author
Liu Yangfeng
The first time in "Dream of the Red Chamber", "Zhen Shiyin Dreamy Psychic Jia Yu Village Wind and Dust Huai Boudoir Show", the small half wrote about heavenly affairs, and most of them wrote about human affairs. Heaven and earth, its love is also one.
Heaven forbid
True or illusory
It is easy to draw ghosts and it is difficult to draw people, but it is simply because people have solid evidence, but ghosts cannot be examined; on the other hand, no matter how difficult people are to draw, there are archetypes to refer to, but ghosts are all based on imagination.
From this point of view, the world is easy to write, and the heaven is difficult to describe. Ordinary people can only move the appearances of the world and their fantasies to heaven like a farmer imagining the emperor chopping wood with a golden axe. Fortunately, there are more people who fantasize, and myths form their own systems.
"Dream of the Red Chamber" begins with heavenly affairs, applying the old myth of Nüwa to make up for the heavens, leading to a new myth of the stone.
Nuwa refined five-colored stones to replenish the heavens, broke the claws enough to erect the four poles, killed the black dragon to save Jizhou, and accumulated reed ashes to stop the water. Heaven makes up for it, the four poles are positive, the obscene water is dry, Jizhou Ping, the cunning worms die, and the people's livelihood is destroyed.
"Huainanzi Meditation"
Nuwa clan refined thirty-six thousand five hundred and one pieces of stubborn stones:
Only 36,500 pieces were used, and only one piece was left unused, and it was abandoned under the peak of this mountain.
This stone that is left behind is the origin of the Book of Stones.
Is there a logical loophole in this myth? Side Batch:
This piece of this is left to give birth to many stories. If the day does not make up for the heavens, it is necessary to make up for the pit of the earth and make the earth flat, and there is no such nonsense.
Nuwa refining stones is to replenish the heavens, but in addition to supplementing the heavens, it also needs the four poles, the water to stop adultery, and the Pingji Prefecture. Can't use this stone? If you can't use it, you can also make up for the sinking as the side batch, isn't it appropriate? If it is not appropriate everywhere, it has really become useless.
This useless thought is not a stone, but the student who wrote the book boasted of himself.
This stone is spiritually opened:
Self-pity and self-pity, day and night of sorrow and shame.
A monk who came by chance sat by the stone and talked about happiness, which aroused the mortal heart of the stone. The stones that returned from the eons were compiled into calendars of sorrow and joy in the red dust, and were copied by the empty karate people who visited the Tao and asked for immortals, and circulated to the world. From "Stone Record" to "Record of Love Monks", and later from "Dream of the Red Chamber" to "Treasure Book of wind and moon", and also titled "Jinling Twelve Chao".
This story originated from Shi Sifan, and also from the visit of the empty karate people to the immortals. Si Fan and Xun Immortal are probably the two poles of the eternal pursuit of human beings combined with spirit and flesh.
Under the framework of the Great Myth of the Stone, there is also the sub-myth of the Too Illusory Realm and the Tears of the Daizhu.
Compared with the Qinggeng Peak of the Great Desolate Mountain, the Tai Unreal Realm and the Police Illusion Fairy Gu are more abstract.
Where is the too illusory realm? It seems to always be in the dreams of mortals. Zhen Shiyin had seen it in hot summer dreams, Jia Baoyu had taken a nap and dreamed of it, Liu Xianglian had heard it in a dream, and Second Sister You had closed her eyes to hear her sister's ghost mention it when she was sad and desperate. Is Zhou's dream for Hu Diehe, or is Hu Die's dream zhouhe? In the dream of the dreamer, is it still a dream that is dreamed?
Who are the Fairy Fairy? The first time, it was only mentioned in passing when explaining the love affair between the divine attendant and the Daizhu Immortal Grass. The monk talked about the great rare event: the attendants of the gods of the Akatsuki Palace watered the Daizhu Immortal Grass with rain and dew, and the Immortal Grass was cultivated into a Daizhu Immortal.
The divine attendant, whose heart was blazing, intended to create an illusion, had already hung up his number in front of the case of the police illusion fairy.
The Daizhu Fairy also went down to earth as a human being, and returned his affection with tears.
Therefore, as soon as the matter was done, how many miscreants were drawn out and accompanied them to close the case.
In this way, the police illusion should be the master of the Red Flaw Palace, the administrator of this crazy ghost. The Divine Attendant and the Daizhu Immortal Grass are the protagonists of the devastation. By the fifth time, the police illusion side has a positive transmission.
Too illusory is both an illusion, true and false are between the two, just like its couplet: true and false when pretending to be true, and there is nowhere and there is nothing. Between true and false, is there no place, is not it us who are busy in the red dust?
In this way, whether it is too vain or illusory, it is mostly directed at the human world. It's a myth and a human word. The stone has no talent to make up for the heavens, and the beads return with tears, which is not only the theme but also the plot, but also the love that has nowhere to tell. The stubborn stone nodded, the grass and trees were sentient, it was real and illusory, all in the beginning of the desire to say that it was still in the middle.
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