Yangtze River Daily Wuhan client December 20 news (reporter Wan Jianhui correspondent Huang Min) the total construction area of 64,000 square meters of Hubei Provincial Museum new museum officially opened at three o'clock this afternoon. Tomorrow (December 21st) will officially open to the public, and the public can make a reservation online in advance and enter the museum after making a successful reservation. For online reservations, please click here
Aerial view of the Provincial Bo New Pavilion. Photo by Huang Min
The New Provincial Museum overlooks the Ruding characters, and some of the walls are glass curtain walls and dragon pattern reliefs, and the Jingchu cultural elements are integrated with modern science and technology. The new museum integrates functions such as collection and storage, exhibition and performance, scientific research, technical protection, education consultation, etc., and has the functions of library materials, film and television screening. After the opening of the new museum, the total construction area of Hubei Provincial Museum will reach 110,000 square meters.
In addition to the ZengHou Yi chimes, Yue Wang Gou Jian Jian and other national treasures collected by the Hubei Provincial Museum, they were also stationed in the new museum. At present, the new museum has set up special exhibition halls such as ZengHou Yi Exhibition, Chu Kingdom 800 Years Exhibition, Liangzhuang King Exhibition, Yue Wang Gou Jian Sword Exhibition, Zeng Shijia Exhibition and so on.
In recent years, the comprehensive hall that has been responsible for receiving visitors will also be adjusted, and hubei general history exhibitions will be held, such as hubei ancient civilization exhibition and hubei modern wind and cloud exhibition.
Guests from various provinces in China who participated in the first China (Wuhan) Cultural Tourism Expo visited the Provincial Expo in advance. Photo by Wan Jianhui
On November 26th, guests from various provinces in China who participated in the first China (Wuhan) Cultural Tourism Expo visited the Provincial Boxin Pavilion in advance. In the face of national treasures such as Zeng Houyi chimes, painted lacquered wood tiger seat bird drums and other national treasures, the guests were amazed. The reporter of Yangtze River Daily accompanied the guests to have a preliminary experience of the new provincial museum where Chen Zhan was basically completed.
Zeng Houyi chimes chimes in the "residence" of the new museum, which can be called a "super mansion"
The domestic guests who participated in the first China (Wuhan) Cultural Tourism Expo visited the Zenghou Yi Chimes at the Provincial Museum New Pavilion in advance. Photo by Wan Jianhui
Entering the hall of the new building, the more eye-catching on the right side of the hall is the exhibition hall of Zeng Houyi. In addition to the Zenghou Yi chimes, the exhibition hall also displays chime bell beams, painted wood, Zeng Houyi chimes and so on.
Living in the fifth century BC, Marquis Yi of Zeng was the monarch of the Zhou Dynasty princely state of Zeng. His tomb was discovered in 1978 in Suixian County, Hubei Province (now Suizhou City), and more than 15,000 exquisite and unparalleled cultural relics were excavated, presenting a highly developed liturgical civilization, embodying the rich spiritual world of the ancients who feared heaven and earth, gods and ancestors, and revealing the extremely high achievements of ancient Chinese bronze casting, astronomical calendar, music and art.
Located on the first and second floors of the east side of the South Main Hall, the exhibition hall of Zeng Houyi is divided into six parts: "Respecting the Ancestors of Heaven", "Jin Sheng Yu Zhen", "So Shang Ruo Chen", "Viewing and Teaching Time", "Carriage and Horse Ceremonial Guard" and "Eternal Protection and Enjoyment", which explain the cultural relics of Zeng Houyi from multiple angles, reflect the ancient liturgical civilization, and highlight the characteristics of cultural relics and art.
