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Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma

author:Wilderness Life 321

Recently, the author watched the domestic TV series "New Life", and the ending of its protagonist "Genius Fei Ke" attracted widespread attention, because he could not control himself and went astray. This work portrays Fei Ke as a tragic teenager who does not seek wealth and has the courage to admit his mistakes, but is deeply traumatized by his family. Despite this, Fei Ke is still one of the rare highlights in domestic dramas in recent years. This phenomenon reflects the close relationship between the villain and the protagonist's image, and also reveals the multiple factors that actors need to consider when choosing a role. Through the in-depth analysis of the character setting of the play, we can gain insight into the social changes behind the creation of villains, as well as the diverse tendencies of actors when facing role choices.

Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma
The rise of villains
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma

In recent years, the audience's attention to villains has gradually increased, making the antagonists in many dramas attract attention. Taking the TV series "Hurricane" as an example, its villain role has triggered an in-depth analysis of the relationship between the protagonist and the villain, reflecting the continuous innovation and unremitting pursuit of character shaping methods in the industry. According to actor Yixuan Xiaojie in an interview with Sohu Entertainment, actors who dare to break through themselves and have profound acting skills but rarely have the opportunity to play the leading role are more inclined to play the role of villains. This phenomenon highlights the diversity of actors' ways of thinking in the choice of roles, and they are no longer satisfied with the traditional image of a single "good guy", but actively try to challenge more complex and full-fledged roles.

Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma

It is worth noting that in the work "New Life", the portrayal of the villain shows a new situation. Screenwriter Ke can reveal the tragic image of a teenager caused by his family and social environment through his delicate portrayal. This humanized presentation of the villain makes it easier for the audience to empathize with and understand their motivations. In the same way, it reminds us that everyone experiences inner entanglements and conflicts, and that there is no pure good or evil. Therefore, the rise of villains and their widespread love reflects the audience's quest for authentic and fleshed out characters.

Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma
Behind the choice of actor roles
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma

When choosing a script and role, an actor needs to consider a number of factors. According to Xiao Jie, the promoter of the artist program, actors who are looking for a transformation are more willing to take on challenges when faced with innovative and complex roles, so as to break stereotypes, improve their acting skills and reshape the audience's persona. Taking Zhao Liying as an example, her exceptional performance in the hit drama "Who is the Murderer" showed a completely different appearance from the past, and successfully won wide praise and recognition from the audience.

Relatively speaking, traffic stars tend to choose works with high attention and controversial topics to promote their career development. In addition to considering the popularity of the work and the potential IP value, they will also have an in-depth understanding of the strength level of the production team, hoping to obtain greater commercial returns. However, as the audience's understanding of character creation continues to deepen, actors gradually realize that the depth and connotation of the character play a crucial role in the long-term development of their careers.

Reflections and challenges in creation
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma

In the process of drama creation, the writer's character-building ability can guide the audience's emotional direction and promote the development of the story. For example, when depicting the characters, Forget Cub pays attention to the in-depth exploration of human nature and the expression of emotional levels. At present, screenwriters tend to abandon the traditional "villain" model and turn to a more diverse and profound interpretation of the role. Even in themes such as family dramas, the antagonist characters often have the characteristics of kindness or inner conflict to enhance the three-dimensional sense of the characters.

However, market demand has forced some plays to reduce the depth and complexity of villains and turn to the pursuit of emotional effects. This makes some villains too thin and more like props, unable to dig deep into their inner emotional world. Despite this, due to the pressure of public opinion on the creation of such villains, and the image is too extreme, it is easy to cause controversy and accusations from the audience, but with the improvement of the audience's aesthetic ability, excellent villains gradually gain more recognition and love.

epilogue
Fei Ke, the new villain of the domestic TV series: a juvenile tragedy under family trauma

Through the in-depth analysis of the positive and negative characters in the script of "New Life", the characteristics of the character depiction in the play and the full consideration of the actors behind it are revealed. The gradual prominence of villains and their popularity with the audience demonstrates the strong demand for authentic character diversity, and also reflects the challenges and transformations faced by actors on the road of performing arts. In this process, the screenwriter is committed to digging into the depth of the characters, in order to create excellent works that arouse the audience's emotional resonance and deep thinking. The portrayal of the villain is not only an exploration of human nature, but also a deep reflection on social reality. It is hoped that more rich and diverse character images will emerge in the future, presenting a visual and auditory feast for the audience.

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