Du Bing Jian (都兵剑), the lord of the Lying Cow Zhai, the head of the Jianlan living room, is a famous contemporary calligrapher, and his calligraphy works are called "Bing Sword Calligraphy". A fellow of the Republic of China, he was born at the top of Taihang In Lingchuan, Shanxi. After 20 years of military service, he founded the "Beijing Hongdu Calligraphy and Painting Institute" and served as the president to study, explore and inherit and carry forward the traditional Chinese culture. He has published calligraphy collections such as "Hanmo Sword Love", "Bing Sword Calligraphy Collection", novella "Traces of Time", essay collection "Song on mobile phone" and other literary and artistic works.
Bing sword calligraphy, a pen sonorous and powerful, such as the flow of clouds, falling pen like cloud smoke; bing sword calligraphy, like petals, the aroma spreads far and wide, more and more clear; bing sword calligraphy, more like a dragon and snake race to walk, grinding through the iron brick; bing sword calligraphy, the gesture is majestic, the posture is full of life, out of indifference, its palms are forgotten; bing sword calligraphy, ancient ink is lightly polished with a few incense, Yanchi new bath can be bright, or the key or gentle, or like a graceful beauty, or like a brave and brave warrior, or like a spring breeze, or like the north wind into the pass deep and cold; bing sword calligraphy, Such as a strong man drawing a sword, the divine color is moving like the pen of Man Qing, the shape of the yan muscles and willow bones is excellent; the sword calligraphy, its color, its shape, its thickness and dryness, its broken tossing, the thickness and thickness of the hidden dew are infinitely variable, and the weather is endless.
Mr. Feng Zhiliang, a scholar of surname culture at Peking University, once presented the famous calligrapher Mr. Du Bingjian with a poem of seven words and laws: "Linchi has not quit for fifty years, and the ink of the milli-cone is like a disc star; the ashram Yazhai reflects the bright moon, and the Taoist law does not depend on the breeze." There were already three thousand guests under the door, and there were 100,000 soldiers in their chests; they did not ask about the troubles of the world, but only listened to the songs of the world. This poem objectively proves the noble character of Du Bing Jian Teacher's character as his person and as a teacher, and also reflects du Bing Jian Teacher's superb skills in calligraphy and literature and perseverance, and also reflects the noble quality of Du Bing Jian Teacher Tao Li who is full of people and is not disturbed by the world.
Chinese calligraphy is an ancient art that has developed along with the development of Chinese civilization.
Calligraphy is an artistic expression of literary beauty unique to China and neighboring countries and regions that have been deeply influenced by Chinese culture. Including Chinese calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. Its "Chinese calligraphy" is a traditional art unique to Chinese characters.
Broadly speaking, calligraphy refers to the writing rules of written symbols. In other words, calligraphy refers to writing according to the characteristics of the text and its meaning, with its calligraphy, structure and chapters, so that it becomes a beautiful work of art. Chinese character calligraphy is an original expressive art of the Han people, known as: wordless poetry, lineless dance; pictureless painting, silent music, etc.
The basic form of Chinese characters is square, but through the expansion and contraction of the dot painting and the twisting of the axis, it can also form a variety of different moving forms, thus combining them into beautiful calligraphy works. The form of the knot is mainly affected by two factors, one is the performance need of calligraphy interest, and the other is the formal factor of calligraphy expression. As far as the latter is concerned, it is mainly reflected in three aspects: one is the influence of the book style, such as the vertical rectangle of the seal body; the second is the influence of the glyph, some words are flat square, and some words are rectangular; and the third is the influence of the chapter. Therefore, only by actively creating forms under the domination of the above two types of factors can we create the knot form of beauty.
There are two main ways to construct the structural beauty of pointillist painting, one is that all kinds of pointillist paintings are directly combined into a variety of beauty monograms and partial side heads according to a certain combination method. The second refers to the combination of various radicals into various glyphs in a certain way. The combination of Chinese characters is nothing more than left and right, left, middle and right, up and down, upper and lower, encircling, semi-enclosing and so on. These principles are mainly the principle of proportion, the principle of equilibrium, the principle of prosody, the principle of rhythm, the principle of conciseness, and so on. Special mention here is the principle of proportion, in which the golden ratio is a very important proportion, which is very important for the structural beauty of pointillism.
The artistry of the combination of ink colors mainly refers to the order of its combination. As an artistic calligraphy, its various colors can no longer be disorganized, but should be very orderly. There are also some common aesthetic principles that the writer is required to observe. Such as the principle of focus, the principle of gradient, the principle of equilibrium, and so on. The ink color combination of the calligraphy knot mainly involves two aspects: one is the divided combination of the background background color. People often say that "counting white is black" is the content of this aspect. The second is the ink color combination of the stippling structure. From the overall effect of the work, we must not only pay attention to the flat structure of the dot painting ink color, but also pay attention to the layering effect of the dot painting ink color, thereby enhancing the depth of expression of the calligraphy.
