Wu Jiang has a unique feeling for painting, he uses his own unique pen and ink, with "line" with "light" and "color" to vividly depict the characters and landscape world.
Wu Jiang: A native of Ganzhou, Jiangxi, he graduated from Zhengzhou University. He has successively studied under Liu Dawei, chairman of the China Artists Association, and Li Xiang, vice chairman of the China Artists Association. He is currently a member of the China Artists Association, a national first-class artist, a director of the Chinese Painters Association, a member of the Guangdong Artists Association, a studio painter of the National Academy of Painting of China, a visiting professor of the National Art Research Institute of Sanya University, and the vice president of the Huizhou Contemporary Art Creation Research Institute.
In the history of the development of human art for thousands of years, Chinese painting is self-contained, divided into characters, landscapes, flowers and birds according to the content, and each discipline has its own characteristics. In recent years, Wu Jiang has devoted himself to the exploration of ink figures and landscape paintings, and through years of diligent pursuit, he has finally found a way for himself, and the creation of figures and landscape paintings has now reached a certain realm.
The figures and landscape images in Wujiang's ink paintings are no longer isolated from each other, but are connected with the land and air on which their lives depend, and even connect with the sky and the universe, showing a holistic landscape of life, which is complementary and organically composed, which may be the essence of Wujiang's construction of ink figures and landscape paintings.
Wu Jiang has superiority in artistic cognition, and many experts have commented that he has strong ability and good painting, and his characters and landscapes are somewhat mysterious and wise. Wu Jiang, whether it is the form or demeanor of the depicted object, is like a fading dream and a hazy idea or a kind of thought intertwined, bursting out of a deep artistic conception, and its picture has a long and profound meaning.
Wu Jiang's paintings are rendered with layers of multicolored ink colors, coupled with smooth lines and the texture of the rubbing, and then because of the addition of light effects, the picture becomes colorful and mottled and thick, which can be seen that he has practiced a solid basic skills of painting. He attaches great importance to the honing of traditional techniques of Chinese painting, and strives to integrate the perspective, light and shade, space, texture, virtual reality and other modeling forms of Western painting into his pen and ink interest. The combination of Chinese and Western methods has enabled his paintings to retain the artistic conception of traditional ink painting and have a new development.
Wu Jiang faces life in painting, pays attention to the organic combination of "teacher and ancient teacher" and copying and sketching, and pays attention to the improvement of solid professional foundation and comprehensive cultural literacy. He was also proficient in calligraphy, and also studied and dabbled in classical literature, the history of painting, and poetry inscriptions. Therefore, the works he created not only pursue the artistic effect of both form and god, vivid and vivid, elegant and popular appreciation, but also lose a strong atmosphere of life in the times.
Wu Jiang's works are one by one, and the white and black constitute virtual reality, which is colorful and colorful. Let people read the thoughts, think of reading, even interesting!
Wu Jiang made "BlackWater" his pen name for a reason. Because the creation of Chinese painting is inseparable from ink and water, black is ink, and he is related to ink in his life, it seems that he will be able to "black" a new ink world.
Li Xiang, vice chairman of the China Artists Association