Huang Binhong (27 January 1865 – 25 March 1955), initially known as Mao Qian, later changed his name to Qian, the character Pu Cun, the number BinHong, and the other signature to Yu Xiang. Male, originally from She County, Huizhou, Anhui Province, born in Jinhua City, Zhejiang Province. Chinese modern and contemporary Chinese painter, good at painting landscapes, landscape painting generation of masters. He is also a calligrapher, and together with Bai Shuo, Gao Ershi and Li Zhimin, he is known as the "Four Great Masters of Literati Calligraphy in the 20th Century". He served as the principal of the China Art College, and after liberation, he served as a member of the Second National Committee of the Chinese People's Political Consultative Conference and a director of the China Artists Association. He was known as "an excellent painter of the Chinese people"; he died in Hangzhou, Zhejiang on March 25, 1955.
In the modern and contemporary Chinese painting world, Huang Binhong is an important painter. Its black, dense, thick and heavy painting style and thick Huazi's pen and ink contain the aesthetic orientation of Houde carriers.
For decades, Huang Binhong's paintings have been attracting attention from the art world and have gradually released tremendous energy that has influenced the Chinese painting world today. "Why is Huang Binhong's painting so difficult to be recognized? Because the content of culture in his paintings is not much, and the aesthetic sense is too desolate, at the Jiade Lecture Hall of the Guangzhou Daily Style Art Salon, art critic Mei Mosheng lamented when he talked about "the appreciation and appreciation of Huang Binhong's paintings". His teacher had personally seen Huang Binhong take his painting out of the table and give it to the visitor, but the visitor refused, saying, "Your painting is black, I can't understand it", Huang Binhong was very embarrassed, and could only take the painting back.
The difficulty of identifying Huang Binhong's works is also the main reason for affecting its market circulation. Mei Mosheng found through research that a considerable number of Huang Binhong's works have not been paid, such as most of the works donated to the Zhejiang Museum in accordance with his will. Mei Mosheng explained that it was because Huang Binhong had been exploring and experimenting with his art all his life. Perhaps from another point of view, he did not regard these "experimental objects" as "finished products" to show his artistic achievements, but "semi-finished products". However, since Huang Binhong was 77 years old, every one of his works has been paid. The experimental works he created in his later years also had no age, because he was unable to complete the work in the end. "From the age of 77 to 85, these seven or eight years were a period of real maturity in Huang Binhong's art, and his best works were between the ages of 85 and 90." Mei Mosheng commented on Huang Binhong's work.
Calligraphy has a unique practical significance for Huang Binhong, and is the "source of living water" for his pen and ink and painting methods. Huang Binhong's emphasis on the basic emphasis and practical operation of calligraphy on literati freehand painting almost accompanied him throughout his life. Huang Binhong actively applied the principles of calligraphy to painting and achieved such a high realistic effect. It can be said that Huang Binhong's painting is a pavilion built on the basis of calligraphy, and its stability and height are related to calligraphy.
Li Keyan commented on Huang Binhong: In the three hundred years of Chinese landscape painting, Huang Binhong was alone. Three hundred years later, Huang Binhong's status will be higher.
Jin Shangyi commented on Huang Binhong's works: I like Huang Binhong's works very much. His landscape paintings are very thick and unique, using thick ink colors to express the natural moisture and turbidity, and the layers of brush and ink are very rich, representing a peak of Chinese landscape painting.
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