Calligraphy contains the spiritual and philosophical connotations of national culture, and is a comprehensive reflection of the humanistic cultivation and ideological perception of calligraphers. The brilliance of calligraphic lines comes from the penmanship and pen power, paying attention to strength, intention, potential, and qi; excellent works are not only the formal beauty between the dot paintings, but most importantly, the release of personality beauty and emotional beauty. The level of calligraphy is not only the crystallization of the melting of the national culture furnace in the past generations, which is both the experience of art and the new subject of art. In this regard, the works of the contemporary calligrapher Mr. Nan Huadong are characterized by simplicity, flexible brushwork, beautiful knots, elegant rhymes, and injected into the calligraphy creation with their own emotions and minds, reflecting the characteristics of vividness, freedom and expressiveness.
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Mr. Nan Huadong is a knowledgeable calligrapher with profound artistic attainments. In the long-term artistic practice, absorb the essence of the ancients, absorb the strengths of all, and enter the ancient and emerge from the new. With the list book as the main body of creation, integrating personal understanding into the pen end, the calligraphy in the form of expression, image conception, inner charm and other aspects of integration, to create a very dynamic atmosphere, shape, meaning, god and other aspects of calligraphy style. His works inherit the creative pursuit of traditional ancient methods, giving shape to intention, intention first, and blending situations; showing the ability to wield free pen and ink, presenting a rich aesthetic and artistic connotation. Under the pen of Mr. Nanhuadong, the meaning of calligraphy is in line with the traditional ancient law, from the profound and profound Chinese culture subtleties to understand the accumulation and thickness of calligraphy, with simple, majestic and flexible brushwork, reflecting the momentum, frankness and super-elegant artistic character, so that the calligraphy contains mysterious connotations and the essence of ancient tablets, posts, janes and bu. Ancients Cloud: Words like their people, has always been a combination of books and character, excellent calligraphers must have personality charm to support the spirit of the work, this excellent character is reflected in the calligraphy, then the brushwork is bold and vigorous, the style of writing is atmospheric and upright, and the temperament is extraordinary.
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Among the calligraphy bodies, especially the list book has the most charm, with a strong artistic appeal and visual impact. The difficulty of the list book is that it is difficult to have both the "grand" and "momentum" and "depth" of the list book at the same time. This requires the creator to have a deep accumulation of cultivation and cultivation, and a sublime and profound visual aesthetic. For the creation of the list book, Mr. NanHuadong first thought about the theory of traditional pen and ink when creating; he often sought change in the spirit and pursued the balance between traditional pen and ink culture and modern aesthetics. Pay attention to the changes in the texture and form of the line, innovate in the law, and send the magic reason to the extravagant, so that it forms an inseparable whole. Mr. Nanhuadong's calligraphy, the characters are bones, the meaning is the soul, the meaning is to go as you want, and the pen moves at will; Not only does people feel the understanding and interpretation of tradition, but also a deep understanding of the epochality and nationality of culture. Whether it is intention, style, charm or emotion, Mr. Nanhuadong embodies a kind of spirituality for the perfection of the environment; his pen, knot, ink and so on complement each other, making people feel the spiritual beauty of calligraphy, and reflecting the personality temperament and humanistic feelings. Looking at his works, he attaches great importance to rhythm and rhythm, fully shows the handling and grasp of the gestures, knots, chapters and overall atmosphere, uses the pen to be plain and honest, and does not deliberately exaggerate and act, transforms the strokes into inner imagery, and contains wonderful reasons in the ordinary, showing a magnificent style. Such works have both an imposing and majestic style, as well as a radiant and free charm, forming their own artistic appeal that falls calmly and at the same time is natural and smooth. Here, we bring together his masterpieces of calligraphy and his new works in recent years, and together we can appreciate his unique poetic rhythm and refreshing artistic atmosphere.
Nanhuadong (Mingshi), also known as the Lord of Mingshi Pavilion. Born in September 1964, a native of Yanchuan, Shaanxi, a member of the Communist Party of China and a university degree.
Currently: Vice President of the China List Book Committee (formerly the China List Book Writers Association);
Director of China Association of The Association of Chinese Associations;
Vice Dean of the School of Calligraphy, Academy of Arts, National Open University;
Vice President of the Chinese Academy of Military calligraphy and painting, deputy director of the Art Steering Committee;
Visiting Professor, Sias International College, Zhengzhou University, Henan;
Director of Shaanxi Calligraphers Association;
Vice Chairman of Yan'an Calligraphers Association;
President of Yan'an Holy Land Calligraphy and Painting Institute;
President of Yan'an Association;
President of Yanchuan Calligraphy and Painting Institute
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South China East Works