The capital is a golden and jade good fate, and I only read the former alliance of wood and stone.

"The capital is a good relationship between gold and jade, and I only read the former alliance of wood and stone." The Dream of the Red Chamber is drunk for thousands of years, and the love affair between wood and stone will never be forgotten. The wooden and stone love affair between Jia Baoyu and Lin Daiyu in "Dream of the Red Chamber" has always been a lifelong thought.

The original text reads:

The monk laughed and said, "This is a funny thing to say, but it is a rare thing that has never been heard of in eternity." Only because on the banks of the Western Spirit River, there is a daisy grass, and sometimes there are waiters of the gods of the Chifeng Palace, who irrigate with manna every day, and this daisy grass will last for a long time. Later, after being nourished by the essence of heaven and earth and restoring the rain and dew, he had to get rid of the grass tire wood, had to change his human form, only cultivated into a female body, and traveled all day away from the hateful heavens, hungry to eat dense green fruits for food, thirsty to drink sea water for soup. Only because he has not yet repaid the virtue of irrigation, his five hearts are depressed with a lingering meaning. Just recently, the attendant of the god Ying, whose heart was even blazing, took advantage of this Changming Taiping Dynasty, intending to create a fantasy fate, and had already hung up his number in front of the police illusion fairy case. The police fantasy also asked that the irrigation was not paid, and it could be ended by taking advantage of this. The pearl fairy said, "He is the blessing of manna, and I have no water to return." He will be a man in the next life, and I will be a man in the next life, but I will repay him all the tears of my life, and I will be able to repay him. Therefore, as soon as the matter was done, how many miscreants were drawn out and accompanied them to close the case. ”

The attendant of shenying "saw that there was a 'daizhu immortal grass' on the bank of the Naling River, which was very delicate and lovely, and then irrigated with nectar on the day", and wrote for the third time that Lin Daiyu first came to Jia Fu and Jia Baoyu at first sight, fell in love at first sight, and fell in love at first sight because of "the former alliance of wood and stone". Cao Xueqin especially successfully described Bao Dai's mysterious psychological feelings as if they had been reunited after a long absence: "Dai Yu was shocked when she saw it, and thought in her heart: 'It's strange, it's like where I've seen it, how familiar it is!......'" Bao Yu looked at Dai Yu and smiled: "I have seen this sister before." Jia Mu laughed and said, "Nonsense again!" Have you ever seen it?" Bao Yu smiled, "Although I haven't seen it, I look at my face and feel like I'm far away from being reunited."

The primitive imagery of irrigation and returning tears symbolizes an aspect of the love archetype of Jia Baoyu and Lin Daiyu. The attendant of the god Ying saw that the daisy fairy grass was very delicate and lovely, "So the day is irrigated with manna, and this 'daisy grass' begins to last for a long time." Later, he was nourished by the essence of heaven and earth and regained the nectar, so he shed the birth of grass and trees, transformed into a human form, and only cultivated into a female body, and traveled all day outside the 'heavens of hate'; Hungry for 'secret love fruit', thirst for 'water'. The authenticity of "wood" and "stone" in the original imagery of "Wood and Stone Former Alliance" is the symbol of the purity and poetry of Bao Dai's love.

Dai Yu said, "We are just people of grass and trees."

Bao Yu said, "Brother is the most turbid to the foolish, but just a stubborn stone ear."

Wood and stone, from the past life to this life and the future, do not abandon, this spirit has been extended to the current design, from the artifacts can also see the combination of wood and stone.

The new Grand View "Wood stone former alliance series • Bao Dai's love" lake pen set, dreaming back to the "Red Chamber", interpreting the classics of love. The design is inspired by "Dream of the Red Chamber", one of the four famous chinese books, which means the "love vow" between Bao Dai.

The "Wooden Stone Former Alliance" series of literary rooms condenses the cultural connotation of yin and yang contrast and reconciliation in literary works, and uses valuable materials such as red acid branches and shed stones to design and produce a series of stationery supplies including yantai, town ruler, printing clay box, brush, pen wash and pen holder. Therefore, in terms of design ideas, the "Wood and Stone Former Alliance" study room emphasizes the contrast between red and black, the collision of wood and stone, the harmony of square and circle, and the balance of yin and yang.

The "Wooden Stone Former League Series Bao Dai Love" lake pen set combines "soft brush" and "hard ebony" to symbolize the "softness" and "perseverance" of love.

The design highlight of the product is located at the end of the pen, the end of the Baoyu lake pen is the abstract transformation of its hair crown, and the end of the Daiyu lake pen is the abstract transformation of its bun. The pen end is carved by hand and molded once, showing a strong sense of craftsmanship.

The production of a complete set of "Wooden stone former alliance" literary products is a masterpiece of craftsmanship, which reasonably integrates the precision of modern industry while retaining the humanistic charm of traditional handicrafts, which is a classic interpretation of the perfect fit between science and technology and humanities. The "Wood and Stone Former Alliance" series of literary rooms takes into account design and culture, innovates in design methods and production processes, realizes the perfect integration of modern mass production and handicrafts, and the current aesthetics of traditional culture, and has a new interpretation of traditional stationery supplies.

The "Mushi Qianmeng" series of study rooms reflects the concept of "traditional classics, contemporary expressions" adhered to by Beijing Xinyi Aite Culture Technology Co., Ltd., combining classic culture with international design language, modern production and manufacturing technology and traditional materials with cultural symbolism, interpreting the classics of the Red Chamber through modern aesthetics, and conveying the elegant taste of life that combines tradition and modernity.

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