Peking Opera established a theater troupe system since the founding of the People's Republic of China, and has continued to this day, and many Peking Opera actors have also joined the theater troupe. This moment means different things to Peking Opera actors, their class is no longer idle clouds and wild cranes, but rather formal Peking Opera actors within the system.
Of course, since there are advantages and disadvantages, for Peking Opera actors, they must be more strict with themselves, especially some bad habits of the old society should be abandoned.
Nowadays, there is also a bad habit in the Peking Opera industry, that is, nepotism, many of the theater are the descendants of Peking Opera actors, and no matter how talented they are, as long as they want to enter, they can get an "iron rice bowl", which is inevitably a little unfair.
Today Xiaobian will talk about a famous Peking Opera artist.
Tong Xiangling's famous Peking Opera performance artist, Gong Laosheng and ZongYu Sect, was taught by Ma Lianliang and Zhou Xinfang, two Peking Opera masters.
Tong Xiangling participated in the creation and rehearsal of the model play "Wise Tiger Mountain" during the Cultural Revolution, and played the protagonist "Yang Zirong", which is a heroic role, and also let Tong Xiangling play a very successful role.
However, Tong Xiangling is also full of righteousness offstage, why do you say so?
Teacher Tong Xiangling was a little unhappy and even unhappy in the Shanghai Peking Opera After the Cultural Revolution.
First of all, the "Introduction" of the Shanghai Peking Opera House did not mention Tong Xiangling and Zhang Nanyun at all, and the old man also issued a text denouncing the Shanghai Peking Opera.
Secondly, teacher Tong Xiangling only evaluated a national second-level actor in the late 1990s, and later rated it as advanced and did not evaluate it. You must know that at that time, Teacher Tong Xiangling contracted a troupe to hand over more than 100,000 to the theater every year, but even an advanced one could not be evaluated, how could the old man not be discouraged.
Finally, Teacher Tong Xiangling's son likes Peking Opera and is very talented, but Teacher Tong Xiangling did not take the back door for his son's relationship, and his son did not enter the theater troupe, which is the old artist's wind and bone.
What a pity! Tong Xiangling and Zhang Nanyun, two elderly people, have to rely on opening a noodle shop to survive after retirement!