Hitomi Kuroki is a Japanese national goddess who has played important roles in film and television dramas such as "Avatar", "Paradise Lost", "Golden Bowling", "Tokyo Tower", "White Tower" and so on. She has both beauty and acting skills, and her play path is very wide, she can be simple, kind, and infatuated, but she can also be lascivious, dark-hearted, sinister, and cunning, but even if she plays a strong role, she also has a flow of graceful charm in her bones.
Below, we will take a look at the various amazing characters of the Japanese goddess Hitomi Kuroki, all of which are beautiful to a new height!
In 1986, Hitomi Kuroki filmed the Aoshi film Avatar, which was her first time as the heroine of a film. The film brought Hitomi Kuroki great honors, but it also attracted some criticism because of her bold nude performances in the film, and some people criticized her performance for destroying Takarazuka's consistently pure image.
In fact, Hitomi Kuroki expected the audience to express mixed opinions about the heroine. Therefore, after the release of the film and the emergence of a situation of different opinions, she appeared more calm, and her first reaction was what to do in the future to try to win back the audience's approval. She wanted the audience to know that Hitomi Kuroki not only played erotic films like "Avatar", but also wanted to play a variety of different roles.
This wait was 11 years, until 1997, or Watanabe Junichi's novel adaptation of "Paradise Lost" finally pushed Hitomi Kuroki's career to the peak! Hitomi Kuroki plays a doctor's wife who has an affair, under the pressure of secular moral traditions, visualizes and beautifies the art of sex, successfully interprets a forbidden relationship that is not recognized, breaks the general public's sense of rejection of the third party, and unexpectedly receives many praises.
Japan's Ministry of Education, Culture, Sports, Sports, Science and Technology gave the film a high evaluation of "the art of existence that perfectly presents a sense of transparency", and rated the film as the best masterpiece of adult cinema. At that time, many viewers who watched the finished film were even more stunned by Hitomi Kuroki's bold acting skills.
"Hitomi Kuroki's performance allowed me to see how beautiful a woman is under the bath of love, and my heart rose and fell with her, stirring with her." "This is the Oriental 'Madison Bridge', which incorporates more passion and more beauty, and Hitomi Kuroki has become the leader of feminism in the 90s."
In 2002, hitomi Kuroki premiered in Japan as Hitomi Sakura, who starred in the TV series Takeshi Kanagi, Ritsuru Matsumoto, and Kanako Yukimoto, who played Hitomi Sakura.
In 2003, hitomi Kuroki premiered in Japan as Tsutomu Kuroki, starring Toshiaki Karasawa, Yosuke Eguchi, and Yada Yakiko, who played Tsuko Hanamori. This Aladdin bar mother, Sang, as the mistress of Goro, is also the only person who can speak the truth to Hime.
She is both beautiful and intelligent, and neither Kizen nor Professor Higashi can escape the palm of her hand, and Hitomi Kuroki's wonderful performance is still breathtaking.
In 2005, in "Tokyo Tower", the long-lost Kuroki Hitomi is still so fresh and noble, and the soft elegance of oriental women is overflowing between the hands and feet, and the shadow in "Paradise Lost" can be faintly seen. She still plays a high-society noblewoman, and still has an unrequited love, only this time with a handsome 18-year-old teenager, and she actually has a perfect result.
Leaving aside the plot and acting skills, Kuroki Hitomi's temperament should be one of the best in the East, that kind of seemingly pale, weak and awe-inspiring appearance, but with a fatal seduction. The corners of the eyes and the fingertips of the lips convey all the tenderness like water.
In 2006, she starred in the Spring Day drama "Housewife Ballet", playing Kana Manda. Hitomi Kuroki, who was intrigued during her visit, said that it was a work about housewives exploring their way of life, and it also gave herself a lot of new inspiration. This is also the first time that Hitomi Kuroki has challenged classical ballet since quitting the Takarazuka Opera Company in Japan 21 years ago, and she shouted happily: "I am full of energy now!" ”
After becoming famous, she has taken over the role of "The Box of the Rays", "True Me Neon Dress", "Deer Mingguan", "Strange Talk", "The Ended Man", "Paradise", "Taiping Wheel" and other film and television dramas, no matter what role she plays, no one can ignore the beauty of Kuroki Hitomi, she always interprets the most poignant and mournful part of the role of Dongying with a soft posture of low eyebrows, which is really worthy of a generation of film and television goddesses!
The 59-year-old Black Wood Hitomi seems to have stopped aging, with a slender figure and full of elegance between words and deeds. Hitomi Kuroki is a very independent woman, but there is no resistance full of edges, so gentle to everything, just like she is still beautiful as an ageless witch in 2018's "Twilight Meteor Swarm", always maintaining a bit of mysterious charm.