The Tang Dynasty poet Wang Changling, in his poetic treatise "Poetry Grid", divided poetry into three kinds of poetic realms: material realm, situation and artistic conception. Guoxue master Wang Guowei also put forward the theory of realm in poetry creation and appreciation. It can be said that the realm of beauty is an important symbol of the success of a poem.
Tang Dynasty poet Wang Wei, he looks at poetry with the technique and vision of painting art, in his poetry creation, he can delicately feel and grasp the wonderful scenery of the natural world, and the poet's emotions are pinned on the natural scenery, so his poetry is fresh and elegant, the artistic conception is long, and it has a touching artistic charm.
Reading Wang Wei's poems is like appreciating a beautiful landscape painting, and the aesthetic mood seems to put people in a trickle of poetic feelings, so that after Su Shi appreciated Wang Wei's poems, he couldn't help but marvel: "The poetry of The Taste of Maha, there are paintings in the poems; the paintings of the Observation of the Paintings of the Paintings, the Poetry in the Paintings." ”
In Wang Wei's poems, those landscape idylls with beautiful artistic conceptions are everywhere, and the landscape poems he wrote when he lived in seclusion in Yuanchuan, each of which can be said to be a beautiful picture, so that posterity captured inspiration from his poetry, so as to carry out the secondary creation of painting and poetry.
Not only Wang Wei's landscape idylls, but even his farewell poems have beautiful and moving pictures. Don't believe it, you look at the "Weicheng City Towards the Rain and Dust, the Guest House is Green and Willow Colored New" in "Sending Yuan Er Envoy Anxi"; you look at the "Farewell" in "The King's Words Are Not Proud, Return to the South Mountain." But go to MoFu to ask, when the white clouds are endless"; you see the "sunset is white, the tide is blue in the world" in "Send Xing Guizhou". This farewell poem is a beautiful picture that makes people sway and think.
In Wang Wei's farewell poem, in addition to "Yang Guan Qu", there is also a poem of flowing water and a natural realm, the poet will be deeply sent farewell in the beauty of spring, the poetry is beautiful and picturesque, reading to move people's hearts, the original poem is as follows:
Send Shen Zi back to Jiangdong
Yang Liu crossed the head of the line and was sparsely visited, and the gullies swung their oars toward Linxi.
Only acacia is like spring, and Jiangnan and Jiangbei send the king back.
The opening paragraph is clear, this is a farewell poem by Wang Wei with long rhymes, long emotional rhymes, and touching hearts. In the last two sentences of this farewell poem, Wang Wei depicts the most beautiful moments of spring for people with beautiful and moving words and otherworldly imagination, and also vividly reflects the deep affection between friends.
This poem is a poem written by Wang Wei when he sent his friend down the river to Jiangdong in the upper reaches of the Yangtze River, and his friend named Shen Zifu was sent away. Just as the so-called all scenery is love language, although the whole poem ends in the description of the scene with a deep aftertaste, it also pushes the affection of the farewell to the climax.
The opening two sentences depict the scenery of the ferry, the willows of the ferry swaying in the breeze, and there are not many pedestrians at the ferry where the willows flutter. At this moment, the ferry journey has also ended, after three rounds of drinking, the poet and his friend waved goodbye, the poet watched his friend board the boat, the boatman untied the cable, and the boat left the ferry in the breeze on the willow bank.
This is a farewell scene of the willow shore and the wind and the moon, and it points out the time and season of spring. Cherishing the reunion and reunion between relatives and friends is a traditional virtue in Chinese culture, so the ancients' reluctance to part, the retention of relatives and friends and the deep affection for others have become a very ritualistic thing.
In Wang Wei's pen, Yang Liu'an's farewell is a classic farewell scene. Yang Liu has been a literary image in traditional Chinese culture that is associated with parting since ancient times. In another famous farewell poem by Wang Wei, "Weicheng is light and dusty in the rain, and the guest house is green and willow-colored", which is the famous farewell scene.
Willow is a plant that is no longer ordinary, and it can be seen everywhere in the north and south of the river, but it has been endowed with a deep humanistic atmosphere in traditional culture. The willows in the poet's pen are endowed with a profound and implicit poetry. The unique temperament of Liu itself, its colorful and moving overall image, also affects the feelings of poets.
Once upon a time, Willow Yiyi. Since the beginning of the poetry era, Liu appeared in poetry for the first time as a literary figure. Willow, not only is the description of the scenery, but also the sentiments of the farewell parties: the willow that flutters with the wind like wisps of green smoke, the slender and soft willow, let the wanderers who travel far away, the hearts of departing relatives and friends swing in a circle of ripples, and the ripples of this circle are full of people's eternal affection and friendship.