According to the staff of the provincial bo, the "residence" of Zeng Houyi chimes in the new museum has a large area, higher scientific and technological content, and a good viewing environment, which can be called a "super mansion". "The display of Zeng Houyi chimes in the new museum will emphasize the sense of space. The chimes were excavated in the middle chamber of the tomb, and the occasions it was used were originally large places such as the Zongmiao Temple, so the exhibition space provided by the new museum for the Zenghou Yi chimes was very large, with two floors high, which belonged to the center position from the ceremonial point of view. Fang Qin, director of the Provincial Museum, introduced, "The new museum uses a large number of high-tech elements, such as constant temperature and humidity system, low-reflection glass, modern information technology, etc., which can not only deeply protect cultural relics, but also allow the audience to have a better experience when visiting." ”
The Tiger Bird Drum is the most eye-catching in the 800-year exhibition hall of the Chu Kingdom
Chuguo silk fabric. Photo by Wan Jianhui
In the 800-year exhibition hall of the Chu Kingdom, the attention of the guests was attracted by the Tiger Bird Drum with the characteristics of The Magnificent Jingchu. According to the narrator, it was excavated in 2002 in Jiuliandun Chu Tomb No. 2 in Zaoyang, Hubei Province, dating from the middle and late Warring States period, it is full of black paint, decorated with red, yellow, silver and white multi-color painting, the stable tiger seat and the flying phoenix frame highlight the romance and magic of Chu culture. From the tiger seat to the phoenix frame, from the shape to the painting, and its exquisite degree, it can be called the representative work of the Chu lacquer art.
Located in the middle and lower reaches of the Yangtze River, the Chu State has a history of about 800 years and played an important role in the formation of Chinese civilization. The Chu people created a splendid and colorful material culture and spiritual civilization, which laid the foundation for the integration of Chinese northern and southern cultures and the formation of Chinese civilization. Hubei is the hometown of the Chu state and the birthplace of Chu culture, and a large number of Chu cultural relics unearthed by archaeology have greatly enriched people's understanding of Chu culture.
The 800-year exhibition hall of the Chu Kingdom plays video materials. Photo by Wan Jianhui
Located in the middle and west of the third floor of the South Main Hall, the 800-year exhibition hall of the Chu Kingdom is divided into four units: "Opening Up the Territory and Expanding the Territory", "Etiquette and Customs", "Amazing Beauty", and "Seeking Up and Down", breaking the narrative context with material as the main category, absorbing new research results, highlighting the spiritual connotation of the Chu people's "Blue Wisps of the Road" and "One Hit", from material to spirit, from literature to cultural relics, comprehensively displaying the history and culture of the Chu State.
Guodian Chujian "Lao Tzu" B of the original bamboo Jane. Photo by Wan Jianhui
With the guests visiting, the Yangtze River Daily reporter also saw that the original bamboo jane of Guodian Chujian "Lao Tzu" B was surrounded by the display cabinet. It was excavated in 1993 at the Chu Tomb no. 1 Guodian in Jingmen. Lao Tzu, also known as the Tao Te Ching, was written in the late Spring and Autumn period. Guodian Chujian 'Lao Tzu' B was copied in the middle of the Warring States period, earlier than the "Lao Tzu" book excavated in Changsha's Mawangdui, and is the earliest copy of "Lao Tzu" that has been seen so far.
Zeng Bo's copper pot, painted phoenix-patterned stone woven chime, Wu Wangfu's spear, renqing copper lamp... The precious cultural relics representing the characteristics of Chu culture amazed the guests.
There is a mirror at the head of the yue king's sword, allowing visitors to see more clearly the eleven concentric circles at the head of the sword
Located in the middle of the second floor of the Provincial Boxin Pavilion, the Yue Wang Gou Jian Jian Exhibition Hall is divided into three units: "Yue Guo Spring and Autumn", "Shocking Discovery" and "King of the Sword", taking the history of Yue Guo as the starting point and introducing the historical story and scientific and technological achievements behind "Yue Wang Gou Jian Sword".
In the winter of 1965, the Yue Wang Gou Jian Sword was excavated from the Tomb No. 1 of Wangshan Mountain in Jiangling, Hubei Province, and its owner was the mourning of the Chu nobles in the middle of the Warring States Period, and the eight-character inscription on the sword body shows that its owner was Yue Wang Gou Jian. The Yue Wang Gou Jian Sword is a national treasure-level cultural relic, which not only epitomizes the developed level of science and technology and art in the Spring and Autumn period and the Warring States Period, but also bears witness to the relationship between Chu and Vietnam at that time.
