The new era needs literary and artistic masters, and it is also completely capable of creating literary and artistic masters! The new era needs a literary and artistic peak, and it can also cast a literary and artistic peak! In the long history of China for 5,000 years, there is a brilliant brilliance of artistic changes and amazing creativity everywhere, and it is their brilliant brilliance that enables Chinese civilization to live endlessly in the long river of history.
Yang Nan, character: Ting Yu, number: painting god. The founder of "Real Printing School Oil Painting", the first person to create the first oil painting genre in China; the national first-class artist; the state guest ceremony artist; the member of the China International Calligraphy and Painting Art Research Association; the member of the Hebei Young Artists Association; the post-80s leading artist, poet, writer. Special tutor of the "Danqing Song Han Mo Qing" column; born in the winter Olympic town of Zhangjiakou in a "Scholarly Mendi" family. In 2009, he graduated from Hebei North College, Oil Painting Department. At the age of 23, he founded his own studio, with a total of more than hundreds of students, and has also taught with Beijing many times, and now he has founded the Magnolia Pavilion Studio. He has published books many times, and hundreds of well-known media have published his works and won awards.
Influenced by his uncle Li Zongli (a famous Chinese painting master) since childhood, he aspired to be an outstanding painter. After graduation, he has been doing oil painting and educational research, and at the age of 28, he spent half a year successfully imagining the painting "Small Scene in a Dream" as his debut work, and at the age of 29, he imagined drawing "Mother and Child Love" and its classic work, which is also the most representative work, followed by "Mother's Dream", "Fulu Guangjin Map", "Tiangong", "Xianju Pavilion", "Pink Spring", "Eyes", "Red Mountain", "Endless Life", "Train to Spring", "Memory of Corning Lake" came out successively.
"Real Printing School" oil painting, extracting the essence of Impressionist ideography and Realism appearance, the combination of the two, and added Chinese feng shui composition and color elements in line with Chinese aesthetics, in the dark side like to use the inner color, in the use of color as far as possible to restore the primary color of color, but there is also harmony, the use of color control is more rigorous, each work is the same and different.
I have carefully painted a series of beautiful scenes in my dreams, some of which come from the memories of life, some from dreams, and some of which are the author's pure imaginary imagination. From the day I learned to paint when I was 9 years old, I dreamed of one day being able to imagine it out of the blue and being able to draw it realistically and clearly. Finally, after using so many years of intellectual research, I can not be so abstract, vague, or with the help of other points, lines, surfaces of the stitching movement and large color blocks such a simple way to express the inner world, but clearly reproduce the ideal scenery in the empty imagination. Each work is like my child, with natural, harmonious, elegant, intellectual beauty, revealing the aura of the work itself.
"Real Printing School Oil Painting" is not easy to learn, and it must have a solid foundation in painting. But I still hope that more college students or oil painting enthusiasts will learn from this school of painting. And to pass on this oil painting genre that belongs to our Chinese our own research and development, after all, from the first predecessor li Tiefu who went abroad to study oil painting, we have finally had our own innovation.
Yang Nan's oil painting is a very soulful existence! Only when painters clearly understand the significance of oil painting can they make their oil paintings bloom with brilliant artistic brilliance. It should be known that each painter's understanding angle and understanding of things are different, and the cultural background and expression method between painters are also different, which directly leads to many oil paintings are very different, and there are differences in the pictures expressed. On the contrary, only the soul of oil painting, many painters are roughly the same, although the painted things are different, and the scenery has characters, but the starting point of creation is to reflect their own thinking as the center, to portray the painted soul as the main body, and this is the unique charm of Yang Nan's oil painting art.
Yang Nan's works:
Silent landscape oil painting "Red Mountain", 81x60cm, 2019
Fictional Landscape Oil Painting "Corning Lake in Memory", 81x60cm, 2019
Fictional landscape oil painting "Eyes", 73x54cm, 2019
Fictional landscape oil painting Pink Spring, 60x50cm, 2016
Fictitious landscape oil painting "Fulu Guangjin Tu", 130x110cm
Imaginary landscape oil painting "Mother's Dream" 116x81cm, 2020, 2015
Train to Spring, 116x81cm, 2020
"Mother and Child Love", 130x110cm, 2015
Silent landscape oil painting "Tiangong", 116x81cm, 2019
Fictional landscape oil painting Oasis Island, 93x66cm, 2016
Fictional landscape oil painting "Endless Life", 81x60cm, 2016
Fictitious landscape oil painting "Fulu Guangjin Tu", 130x110cm
Fictional landscape oil painting "A Small Scene in a Dream", 78x56cm, 2014