Since "The Magician", Tuanzi is really deeply fascinated by French anime.
The humanity behind this absurdity and hypocrisy is often more impressive than the gentle and delicate narrative style. Taking advantage of this enthusiasm, Tuanzi wants to introduce a french anime to everyone, and use a sentence to describe the viewing experience of Tuanzi is crying and laughing, and the back is cold!
It is Hilwan's "Crazy Dating Mirador", Douban score 8.7, the film's criticism of human nature makes many netizens directly addicted! The protagonist is a pair of grandchildren, grandma Susha has a gentle and resolute personality, the ultimate love for the grandson, omnipotent, is the hardcore grandmother in the mouth of netizens.
Grandson Chabin, because of the death of his parents, has an autistic personality and is only willing to be close to the dog Bruno. In order to amuse Chabin, Susa tried her best to find out that he liked bicycles and slowly entered his heart.
With unremitting efforts and hard practice, Charlie finally participated in the Tour de France as he wished.
Originally thought that she could show her skills, but was held hostage to The Mirador by the mafia design, Susa struggled to catch up, and after suffering, she finally had an important clue. What they have encountered in the beauty, what an elderly man has to do with the murderous and tyrannical mafia, and what is the final result.
Dumplings first do not spoil, eager for different visual feelings, the pursuit of personality of the small partner can go to see, the dumplings just want to say, too exciting!
Silent film form, strong nostalgia, abandoning lines, only using exaggerated actions and props to depict the ups and downs of the story.
The montage's transition technique is tightly paced and creative.
The flat character setting maximizes the personality amplification and pushes the overall tone of the film to the extreme.
What impressed Tuanzi the most after watching the movie was that it was absurdly exaggerated and sighed. Chabin is the most typical representative inside, the eyes are oversized, the skin around the eyes is very dull, the eyes are sluggish, the nose is high, the waist is too slender and the legs are thick, and the hard work and persistence of training are clear on him.
Mafia black poker-like figure, always wearing sunglasses, expressionless, consistent behavior.
The three sisters' elegant pajamas, ritualistic dining, whether young or old, rich or depressed, always dressed up properly, radiant.
The women of Meilidu have fat breasts and fat buttocks, wearing gold and silver in stark contrast to the thin male companions around them.
There are also restaurant nods and waists, male waiters who tend to be inflamed to the extreme, women who are mercenary in hamburgers, and big noses of the mafia's old size and ugly style, and exaggerated and humorous freehand techniques cover the entire story.
In addition to the character setting, the clever narrative style, the depression and ridicule behind the humor are also the essence of the film.
Especially in the part where Susa accompanies Chabin to train in the rain, the tuanzi still echoes the sound of whistling in his ears, the same is riding, Susha is relaxed, but Chabin seems to be extremely difficult.
After practicing, I went home and lay down, did nothing, and asked Susa to help massage, serve food, drag to bed, giant baby, spoiled without a bottom line.
In addition, the section where Susa pursues the murderer at sea is also quite interesting.
The simple boat swayed in the fierce wind and waves, lightning and thunder, the sun and the moon alternated, and the fortitude and composure on Susa's face looked particularly tall against the background of bad weather.
All kinds of ridicule and all kinds of laughter, the film has a lot of similar exaggerated storylines.
The fat Statue of Liberty, who doesn't even know her mother, the three sisters with grenades to fry frogs, the concert with newspapers, refrigerators, vacuum cleaners and wheels as instruments, and the magical background music that makes you laugh and laugh and chill your back.
The bold composition, the excellent sense of picture perspective, and the amazing narrative technique are interspersed with it, abusing you in the invisible, especially the transition design is a classic.
From dogs barking to passengers in carriages, from newspapers to presidential speeches, from television sets to happy and warm families.
Bruno was alone at home alone, switching back and forth with his grandchildren practicing cycling in the heavy rain.
The comparison in the same time and space reinforces the film's repressive background tone.
In particular, the rapidly flashing carriage suddenly stands still, and the way of seeing human nature from an opposing perspective is really amazing.
There is also Bruno, who was run by a toy train when he was a child, and used to howl as long as he saw the train, and the dream of the soul alignment was really brain-opening.
If "The Magician" opened my passion for French animation, then "Crazy Dating Mirador" made me completely surrender.
It is bolder, more unique in its idea, and more ironic than the composition of The Magician. The whole film shatters my values, exerts force on the invisible, and swallows you up little by little.
Susa's strong and courageous, like a lighthouse, lit up the world of Chabin and Bruno.
We may not feel this deeply now, but in the period represented by the film, the call for equal status of women and the rise of women's power are still very limited.
This kind of cross-era innovation is something we love to hear.
Accustomed to the soft delicacy of Japanese anime and the cuteness of American anime, it can bring you a different sensory storm.