Located in the middle of the second floor of the South Main Hall, the exhibition is divided into three units: "Spring and Autumn of the Yue Kingdom", "Shocking Discovery" and "King of the Sword", taking the history of The Yue Kingdom as the starting point and introducing the historical story and scientific and technological achievements behind the "Yue King's Sword". A mirror is placed at the head of the sword to allow visitors to see more clearly the eleven concentric circles at the head of the sword.
According to the staff of the provincial bo, the Yue Wang Gou Jian sword was inserted in the lacquered wood sword sheath when it was unearthed, and when it was sheathed, it was still cold and shining, dazzling, and its blade was thin and sharp, and it was tested that it could easily cut 20 pieces of white paper at a time. Although this bronze sword has been buried deep underground for more than 2,500 years, the ornamentation is still clear and rustless, and it is known as "the first sword in the world".
The Zeng family, the Liangzhuang King's collection, and the treasures of calligraphy and painting have their own characteristics
At the entrance of the Zeng family exhibition hall. Photo by Wan Jianhui
The exhibition hall of the Zeng family uses cultural relics to show the archaeological mysteries of Zeng Guo. Zengguo Archaeology is one of the archaeological discoveries with the most achievements and the highest social attention in Hubei Province in recent years, and the wonderful excavation results have attracted the attention of all sectors of society. The efforts of archaeologists have gradually made the appearance of Zeng Guo, an ancient country with lost historical records, gradually clear.
The exhibition hall is located on the second floor of the west side of the south main hall, which is divided into four parts: "The First Seal of Jianghan", "The Great Power of Eastern Han", "King Zuoyou of Chu" and "Huazhang Reproduction", through archaeological results, comprehensively reveal the development process of Zeng Guo from leading the way in the Jianghan region to nourishing the Chu state and finally integrating into the Chu culture.
The Liangzhuang King Collection exhibition showcases treasures from the Zheng He era. Zhu Zhanya, the King of Liangzhuang, was the ninth son of Emperor Akihito, and his fief was located in present-day Zhongxiang, Hubei, and he lived in an era when the Ming Dynasty was opening up to the outside world, and Zheng He's fleet made many voyages to the West.
The exhibition hall is located in the east of the third floor of the South Main Hall, divided into three parts: "Tianhuang Guiguan", "Pearls Surrounded by Green Circles" and "Silk Road Treasures", through the exhibition of precious cultural relics excavated from the tomb of King Liangzhuang, reproducing the aristocratic life of King Liangzhuang and His Princess, and also showing the cultural exchanges between China and the West brought about by the Maritime Silk Road.
The exhibition of fine calligraphy and painting shows the treasures of calligraphy and painting in the collection of Hubei Provincial Museum. The Hubei Provincial Museum now has a collection of nearly 10,000 calligraphy and painting works, of which 114 are first-class works, mainly ming and qing dynasty and modern works, but also dunhuang, Song Dynasty Japanese scriptures and paintings from the Southern Song Dynasty and Yuan Dynasties. The sources of the collection include the allocation of Wuhan Municipal Cultural Management Commission, the Museum of Culture and History and other units, as well as social donations from Mr. Xu Xingke, Yan Shiqing, Yang Xianmei, etc., especially Mr. Xu Xingke's donation of nearly a thousand pieces of calligraphy and paintings, and it is these collectors who have laid the foundation for the collection of calligraphy and paintings with great enthusiasm and sincere faith. The exhibition hall is located on the fourth floor of the South Main Hall, which is divided into four parts: "Calligraphy and Painting Before the Ming Dynasty", "Calligraphy and Painting of the Ming Dynasty", "Calligraphy and Painting of the Qing Dynasty" and "Modern Calligraphy and Painting", which collects representative works of calligraphy and painting from various periods and displays them intensively.
【Intern Editor: Wang Yujin】
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