Mr. Chen Yuanfang integrates calligraphy and the perception of life into his creation, and the words flow with wind and bone, charm, elegance and emotion. It has both traditional calligraphy charm and strong characteristics of the times, surging with strong vitality. Teacher Chen Yuanfang's calligraphy works are of great collectible value, and in order to better promote traditional Chinese culture, collectors recommend contemporary powerful artists.
Chen Yuanfang, Zi Boju, Shandong Renren, Sanshi Zhai Resident, Mengshan Resident, Langya Resident, Langya Moyi, Graffiti Xuan Lord. Born in Linyi in 1954, college degree, member of Jiusan Society, member of the 12th CPPCC Linyi Municipal Committee, member of the 13th Standing Committee of the Chinese People's Political Consultative Conference, vice chairman of the Linyi Municipal Committee of the Jiusan Society. Mr. Chen Yunsheng, the famous calligrapher who was trained by the young court, studied calligraphy and has been visiting ancient and modern stele for more than 60 years. On the basis of the seal, li, true, line, grass and Wei stele, inheriting the tradition and daring to innovate, and then using pen, water, ink and shang to form a unique self-appearance, the original colorful tower style.
His works have been collected by the Ministry of Culture of China, the National Art Museum of China, China Painting and Calligraphy, Zhou Enlai Memorial Hall, Ningxia Museum, Shaanxi BaishuiCangjie Temple, Lin Zexu Memorial Hall, Vice Chairman of the National People's Congress 93 Central Committee Han Qide, State Leader Wan Li, Song Ping, Minister of Culture Liu Zhongde, Guangming Daily, Workers Daily, Dazhong Daily, Linyi Daily, Yimeng Evening News, Linyi CPPCC Xizhi Calligraphy and Painting, Contemporary Yimeng, Linyi Pictorial, etc. Over the years, more than 600 calligraphy works have been donated to floods, earthquakes, disaster areas, hope projects, Shaanxi Baishui Cangjie Temple, Lin Zexu Memorial Hall, and more than 600 calligraphy works. His works have been purchased by friends in the United States, France, Britain, Germany, the Netherlands, Belgium, Japan, Thailand, Hong Kong and Taiwan, Beijing, Nanjing, Hangzhou, Changsha, Shanghai, Wuxi, Wenzhou, Qingdao, Macau, Xiamen, Shaanxi, Gansu, Yinchuan and other regions.
He was included in the compilation of "Chinese Artists", "Chinese Poetry, Calligraphy and Painting Printing Daguan", "Wang Xizhi Cup Chinese Calligraphy and Painting Competition Collection", "The First Yellow River Cup Chinese Calligraphy and Painting Competition Collection", "Chinese Hard Pen Calligraphy calligraphy calligraphy and calligraphy celebrity dictionary", "Chinese Contemporary Calligraphy and Painting Dictionary". Nearly 100 dictionaries, such as "Selected Poems by Famous Contemporary Calligraphers and Painters", "Collection of Calligraphy and Paintings by Chinese Artistic Talents" (Chinese Proud Son), "Album of Fan-Faced Works of Contemporary Chinese Calligraphers and Painters", "Catalogue of World Calligraphers and Painters" (Complete Collection of Chinese Calligraphy" and "Dictionary of Contemporary Shandong Calligraphers", "Elite of Shenzhou", "Celebrities of the Art World", "Canon of Passing on Art", etc.
He graduated from China Correspondence University of Calligraphy and Painting in 1978
In 1993, he published "Chen Yuanfang's Calligraphy Works"
In 1993, he participated in the national large-scale calligraphy exhibition and won the first, second and third prizes many times
In 1994, he won the Bronze Award of the Yellow River Cup
In 1996, he graduated from Linyi Party School with a major in economic management
In 1999, he received the Lifetime Achievement Award in Oriental Art
In 1999, he held a solo exhibition at the National Art Museum of China and was a guest of the Ministry of Culture
In 2000, he held a solo exhibition at Linyi Mass Art Museum
In 2000, he went to Hong Kong and Thailand to hold calligraphy exhibitions
In 2000, he held calligraphy exhibitions in France, Germany, the Netherlands, Belgium and Luxembourg
In May 2002, he went to Osaka and Tokyo to hold calligraphy exhibitions
In 2002, he graduated from the on-the-job Chinese Calligraphy Graduate Class
He was taught by Qi Gong, Liu Bingsen, Shen Peng, Ouyang Zhongshi, Wang Xiangzhi and other teachers
In 2003, he won the Lifetime Achievement Award in Oriental Art
In 2003, he won the National Virtue and Art Double Xin Gold Medal Artist
In 2003, he was awarded the title of contemporary "Chinese Poetry God"
In 2003, he was a member of the World Education and Science Organization experts of the Organization of Culture and Health
In 2007, he was awarded the linyi city virtue art double xin calligraphy and painting master
In 2009, he was awarded one of the 100 Outstanding Calligraphers in China
In 2007, he was hired as the honorary president of China Lanting Calligraphy and Painting Institute
In 2007, he was hired as the vice president of the China National Artists Association
In 2009, he was appointed honorary president of the China Artists Association
In 2011, he was hired as the vice president of the National Academy of Calligraphy and Painting of China
In 2011, he was appointed vice president of the China Academy of Poetry
In 2011, he was appointed honorary president of the National Palace Calligraphy and Painting Institute in Taipei
In 2011, he was hired by the Calligraphy and Painting Office of the Linyi Municipal CPPCC as one of the first batch of calligraphers and painters
In 2011, he was awarded "People's Art Master" by the China Federation of Literary Artists
In 2013, he was awarded 100 contemporary calligraphy artists by the Chinese Five-Body Calligraphy Research Association
In 2014, he was awarded the "Master of World Peace Art" by the Chinese Culture Peace Sending Selection Association.