Therefore, since the poetry, people are more willing to take "willow" as an emotional sustenance and a destination for sentiments. Coupled with the harmonic sounds of "willow" and "stay", folding willow to send farewell, folding willow to send far, and willow poetry to give each other has become a farewell custom.
From the Southern and Northern Dynasties' "Wushan Wuxia is long, weeping willows are weeping Yang" to Zhang Jiuling's "Slender Folding Willows, Holding This Lover", the willows in the poet's pen are presented in front of the eyes of the world with a moving image, melting into the waves of the long river of poetry, and a long and affectionate willow poem soaks people's hearts like a drizzle.
As a poet of the Tang Dynasty, Wang Wei was immersed in the cultural atmosphere of Yang Liu's farewell, and he also drew nourishment from it, and pushed the culture of Yang Liu's farewell to a peak with his extraordinary talent in poetry and art.
Wang Wei's Yang Liu is not only the lyricist's depiction of the farewell scene, but also the poet's visual experience of the farewell scene. The small number of pedestrians highlights the more miserable ferry port of farewell, the bleakness of the situation, and reflects the reluctance of sending off friends.
The friend has set sail, only the poet stands at the ferry, unwilling to leave for a long time, he has been watching the distant boat gradually disappear into the field of vision, the poet's mind, perhaps in the reliving of the scene just now with the friend to say goodbye, perhaps remembered the previous interaction with the friend bit by bit. But all this can only be a remembrance.
I saw my friend's boat going down the water, getting farther and farther away from me. Thinking of this, the poet's heart is inevitably a little dazed. At this time, the poet looked at the spring colors on both sides of the river with a look of reluctance and attachment: this is the spring breeze, the spring colors are full of garden, the poet's eyes are full of peach red willow green, the beauty of the grass, he feels the infinite attachment in his heart to cherish the farewell, just like the boundless spring color in front of him.
The poet was infected by the scene in front of him, so he had a sudden thought: Let the lovesickness in my heart be like this boundless spring color, following your long-distance ship and accompanying you all the way to Jiangdong. This is an otherworldly imagination, but also a wild imagination, pinning on the poet's implicit and deep feelings.
"Only lovesickness is like spring color, Jiangnan Jiangbei sends the king back", is the poet to the imagination to insert the magical wings, he will willow, the eyes full of spring color as the heart of the friendship of friends, allegorical scenery, scene blending, this is the highest realm of poetry creation: with my view of things, so things are my color.
Is life like a journey? Isn't the scenery during the trip and the mood of seeing the scenery the most important? The poet seems to be saying to his friends: You are sailing on the river, and the spring colors on both sides of the river will surround you, surround you, accompany you, and haunt you, you will definitely have a good mood, and this good mood will always accompany you; our friendship is also the same as this spring color, always surrounding you, accompanying you all the way.
In these two poems, what is more worthy of praise and praise is that Wang Wei skillfully combines the natural scenery in front of him with the sincere friendship between friends, and compares the spring color of nature to the feelings in the soul, and the love and scenery are harmonious. The whole poem is natural and smooth, in one go, all the true feelings flow out from the poet's heart and the end of the pen, this kind of true feelings, for thousands of years, has been touching the reader, but also stunning time.
The Song Dynasty literary scholar Su Shi commented on Wang Wei's poem "There are paintings in poetry and poetry in paintings", and this poem can be said to be a good example. Wang Wei's picturesque farewell poem, although the whole poem is only 28 words, but the paper is short and long, the thick friendship jumps on the paper like an endless spring color, the picture is moving, the artistic conception is beautiful, and it is gripping to read.
In particular, the feelings expressed in the last two sentences of the poem, just like his "Yangguan Three Stacks", although the characters and places of farewell are different, the true feelings that overflow between the lines are the same, that is, the eternal friendship of human beings, and this emotion is in the poet's pen to create a beautiful posture, which embellishes our lives and touches our hearts.
Mountains and rivers, the earth, the sun, the moon and the stars, because of the poet and beautiful. Wang Wei's poem not only adds a bright landscape to the farewell poem of the mainland, but also greatly opens up the reader's imagination space, and the reader can use his imagination to render colorful colors for it in this space, which is the synaesthetic experience of "Jiangnan has nothing, talk about giving away a branch of spring"; it is also a beautiful picture with boundless spring color accompaniment, and then sleepy travel can make people feel warm and beautiful.