In many works of liang Yusheng, a master of martial arts novels, there has been such a person as Fu Qingjue. In Liang Yusheng's pen, Fu Qingjue was the Grand Master of the Wuji Sect and one of the three great masters of swordsmanship in the early Kangxi Dynasty. He is an old man with three long beards, a ruddy face, and a Confucian crown, and has appeared in works such as "Seven Swords Under the Heavenly Mountain", "Three Women of jianghu", and "Ice Cold Lightsaber". However, this Fu Qing Lord is not a fictional figure created by Liang Yusheng, he is a real person in history, he is the Taoist thinker, calligrapher, and medicalist Fu Shan in the late Ming and early Qing dynasties.
Fu Shan's initial name was Dingchen, the character Qingzhu, changed to the word Qing lord, and also had aliases such as Turbid Weng and Guanhua. Fu Shan was a loyal fan of Lao Tzu and Zhuangzi, so he called himself a disciple of Lao Zhuang. He consciously inherited the ideological culture of the Taoist school and seriously studied and elaborated on various propositions put forward by Lao Zhuang. Fu Shan was a generalist who studied a wide range of fields including but not limited to philosophy, medicine, calligraphy, Confucianism, poetry, painting, martial arts, and jinshi. Liang Qichao referred to him, along with Gu Yanwu, Huang Zongxi, Li Yong, Yan Yuan, and Wang Fu, as the "Six Masters of the Early Qing Dynasty".
Fu Shan was born in a family of eunuchs and scholars in Yangqu County, Taiyuan Province, and his grandfather Fu Lin served as a senator in Shandong and a military garrison in The Liaohai Sea, and had considerable political achievements. His father, Fu Zimo, was a lifelong master and was proficient in learning. Fu Shan received a strict family education from an early age and read a lot of books. In addition to the scriptures, sub-books, histories, and collections, which were almost all covered by ancient Chinese intellectuals, Fu Shan even read and studied Islamic and Catholic classics. Although there is no record of Fu Shan in the main history, even the local county records and prefectural records are all mentioned in one stroke. However, the matter of FuShan is well known to everyone in the Taiyuan area.
It is said that Fu Shan has read so many books and understood the hundreds of sons and major religions, which one of them he most agrees with? That's right, Taoism. A learned person like Fu Shan is generally very arrogant and maverick, and Fu Shan is very dismissive of those classics, celebrities, and magnates, and often says some derogatory and sarcastic words. And there is only one person that Makes Fu Shan extremely admired, and he is Zhuangzi, the representative figure of Taoism. Fu Shan's admiration for Zhuang Zhou and his book "Zhuangzi" can be described as full of praise, and his love for Zhuangzhuang, Good Zhuang, and Fan Zhuang is overflowing with words. In addition to being a thinker, Fu Shan is also a medical scientist who has a "master" status in the history of traditional Chinese medicine and has written many medical works.
Of course, we still have to talk about Fu Shan's calligraphy, because after all, Zhongyihui is more focused on calligraphy, painting, and art. Fu Shan also had great achievements in art, he was able to learn and use poetry, literature, books, paintings and other aspects, and his achievements were profound, and he was revered as "the first writer in the early Qing Dynasty". Fu Shan started from primary school, first from Zhong Xuan Xiaokai, and later studied under Yan Zhenqing Dakai, Wang Xizhi, and Cursive Calligraphy Huai Su and Zhang Xu. Fu Shan's learning involved almost all major areas of calligraphy, and it is generally believed that Fu Shan's achievements in cursive writing are the highest. Regarding the creation of calligraphy, he once put forward such a famous art theory as "Four Nings and Four Wus". His paintings are also very powerful, and they are listed among the people, and his landscapes and Meilan bamboo are very exquisite.
Fu Shan did not leave much ink, and in his lineage law books, the "miscellaneous books" were a noteworthy variety. This kind of "miscellaneous book" contains two meanings: one is rich in content, including self-composed poems, notes and palms, etc.; the other is that the font is not uniform, and various book styles alternate and have a variety of patterns.
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