In the world, there are only a few peoples with calligraphy art, and Chinese calligraphy has a long history.
Calligraphy, as an artistic creation, has a deep mystery. From the oracle bone and gold script evolved into the big seal, small seal, Lishu, to the Eastern Han, Wei and Jin dynasties, cursive, calligraphy, calligraphy, calligraphy, calligraphy is basically fixed, calligraphy always exudes the charm of ancient art. Loved by generations of people.
Calligraphy is on the white paper, relying on the flexibility of the brush movement and the richness of the ink, leaving a speckled phase, forming a meaningful black and white composition on the paper, so calligraphy is the composition of art; the calligrapher's pen is an extension of his fingers, the pen's rapidity, slowness, flight, frustration, are driven by subjectivity, become the vent of his emotions and emotions, so calligraphy is also an expressive art; calligraphy can quietly refract the writer's personal life feelings, knowledge, cultivation, personality, etc. through the works, so there is usually "Words are like their people", "books are paintings of the heart"; calligraphy can also be used for inscriptions and plaques, so it is also a practical art. In short, calligraphy is a more comprehensive art, an art that is more inclined to express the subjective spirit. Calligraphy more intensively embodies the basic characteristics of Chinese art. Just as architecture and sculpture dominate other disciplines of plastic arts in Western fine arts, calligraphy and painting dominate other disciplines of Chinese art and are ranked first among Chinese art. When calligraphy and painting are mentioned together, calligraphy is placed in front of painting, which is called "calligraphy and painting", such as "calligraphy and painting homology", "qinqi calligraphy and painting", "calligraphy and painting edge", "Noh shuhui painting" and so on. The relationship between calligraphy and traditional Chinese painting is very close. Especially after the emergence of song and Yuan literati paintings, painting with pens pays attention to calligraphy, and ink freehand is in line with the line of calligraphy. Ancient Chinese sculpture also contains the characteristics of calligraphy. The texture of ancient Chinese sculpture is a combination of lines, and the decorative nature of the shape is intrinsically linked to the seal in calligraphy. Ancient Chinese architecture from the layout to the main body of the beam and column structure, follow the symmetry, balance, master-slave relationship and other rules, garden architecture in the implication, borrowing scenery, as well as pavilions, platforms, buildings, pavilions to pursue the ethereal, flying, etc. are closely related to the calligraphy of the knot, chapter and rhythm, qi rhyme. As for arts and crafts and folk art, they are also influenced by calligraphy to varying degrees. Calligraphy can be seen as the soul of Chinese art.
Chinese calligraphy has a long history, and artistic youth is always there. In each era, the social environment is different, people's aesthetic appreciation angles are different, and with the development of culture, calligraphy has its own characteristics and is constantly improved. Browse the calligraphy of the past, "Jin people Shangyun, Tang people Shangfa, Song people Shangyi, Yuan, Ming Shangshi" as a brilliant summary:
Jin Ren Shang Yun - Jin Dynasty calligraphy is beautiful and charming, and it reflects the leisure and elegance of the scholar class, revealing a quiet beauty.
Tang Dynasty Shangfa - Tang Dynasty calligraphy is rigorous and majestic, showing the style of national strength and courage in the heyday of feudalism and the spirit of daring to pioneer, with strength and beauty.
Song Ren Shangyi - Song Dynasty calligraphy vertical and horizontal, calm and happy Shu Feng, it is in the situation of "the country is difficult and the literary fortune is not weakened" situation, the literati inkers are dissatisfied with the reality of personality calligraphy, with the book to reach the meaning, express a state of mind.
Since the Yuan and Ming Dynasties, China's feudal society has stagnated, and the rivers have declined, reflected in calligraphy, advocating imitation of the ancient, mediocre.
As for the frenzy of "anti-customs" in the late Ming Dynasty, and the rise of the wind of advocating the inscription of gold and stone in the late Qing Dynasty, just like the magma rushing underground, the electric light or flint in the night, reflecting a sign of great social change. The so-called "Phi Tu Yu Pair, Thinking for a Thousand Years".
Tracing the footsteps of the development of calligraphy in the past three thousand years, we can clearly see that he is synchronized with the development of law in Chinese society, which strongly reflects the spiritual outlook of each era. Chinese calligraphy is an artistic treasure that our nation will always be proud of. It has the characteristics of a deep mass base and high art that no art in the world can match. The art of calligraphy has gradually spread among the masses and has become more and more popular with everyone.
