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Dialogue with the famous | Wang Yongping: There is no road in vain in life

Dialogue with the famous | Wang Yongping: There is no road in vain in life

Wang Yongping is a visiting professor at the Communication University of China, a member of the Chinese Writers Association, a member of the Chinese Poetry Society, a principle of the Chinese Calligraphers Association, and an honorary chairman of the China Railway Calligraphers Association. He once served as the director of the Propaganda Department of the former Ministry of Railways, the chairman of the China Railway Literary Association, the vice chairman of the International Railway Cooperation Organization, and a member of the Chinese side.

Author: Li Peng

……

The delegates lowered their voices and raised their right hands in unison

"Long live the Communist Party of China"

This slogan casts a firm belief in eternity

Resounding in the battlefield of the charge

It resounded in the place of righteous execution

Resounded in the solemn venue

Resounded in the boiling square

Resounding throughout every syllable and every movement in the epic of the revolution...

After walking for 28 years, I walked up to the Tiananmen Tower

The five-star red flag flutters high under the blue sky

This is the poet Wang Yongping's "South Lake, There is a Red Boat" written to commemorate the centenary of the founding of the Party. In recent years, he has turned to the creation of new style poetry, every thought, every trigger, every passion, every touch, on the fountain of literary thoughts, gushing out, "everywhere you go, you must leave a little trace", and several new style poetry collections have been published.

Wang Yongping is an extremely talented and hard-working poet. In the early years, he worked a lot on the rhythm of poetry, filling in words and sentences, yin and yang, really taking a lot of brains, and published old style poetry collections.

In the Shang Shu Yao Dian, Ji Shun's words say: "Poetry and speech, song and eternal speech, sound Yiyong, law and harmony." Wang Yongping later felt that the old style poetry restricted the expression of ideas, limited the expression of emotions, and affected the exchange of ideas. For the creation of new body poetry, he has his own unique feelings and experiences, and has many excellent works.

At a training course at the Communication University of China, he improvised and recited "The Release Platform":

This is an ordinary publishing platform

Some say it's a platform for spreading information

Some say it is a link that connects the people

Some say that it is the focus of the eye

Some people say that it is a fortress of words and swords

And we say, ah, the release desk

It is the spokesperson's position

The mission is glorious and the responsibility is great

We're all in the good hands

Correctly guide the direction of public opinion

Always the spokesperson's

Where the responsibility lies

Speak out on behalf of the country

The sound has to be bright and open

Speaking on behalf of the Government

Words have to be real

Honesty is a quality for a spokesperson

The responsibility is the style of the spokesperson

Sincerity is the tone of the spokesperson

Confidence is the voice of the spokesperson

Highly accountable to the population

In order to get the applause of the people

Faithful to the times

In order to leave the style of the times

In the East Garden of Helot Cemetery in britain, he wrote "In front of Marx's Tomb"; in Alashankou, Xinjiang, he wrote "Alashankou, No Wind" for the soldiers stationed at the border; in Xiangtan Lianxiang, he wrote "Xianglian, the Lotus of Hometown"... The great writer Su Shi once had a poem, "There are poems and books in the belly." Wang Yongping's poetic temperament adds charm to his image, and his work experience has also injected a source and vitality into his poetry creation. Poetry creation became an important part of his daily life, and a large number of poetic works also became an aspect of his glamorous image.

The past is the prologue

Wang Yongping has been working in the railway propaganda system for a long time and was one of the first press spokesmen after our country established a press spokesman system. Rich work experience has become a valuable spiritual wealth. After his retirement, Wang Yongping was invited by the Information Office of the State Council and hired by the Communication University of China to serve as the co-director of the Research and Training Center for Press Spokespersons of the Communication University of China, a visiting professor, and a senior researcher of the China News Think Tank.

Wang Yongping systematically sorted out his work experience, gave in-depth thoughts on doing a good job in news speech work under the new situation, put forward valuable suggestions for establishing and perfecting a standardized press spokesman system, and wrote a work that directly reflected the work of press spokesmen, "The Press Station."

He said: "As a former government press spokesman, I have drifted away from the press release. However, the experience of press spokesmans still haunts me from time to time, becoming the most important professional experience in my life, and also becoming the original intention and motivation for me to pay attention to and study news speeches. There is no road in vain in life, every step is wealth, and every step has a harvest. After experiencing it, I understood the truth of this life, understood the true meaning of this life, and had the experience of this life. Standing on the podium, you can enjoy the scenery, feel the pressure, accept the challenge, and ponder the finiteness and eternity of life. For me, although the career of a press spokesman has become history and is sealed in the past, this experience still spurs me on and motivates me to keep moving forward without forgetting my original intention. ”

The road is obstructive and long, and the future can be expected

Calligraphy is almost Wang Yongping's second life. He loved calligraphy since he was a child, was intoxicated with Han Mo, studied with his grandfather, started from Yan Liu Tang Kai, and chased after Wei Jin. Later, after his spare time, he persevered, and after serving as a leader in the Ministry of Railways, he still seized all his spare time to study and practice hard, and poured great effort and enthusiasm.

Wang Yongping's calligraphy writing is mainly intoxicated and passionate about cursive writing. The difference of artistic style is the aesthetic standard of calligraphy, which is based on the appreciation and understanding of classic works, and is the most direct expression of artistic life. It is not easy to write good calligraphy, and it is even more difficult to write good cursive. As Wang Xizhi said at the beginning of the grass song: "The grass saint is the most difficult, and the dragon and snake compete for the end of the pen." "Some people want to get ahead in calligraphy but don't want to work hard, and think that it is easiest to write cursive. There are also some people who want to take shortcuts, and a large number of ugly books fill the book world. In the study of cursive writing, Wang Yongping has worked hard and stupidly, accumulating over time, deep and long, and his pen has not stopped working and persevering.

Some art critics say that Wang Yongping's works seem to pay more attention to the exploration of cursive commonalities, and with his accurate grasp of cursive methods, it is obvious that he has made efforts to cursive classics. Wang Yong's parallel cursive writing, especially the "Second King", is the most infiltration of the "Two Kings", Yu Huaisu's "Xiaocao Thousand Character Text" and Sun Guoting's "Book Spectrum" are the most diligent, and in recent years, he has been inspired by the works of Zhang Xu, Huang Tingjian, Wang Duo, Fu Shan and others. His mentor Li Duo was also more proficient in cursive writing, which greatly influenced his guidance and influence. His calligraphy is taken from the ancients and is very modern, the lines are vigorous and vivid, the structure is exquisite and natural, the chapter is breathable, the peace contains power, and the rhythm is reflected in the fluency, which makes people feel a kind of inner strength and passion, forming a unique style of dashing and majestic, majestic atmosphere, flowing clouds and flowing water, and waving.

Never depressed, never low, never give up, never say defeat, this is the image embodiment of Wang Yongping Xiangren's character, a vivid display of his diligent and dedicated attitude towards life, a perfect interpretation of his diligent pursuit of literature and art, and a true expression of his rich inner world. He firmly believes that to be good at himself and keep hot, the future may not be bright and open, but it must be full of infinite possibilities.

Source: China Youth Daily client

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