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Endless Meaning traces - Feng Yuan's "Yong Huai Recitation" classical theme calligraphy and painting exhibition

Feng Yuan Calligraphy and Painting Exhibition was exhibited on the Digital TV Calligraphy and Painting Channel from April 27 to May 15, 2022, and the exhibition content is divided into four parts: "Yong Huai, Song Xian, Hongzhi, and Sending Affection".

Self-prologue

The works exhibited here are the daily course records of various types of classical calligraphy and painting that I have accumulated over the years of chinese calligraphy and painting.

Chinese culture is broad and profound, and I am deeply admired for the spiritual and material cultural wealth left by successive sages and great masters for the history of Chinese civilization. The decades from the love of art to the profession of it are also the process of my study and understanding of Chinese culture. Those words and sentences of classic literature, beautiful poetry and songs, lofty and profound cultural thoughts, universal praise of humanistic concepts, every time I am intoxicated, my heart is fascinated, and because of my age and resume, my understanding has become deeper and more profound.

Endless Meaning traces - Feng Yuan's "Yong Huai Recitation" classical theme calligraphy and painting exhibition

Emperor Wu of the Han Dynasty, 153x337cm, 2018

If it is said that the Qin and Han culture is strong and upright, and the Tang and Song dynasties culture is mu with a warm and abundant temperament, then the modern culture is people-oriented, refined and macro creative concept, which guides me to consciously trek in the arduous road of following the times and climbing the mountains. I transformed the understanding of my studies into different forms of portraits, realities, poetic paintings and calligraphy works, and assumed a historical responsibility as a scholar of cultural inheritors.

Endless Meaning traces - Feng Yuan's "Yong Huai Recitation" classical theme calligraphy and painting exhibition

Tang Dynasty Bow, 69x23.3cm, 2022

It should be noted that these works are only a sub-theme of my many creations. With the passage of time, in the years of "Endless Intention", I will strive to inherit the spirit of Chinese art, not only to focus on the aesthetic value of Chinese culture to reflect the people-centered realist art creation and the practice of creative art, but also to continue to study and improve and enrich the appearance and skills of modern Chinese calligraphy and painting art.

Endless Meaning traces - Feng Yuan's "Yong Huai Recitation" classical theme calligraphy and painting exhibition

Lefu Painting - Guancang Sea, 26.4cmx49.8cm 2014

This exhibition is dedicated to the workers who are in their respective positions during the ups and downs of the epidemic, and to ask for advice from all the teachers, friends and art lovers.

In March of the year of Nongyin, the book Jinghua

( Text/Feng Yuan)

Artist Bio:

Feng Yuan, painter, professor, and civil servant. Born in Shanghai in 1952. In 1980, he graduated from Zhejiang Academy of Fine Arts under the supervision of Mr. Fang Zengxian. Since 1996, he has successively served as the vice president of the China Academy of Art, the director of the Department of Education and Science and Technology and the director of the Art Department of the Ministry of Culture, the director of the National Art Museum of China, the vice chairman of the China Federation of Literary and Art Circles, the member of the party group, the secretary of the Secretariat, the honorary dean of tsinghua academy of fine arts, the director of tsinghua university art museum, the dean of Shanghai academy of fine arts, the deputy director of the Central Research Museum of Culture and History, and the honorary chairman of the China Artists Association. His works have been selected for various domestic art exhibitions, won more than ten awards, written, published papers, reviews, writings, teaching materials more than 1.5 million words, more than 10 kinds of albums, and have repeatedly held solo exhibitions, touring exhibitions and lectures in Many countries in Europe, America and Asia, and his works have been collected by many museums and art galleries at home and abroad.

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