Sun Jiashen, this name, in the process of the historical development of Achan culture and art, in the creation of folk culture and art of the Achan ethnic group, is very important. The emergence of this name announces the emergence of the creators of the Written Literature of the Achan ethnic group, which is closely related to the creators of the Achan culture and art, the excellent recorders and inheritors of the traditional culture of the nation. His creation began around 1960, and he was the first among the Achan literary creators. His poetry works "May My Song" and "Double Plough Complaint" published in the "Unity Newspaper" are the pioneering works of Achan ethnic literature.
Surprised to learn that Comrade Sun Jiashen, a writer and artist of the Achang ethnic group, drove to the west of he at 4:00 a.m. on April 27, at the age of 87. Deeply saddened, grief- and sorrowful, strangled and sighed. Sun Lao worked diligently all his life, and was the first to publish literati poetry and written literary works in the Achang ethnic group, filling the gap in the literary creation of Achang writers, cultural self-confidence and noble morality, accompanied by his lifelong cultivation, he was an important cultural artist of his own ethnic group, and in the fertile soil of oral oral literature of folk literature, he broke through and created a new pattern of writers' literary creation. Sun Jiashen is the ancestor of the national culture that cannot be copied, the Si people have passed away, the Achan literary and artistic creation group has lost an important author, immeasurable, Qingshan weeps, tears and farewell, may the deceased rest in peace, the living are healthy.
Sun Jiashen is an Achan writer and artist, and a cultural scholar who attaches great importance to and learns from the inheritors of intangible cultural heritage.
In 1953, Sun Jiashen was fortunate to enter the training class for ethnic and cultural cadres of the Yunnan Nationalities College from the Achang Nationality Mountain Township in Lianghe County, and after the completion of the study period, he returned to the frontier to participate in land reform work. From a son of an Achan peasant family, he began to grow into a cadre of the Achan ethnic group rooted in the frontier, and after the "land reform" work, lianghe county people's bank, lianghe county sugar factory preparatory office and other units and posts, worked for more than 40 years in wind and rain, and finally retired in 1995 in lianghe county CPPCC committee.
Since the 1950s, he has been studying with an open mind, and has been exposed to folk literature creation with enthusiasm, and in his spare time, he has begun to collect and publish folk tales, customs, music, songs and theoretical exploration articles. In 1962, Sun Jiashen and Li Fahu collected the Achang folk song "YangLiu Qu", which was published in the poetry collection, which is a new folk song that learns from the Achang mountain song and is created and sorted out in the form of "mountain song body", which vividly and vividly reflects the life of agricultural spring ploughing and hard work and prosperity, and is a folk song with a strong atmosphere of life and a lively and cheerful literary style.
Sun Jiashen was the first author of the Achang tribe to publish literary works. He is a member of the Wanzhong Brigade of Qimuzhai Commune in Lianghe County, and is now a member of the Wanzhong Village Shangzhai in Mangdong Town, and he was one of the earliest members of the Achang ethnic group to participate in the ethnic team, and in the early 1950s he successively went to the inland ethnic cadre school for training at the Nationalities College. Inspired by literary and artistic creation in the fiery frontier work and labor production, he germinated the creative impulse to praise the new era and sing about the new life, picked up the pen holder, and began to embark on the road of literary creation from recording mountain songs, collecting folk songs, recording and sorting out folk stories, writing folk customs articles. His creation began around 1960, and he was the first among the Achan literary creators. His poetic works "May My Song" and "Double Plough Complaint" are the pioneering works of Achan literature. His poems, together with another Achan author, Cao Guocui, were published around 1965, and some new folk songs created in the early days of the same era, full of life, were published in The Unity Daily (now known as The Dehong Unity Newspaper), which is the earliest poetic work of the Achang writers that can be seen today. These literary creations pioneered the gap in the development of Achan literature.
I was admitted to the Department of Chinese Language and Literature of the Central Institute for Nationalities in the 1980s, and I began to notice Sun Jiashen's works, and I became a friend of literary creation.
The first time I was impressed was in August 1982, when I returned to my hometown from the Central Institute for Nationalities to study for college in the summer and had the honor of participating in the Lianghe County Achang Folk Literature Seminar. It was the first time I heard his affectionate speech at the venue, and the first time I saw him smile at Mimi's charitable face. After that, I received many letters from him, encouraging me to study hard in college, to go up every day, and to return to my hometown to build frontiers after graduating from college in the future, as well as folk stories and literary and artistic works that he wrote or that were engraved on wax paper mimeographed by the county ethnic folk literature investigation group. Every letter sent from afar is full of sincere teachings and heart-warming words.
