Zhao Mengfu's book "Begging For Mou Chengfu"
Length 30 cm, width 46.4 cm
Shiqu Baodi Continued Edition, Collection of the Palace Museum.
The friend Mou Chengfu is poor, and the so-called cone of Xiang Yan is also absent. In the midst of the abundant years of hunger, how can they hold on to their stomachs and support their old children? Yuanming begging for food, Lu Gong begging rice, Lai Duo Guxian, can be a mouthful. Benevolent and righteous, there are those who can refer to Lu Su's yuan and Shi Lai Wu's reeds. Wu Xing Zhao Mengfu white.
The friend Mou Chengfu is poor, and the so-called cone of Xiang Yan is also absent. The good years are still hungry, and if this famine is sorry, how will it be strong
His belly and his old man. Yuanming begging for food, Lu Gong begging rice, Lai Duo Guxian, can be a mouthful.
Benevolent and righteous, there are those who can refer to Lu Su's yuan and Shi Lai Wu's reeds. Wu Xing Zhao Mengfu white.
Zhao Mengfu's calligraphy is in the middle of the line and in the middle of the line, the knot body is rigorous, the symmetry is straight, the glyph is slightly flat, the character posture is beautiful and elegant, and the qingjun is charming and contains the wind bone. Although his calligraphy is in and out of the "two kings", it has already formed its own style.
Zhao Mengfu calligraphy features:
1. On the basis of inheriting traditional calligraphy, Zhao's cutting complexity is simplified, changing the ancient into the present, its pen does not contain hun, it does not make a mistake, and the pen path of starting, transporting and closing the pen is very clear, making it easy for scholars to understand and follow.
2, the appearance is round and the connotation of bones and bones, its dot painting is full of vigor, the knot body is wide and beautiful, and the echo between the dot paintings is very close. The outside seems to be soft and the inside is solid and strong, the shape is beautiful and the skeleton is strong. Scholars not only learn their forms, but focus on learning their gods.
3. Pen round frame square, flow belt line. When writing Zhao body, the dot painting needs to be round and huazi, but the structural cloth white should pay great attention to the square and rigorous, horizontal and straight, skimming and stretching, and the focus is stable. Only in this way can we grasp the characteristics of the Zhao body.
4. The strength of the gambling family, in Zhao Mengfu's calligraphy, we can see the calligraphy characteristics of many famous artists, which can appear well in Zhao's works. This is not a simple combination, but a combination of these calligraphy points, organic combination, which is like cooking, only by making the best use of the ingredients can the most delicious dishes be cooked.
5, is a solid foundation, Zhao Mengfu's calligraphy is suitable for calligraphy lovers to lay the foundation when copying, Zhao Mengfu was born in the Song Dynasty, the Song Dynasty, whether calligraphy or painting, has become a bit exaggerated, focus on skills, but lost those basic things.
6, is the combination of shape and meaning, Zhao Mengfu calligraphy characteristics of the most important is the combination of shape and meaning, his calligraphy in the combination of shape and meaning is very good. Zhao Mengfu's calligraphy combines the advantages of the calligraphy of his predecessors, pays attention to the combination of shape and meaning, and makes calligraphy have its own meaning.
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