Model opera is a product of the Cultural Revolution period, and the Peking Opera repertoire accounts for the majority, many Peking Opera actors became popular because of the model play, so are they also delayed by the model play? Today Xiaobian will talk about it.
<h1 class="pgc-h-arrow-right" > Qian Haoliang</h1>
Qian Haoliang's famous Peking Opera performance artist and li Yuhe's role in the model play "Red Lantern" is so successful that many descendants now rehearse this play, but no one can surpass Qian Haoliang.
Qian Haoliang is tall and mighty, with a loud voice, and is very suitable for playing a heroic role.
However, as everyone knows, Qian Haoliang is also an excellent martial artist in addition to the model play, and he has also been imprisoned for many years for his performance in the Cultural Revolution, and that period of time should be the peak of artistic development.
Therefore, Qian Haoliang was delayed, that is, he returned to the stage in his later years and everyone still liked his "Li Yuhe", while the old sheng opera and the Wusheng opera were not very popular, not because he sang badly, but because "Li Yuhe" suppressed other brilliance.
<h1 class="pgc-h-arrow-right" > Tong Xiangling</h1>
Tong Xiangling is a famous Peking Opera performance artist, Gong Laosheng and Zongyu Sect, who was taught by Ma Lianliang and Zhou Xinfang.
Tong Xiangling is the actor of "Yang Zirong" in the model play "Wise Tiger Mountain", also known as "the most classic Yang Zirong".
However, as everyone knows, Tong Xiangling was a senior disciple of the two Peking Opera masters of the "Southern Qi and Northern Horse", and the Cultural Revolution was also the peak of his artistic development, but the two masters died during the Cultural Revolution, and many people lamented that Tong Xiangling should have become a master.
<h1 class="pgc-h-arrow-right" > Gao Yuqian</h1>
Gao Yuqian's famous Peking Opera performance artists, Gong Qingyi and Lao Dan, played "Grandma Li" in the model play "Red Lantern".
Gao Yuqian was originally a senior disciple of Qingyi or Master Mei Lanfang, but because of the model play, she changed her studies to Lao Dan. It is also true that this role of Teacher Gao Yuqian played very well.
However, after the Cultural Revolution, Teacher Gao Yuqian rarely appeared on the stage, because the model drama was banned for a period of time, and Gao Yuqian's teacher Lao Dan's traditional drama was not good at it, and the Qingyi opera was shelved for many years, so there was no drama to sing.
In fact, most of the main actors in the model plays did not develop very well after the end of the Cultural Revolution. First of all, because they are the main actors of the model plays, they were also somewhat excluded after the end of the Cultural Revolution, and even looked at differently among their peers, which is why the development in the theater was not very good. Secondly, when these model plays participated in the performance, they were all prosperous and the best period to learn the art, but they only learned a model play, although it was very successful! But what else did they sing after the Cultural Revolution, some of the starring masters had died during the Cultural Revolution, and who did they go to study art with? Finally, the model play is very different from the tradition, the melody of the model play is fresh and bright and even somewhat exciting and inspiring, while the traditional play is implicit, just take Qingyi as a smile without showing teeth, the line does not leak, so many model drama protagonists in the Cultural Revolution period will be the model drama style and their own artistic characteristics of the water milk.
Therefore, although the Peking Opera actors who participated in the model play enjoyed success, they were also delayed!