You who like calligraphy,
I don't know if I've heard such a sentence:
Shu Tong's circle, qi gong's pole, Pu Fu's tip.
In a simple single sentence,
Take the personality characteristics of these three calligraphy masters
Give very well expressed.
1. Shu Tong's circle
Shu Tong's calligraphy, everyone should have seen it. As one of the famous masters of modern times, his calligraphy is taken from Yan Zhenqing, Liu Gongquan, and He Shaoji of the Qing Dynasty.
Shu Tong's calligraphy is more personal, and the biggest feature is that there are more round pens. Especially when encountering a turn, he likes to take it directly in a circular way. Is this way of using the pen good? Objectively speaking, there is no right or wrong in the brushwork, but it is not inevitable that it is a little monotonous to always use one. Moreover, Shu Tong's circle is somewhat stylized and a little too mature. I don't know if you think so.
2. The rod of enlightenment
The calligraphy of Qi Gong is more familiar to everyone. What are the characteristics of his calligraphy? The first is the knot, straight and beautiful, more in line with the aesthetics of the big guys, belonging to the type of people who love it. In addition, the lines of Qi Gong are also relatively powerful and tenacious, just like a bamboo pole section by section.
How is this line of Qi Gong formed? This is related to his predecessors. Friends who are familiar with Qi Gong know that Qi Gong insisted on writing Liu Gongquan's "Secret Pagoda Stele" for many years, not seeking anything else, just to get the bone strength of that line. In general, the pen use of Qi Gong does not change so much, and in terms of lines, it is indeed a performance of everyone's level.
3. The tip of Pu Pu
Who is Pu Fu? Briefly introduced, the full name is Ai Xin Jue Luo PuXuan, the grandson of Prince Gong of the Qing Dynasty, a famous calligrapher and collector in modern times. In terms of calligraphy and painting, he and Zhang Daqian are equally famous, and have the reputation of "Southern Zhang Beipu". Mr. Qi Gong once boasted that "Mr. Xin's calligraphy skills, in all fairness, are much deeper than his painting skills." ”
Pu's large character calligraphy mainly studied the famous masters of the Tang Dynasty. In particular, Ouyang Qing and Liu Gongquan had a great influence on his use of pens. Of course, his calligraphy was also influenced by Prince Cheng. In general, his calligraphy is exquisite in pen and has strong legality, especially at the beginning and end of the pen, with clear edges, nails and iron, and full of strength.
Friends who have studied Tang Kai know that this kind of tip like Pu Fu is very hard work. If you don't have a strong pen control ability, or if you don't have the meticulousness and peace of mind when writing, it is difficult to write so well. The most rare thing is that although Pu's pen is square and hard, it does not have that stiff and dull feeling.
Looking at the calligraphy of the above three famous masters, we can also draw a basic conclusion: calligraphy should be brilliant, it is best to have one or more tricks that you are good at, or that you have to write your own personality in some aspects. In this way, you can write a performance that is different from others, and you can let others see it and see it.
Of course, these tricks and styles of skill cannot be refined in a day, nor can they be written by their own conjecture. What is the most effective method? Of course, it is still necessary to learn from the predecessors, and then, carry out a finishing process.
Without further ado, I would like to ask you in the end: Shu Tong's circle, qi gong's pole, Pu Fu's tip, these personality calligraphy, which do you prefer? Welcome to leave a message below to participate in the discussion.
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