I graduated from college, and after more than thirty years of work, I continued to continue the friendly exchanges and exchanges I had when I was in college, and I have always maintained intermittent contact with him. After he retired to his hometown to enjoy his old age, his children installed a program-controlled telephone. Sometimes, we discuss the development and prosperity of Achan culture and related issues over the phone. In the three years that I have been doing the teaching and research of the new media "A National Language a Day", Teacher Sun Jiashen, who is modest and cautious, full of native language, and full of economy, has given us a lot of support and help. Remember, once, we were involved in the translation of current political vocabulary, and I asked him how to translate "Usha Hat"? He thought about it and said "Zhao Wu Kuo", and I asked him "official standard", how can it be better translated? He also said, "Summon the bitter one." The two words that he asked him for help in his words, translated in meaning, were very apt, vivid, full of wisdom, widely recognized, and his knowledgeable and knowledgeable, and he benefited a lot. In a few years, in this way, whenever we encountered difficulties, we kept asking him for advice, and every time he was able to give us a good explanation and help.
Sun Jiashen, also see Writing Sun Jiashen, Sun Jiashen. Born in the thirties of the Republic of China, through the new and old society, in the early days of the founding of New China to obtain a new life, under the cultivation of the party and the state, he worked diligently, bowed to the best of his ability, for the purpose of serving the people, worked hard all his life, and died at the age of eighty-seven. He was a good elder, a good father, a good comrade, a good party member, and a good writer and artist.
The last time I saw him was in November 2019, because the project team of the "Achang Spring Lantern Practical Manual" went deep into the countryside to investigate, and Zhao Xingwang and my party came to the ancient village of Yiyi Bay Zhongcun by the river in the bay to interview. The first Spring Lantern Cultural Person interviewed on the same day was Sun Lao, who was eighty-three years old at the time. That day, we came to the slate paved bay and entered his courtyard. Sun's old age is high, but we communicate smoothly with each other, and we talk happily in his mother's words, and he habitually covers his mouth with his palms several times and laughs. He had difficulty walking on his legs and feet, and he had a wheelchair and a pair of crutches next to him, sitting relative to each other, and the sun sprinkled all over the courtyard, so he chatted and talked nonsense. On the occasion of farewell, we also repeatedly wish Sun Lao shou bi Nanshan, a hundred years of good health.
Now that Sun Jiashen's predecessors have come to an end, we will always miss his works, his personality, his moral character, his high wind and bright festivals, his blessings and descendants, and his support and encouragement and support for our descendants, which will always be the endogenous driving force for us to inherit the past and open up the future, and we will inherit Comrade Sun Jiashen's cultural self-confidence and the spirit of literary innovation and exploration, and continue to move forward along the road of carrying forward and innovating excellent national cultural traditions. The deceased rests in peace, the living are healthy, and pray that Elder Sun will go all the way.
Mr. Sun Lao is amiable and is a confidant who cannot be forgotten once they know each other. Shocked to learn of the death of the Si people, I feel deeply saddened. May Mr. Sun be all right in heaven!
In the Spring Festival of 1984, Comrade Sun Jiashen (second from right), Zhang Zhenghong (third from right), Sun Jiazhu (fourth from right) and other party and government cadres of the county party committee participated in the Achang Woluo Festival in the Binggai Brigade. (Courtesy of Sun Jiazhu)
In 1962, Sun Jiashen and Li Fahu collected the Achang folk song "YangLiu Qu", which was published in the poetry collection, which is a new folk song that learns from the Achang mountain song and is created and sorted out in the form of "mountain song body", which vividly and vividly reflects the life of agricultural spring ploughing and hard work and prosperity, and is a folk song with a strong atmosphere of life and a lively and cheerful literary style.
In 1962, Sun Jiashen and Li Fahu collected the Achan folk song "Yang Liu Qu", which was published in the poetry collection, which is a new folk song that learns from the Achang mountain song and is created and arranged in the form of "mountain song body". In 1975, it was included in the poetry collection "Peacock Opening the Screen to Greet the Rising Sun" by Dehong Dai Jingpo Autonomous Prefecture.
Remembering Comrade Sun Jiashen. Zhao Xingwang shot
Remembering Comrade Sun Jiashen. Cao Ge shoots
Remembering Comrade Sun Jiashen. Zhao Xingwang shot
Remembering Comrade Sun Jiashen. Cao Ge shoots