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Cypress (I)
Cypress trees have a vigorous and quaint momentum. Draw cypress trees, and the lines of the tree should be curved and stretched. Its thread resembles a vine trunk, and it is stronger than the texture of a vine. Point leaves are mostly composed of "wood" and "rice" characters, and also use round point leaves. The ink color is thick and light, and the intensity is the most. Points should be used to accumulate ink, that is, with many layers of thick and light ink to express their lush shade.
Cypress (II)
The stripes of the cypress body should be smooth and regular.
Cypress (III)
Traditional Chinese paintings paint cypresses, mostly painted as old cadres and supporting sparses, in order to express its quaint and simple form. This picture is a traditional painting of cypress, for reference.
Cypress (IV)
willow
The tree method of Chinese painting landscapes is the most difficult to master in the form of willows. The technique of painting willows is to first draw a dead tree with an oblique shape, and then draw willow silk on the horizontal branches of the dead tree. Let the lines come and go, and return to them, and the willow wires can cross the momentum. When you are new to learning, you should prevent the rush to draw a thousand strands of willow and ignore the branches of the tree and the front and back branches, so that the lines are messy and scattered.
Willow branches, willow silk
Willow branches and willow silk are all painted in one stroke.
Willow (I)
To draw a willow facing the wind, first make the tree layout have a wind potential, and then draw a trace of diagonal line. With the pen, it is necessary to master light and powerful, moving without chaos. Between the willow and the willow, the distance and the crossing should be even and integrated.
Willow (II)
Draw dense willows, avoid knotting. Pay attention to the wetness and dryness of the brush with water. If the line is too fast, it is slippery and weak; if it is too slow, it is dull and dull. Dry pens should be slow and heavy, and wet pens should be fast and light. Choose a flexible brush that can be longer and be good at playing.
Willow (3)
If the dead branches of the winter willow still have the meaning of spring, they need the beauty of the tree body and the sparse spots and leaves just right.
Willow (IV)
Drawing a dotted leaf bush of willow requires that when painting the body of the willow tree, the branches are majestically used with brush lines. In the dense point of the thick point, do not produce the basic form of the weeping willow, otherwise it will flow into the point leaf miscellaneous tree.
Far Willow Three
The willow wire is round and hanging, and it should be uneven. The distant willow can not see the tree body, but also shows the water surface fog and water confusion.
Weeping bamboo
In landscape paintings, bamboo is mostly painted with weeping bamboo, and the bamboo pole is first drawn, the direction of the branches is fixed, and then the leaves are drawn. The accumulation of leaves should have wind potential and elasticity.
Bamboo
Yang bamboo is a clear bamboo. When the direction of the bamboo pole and the bamboo branch is arranged, the bamboo leaves are added along the thin branches. Most of the two and three leaves are gathered, adding one or two small leaves to cross the momentum, and can practice the two styles of bamboo and weeping bamboo into the wind and rain bamboo, reaching a thousand branches and thousands of leaves, not chaotic and untangled.
Bamboo branches and leaves with a pen
The bamboo branches are firm and stiff and elastic. Bamboo leaves should be dense or sparse in size, compact in structure, and the tip of the tip has the tendency to face the wind.
Bamboo (1)
One of the leaves, the green bamboo is exquisitely upright, and the leaves are densely packed to represent the vigorous and upward vitality.
Bamboo (II)
The second leaf of the bamboo is thick and plump, and the size of the leaves is symmetrical to indicate the thick momentum of the roots and strong leaves.
Bamboo (3)
This leaf-bearing bamboo features the reduction of small branches and small stems, and the key to the stacking and flying of bamboo leaves lies in the stacked layout of bamboo leaves.
Bamboo (4)
Plum tree
The plum tree should be strong and strong with a pen, and its branches are twisted and oblique, and the rotation is strong. The dot flowers can be densely and sparsely along the branches, but do not accumulate. If the color is set, the branches are first rendered with light juice green, and then the flowers are flowers on the thick ink branches with pink and pinkish white or light pink.
Plum branches are dry
Plum Tree (I)
Plum Tree (II)
To paint Merlin, we must focus on painting the cross-interspersed of the first few plum trees, and we must be staggered and layered.
Reed (hanging)
The weeping reeds must show wind momentum and fall briskly without losing strength.
Reed (upward)
The upward reeds show growth in the left and right skimming leaves.
Reed Four
Reeds are different from ordinary herbaceous plants, with flexibility and toughness, and also dry and leafy. Regardless of the distance, we must show the wind and growth trend, and avoid using the pen to be sluggish and stiff.
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