preface
In Chinese landscape painting, stone is also one of the important subjects of painting and is the main factor in painting landscape painting. In the creation of Chinese landscape painting, painting mountain stones should start from painting stones. Mountain stone is the most basic content of landscape painting, stone is the part of the mountain, mountain stone painting, to go through the hook, wrinkle, rub, point, dye and other basic steps or add the process. The ancients cloud "stone divided into three sides" should be observed its yin and yang to the back, with a pencil to draw, so that it has a three-dimensional sense. After drawing according to the texture of the mountain stone, the light and shade with a pencil, to detect its shortcomings, you can add a brush slightly. The so-called brush pen, that is, with a dry pen light ink rubbing, to cover the engraving of the pen, and make it thick. Skilled pen carriers can also perform simultaneous rubbing.
The author of the Gome Stone Law class assignment
One
The way to draw stones
The painting method of stone is similar to the ink method, which is divided into ink accumulation method, ink breaking method, and green mountain stone painting method. Regardless of the technique, the general steps can be hook, wrinkle, dot, dye, and color. These five steps can be used flexibly, or first dye and then hook, or dye and then point, or thick and light or light.
1, hook, that is, to outline the shape of the stone and its texture. The changes such as the undulations, heights, distances, and turns of the rocks are carefully depicted. Optionally use a small pen, the pen dipped in light ink to outline the outer outline, pay attention to the interaction between the middle and flanks, and use a more general and bright method to press and press in an orderly manner.
2, wrinkles, according to the stroke pen pattern plus wrinkles, with the pen should be harmonious, but also clear. The lateral stroke of the pen, with a radial brush, is used to illuminate the back of the stone, and initially draw the basic body feeling of the stone. With the pen, the middle side can be gathered and scattered, dragging and dragging in reverse, and following the shape. Rubbing is the texture of the stone, enhancing the three-dimensional sense of the stone, hooking the edges, the shape of the line is solid, the inner line is empty, and the charm is vivid.
3, wipe, on the basis of completing the pen, use dry and loose lateral strokes to gently wipe the concave surface of the stone, pay attention not to coincide with the first time with the pen, and slightly stagger the pen meaning. One is to harmonize the pencil, and the other is to strengthen the sense of body. Be careful not to rub greasy.
4. In accordance with this law, continue to deepen the relationship between light and dark. On the basis of the previous drying, carry out multiple rubbing, pay attention to the accumulation of ink to avoid the problem of greasy and sticky, practice more, practice can make skill.
5, dyeing, with light ink baked out of the convex surface, less dyeing or no dyeing in the high place, the dark side of the stone to be more dyed, the ink color should be lighter than the ink method of rubbing, once not enough two or three times to dye, further strengthen the body feeling of the stone. The dyed ink must be lighter than the ink color of the pen, otherwise it will be stiff.
6, coloring, light coloring method is mainly based on flower cyan and ochre, the underside of the stone shady side of the flower blue plus ink, the sunny side of the ochre water transfer can add moss point, indicating that the stone on the moss and other plants, the point should be through the heart, so that the mountain stone can be icing on the cake.
Two
Characteristics of the stone painting method
In landscape painting, painting stones is very important, generally to outline first, and then rub. Painting mountains and stones is all about using lines, that is, using pens. The key to using a pen is that it should be virtual rather than real, light and not heavy. The outline and lecturing of mountain stones are generally not separated. The line of mountain stones is mostly "stone rib line", that is, the dividing line of mountain stones, also known as "junction line". The focus of painting mountain stones is to grasp the composition essentials of mountain stones, "squares are shaped, and the size is different". "Square circle as shape" is to pay attention to the combination of square and circle and square in the middle of the mountain stone when modeling and composing the mountain stone, because this is an objective phenomenon of nature. To show the undulating changes in the shape of the mountain stone, as well as the light and shade and thickness of its portrait, it is also necessary to show the level and depth of the mountain stone. "Large and small" baby means that when arranging and combining III stones, both the size of the wa mountain stone and the mountain peak must be different. The main peak of the mountain should be large, the mountain range should be winding and winding at the top of the big and small mountains, and the combination of mountains should also have the law of large and small gathering and dispersion, so as to form the ever-changing of mountain stones. We should also pay attention to the problem of "rigidity and softness", the stone is rigid, the earth is soft, and the two are rigid and soft. In short, in the shape of mountain stones, it is necessary to capture the objective beauty of nature, and at the same time to master the trick of the law, and the green landscape painting stones should be "supplemented by wrinkles to strengthen the concave and convex".
Before the Tang Dynasty, landscape paintings were empty and unkempt, relying on dyeing to indicate a three-dimensional sense. After the rise of ink landscape painting, he gradually created the method of 皴法 to express the concave and convex feeling of mountain stones. The method is more likely to express the shape, texture and regionality of the mountain stone. The principle of wrinkles is to use wrinkles in dark places and in recesses, and there are no wrinkles or less wrinkles in raised places. Square mountain stones are used with flanking ridges, such as horse's tooth wrinkles and axe splitting; circular mountain stones are used in lateral arcs, such as phimples, unsophistication, folding belts, etc. The pen is generally a dry pen. Green landscape paintings should not be too much, nor should they be too heavy. It is also possible to add a little ochre to the ink. If the blue-green place should be left empty or less wrinkled, if the feeling is not enough after dyeing, it can be replenished. Green landscape paintings should highlight the effectiveness of color and should not overemphasize the method. Where the thread is too dense, it is not advisable to add wrinkles, and the beauty of the thread and bamboo music should be retained when dyeing.
Author Gome classwork
summary
In Chinese landscape painting, in addition to the face tree, the most important thing is to paint mountains and paint stones. No matter how well the tree is painted, if the mountain stone painting is not good, it is difficult to become a landscape painting. In a sense, mountain stones are the foundation of landscape painting, and it is also the basis for each landscape painter to form his own style. Mountain stone painting is not good, not only can not become a good landscape painting, but also can not form their own style.
Some of the text comes from the Internet
Chen Haifeng was formerly the chairman and secretary of Anhui Ocean Wind Culture Media Co., Ltd., a first-class advertising enterprise in China and a listed company on the New Third Board, the president of Ma'anshan Advertising Association, and the consultant of the presidium of Ma'anshan Artists Association.
From 1981 to 1993, he worked as a senior art editor at Ma'anshan Daily, and published thousands of inscriptions, illustrations, mastheads, sketches and cartoons for more than a decade.
He is currently studying at the China Academy of Art.