold bone painting, hook filling, flat painting, color ink and other drawing techniques.
Rich in traditional techniques, Fujian lacquer painting is good at giving full play to the advantages of natural lacquer, and is well-made, and has won many awards in national art exhibitions. Fujian lacquer paintings were unveiled at the National Art Exhibition in 1964, and the work "Spring of Wuyi" was first selected for display in the Great Hall of the People in Beijing, and was first exhibited in a single column at the National Art Museum of China and other parts of the country.
【Editor: Deng Laxiu】
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