In 2014, he was awarded the "Jianguo Literary and Art Master" by the China Traditional Arts Association and is now a member of the Chinese Calligraphers Association, a member of the Shandong Calligraphers Association, and a member of the Chinese Calligraphers and Painters Association
Director of Shandong Linyi Book Association and Artists Association
In 2006, he published more than 1,200 poems, words, and Han Hai's "Collection of Years".
In 2006, he edited and published "Chen Yunsheng's Four-Body Thousand Character Text"
In 2006, he edited and published "Chen Yunsheng True Seal Hundred Family Names"
In 2008, he published the hardcover edition of Chen Yuanfang's Calligraphy Art
In 2010, he published "Chen Yuanfang's Recent Calligraphy"
In 2011, he published "Chen Yuanfang's Calligraphy Clumsy Works"
In the spring of 2013, he published 360 poems of "Ode to Yimeng".
In the spring of 2014, he published "Selected Works of Chen Yuanfang Lishu"
In March 2015, he edited and published "Four Friends of Goose Pond Calligraphy and Painting Collection"
In September 2015, he published the hardcover edition of "Three Generations of Works of Wang Sixing, Chen Yunsheng, Chen Yuanfang and Master and Apprentice"
In October 2015, he founded the "Chen Yuanfang Calligraphy Art Museum" to display more than 300 calligraphy and painting works
In 2019, a studio was set up at the intersection of Yinqueshan Road and Linxi 2nd Road
In 2021, chen yuanfang calligraphy art museum II exhibited nearly 100 new works "Years and Years Collection II" composed more than 2,000 poems, words, songs, songs, songs, and Han hai, which will be published at a later time.
Mr. Chen Yuanfang's calligraphy works have participated in international and domestic competitions many times, and have won awards dozens of times, the mystery of which lies in his own use of pen and ink, charm and interest, so that he can always adhere to the spiritual control of pen and ink, in the agility, elegance, willfulness, freeness reflects a very elegant wisdom. My overall evaluation of his character and character is: "There is both the character of the sea and the temperament of the sea..." Characters are characters.
Calligraphy is an art can be described as "benevolent people see benevolence, wise people see wisdom", can not be generalized, Mr. Chen Yuanfang's works I am very impressed, especially his calligraphy, his works fully reflect the calligraphy solemn, smooth, strong, ancient clumsy. His calligraphy is dignified and free, imposing, thick and calm, dignified and atmospheric, not seeking state but not being prepared, not seeking beauty but beauty in it. Chen Yuanfang's calligraphy pays attention to calligraphy, penmanship, chapter method, ink method, natural change, proper expansion and contraction, force through the back of the paper, balance of gravity, and seek refuge in danger. Orthography; poly-dot drawing into words, "balanced symmetry, harmonious contrast, appropriate primary and secondary, dense and moderate, diverse and unified."
Mr. Chen Yuanfang's calligraphy in the practical, pay attention to the chapter, brushwork, ink method, calligraphy, the overall layout of the blank shelf between the lines, the natural and smooth pen, the dot painting skimming, retracting and retracting the risk of oblique changes are natural and appropriate, pay attention to the balance of gravity, hidden like Taishan, and pay great attention to the strength of the strokes and the thickness of the strokes, appreciate Mr. Chen's works, the characters are pearls, so that I enjoyed a good meal of calligraphy art. It is also an example for us to learn! It is also the crystallization of Teacher Chen's decades of diligent study, persistent exploration and pursuit, and forge ahead, and only those artists who still maintain a poetic and divine sense of life, and have the artistic ideal of piety and sincerity, can reach such a realm.
From theory to practice, from scholars to scholars, here in Mr. Chen Yuanfang, is to first lay a deep foundation in the humanistic realm, and then through the art form of calligraphy, it naturally arises into the spiritual creative activities of modern scholars, and naturally carries the deep gene of the spirit of Chinese culture and Chinese art - retreat and solitude; the so-called internal no obstacles, no external demand, is only corresponding to the development of their own learning, the itinerary of life, and there is no solution, free and transparent, unintentional and perfect in the Tao. In this way, we can trace back to the source, reconstruct the root nature, on the basis of a deep understanding of the essence of traditional calligraphy, and then through the process of synthesis, development and mutation of the practice of dedication that falls into the daily life and belongs to the practice of cultivation, transcends the traditional procedure, integrates the ancient and modern calligraphy, infiltrates the individual talents, is silent, accumulates thick and thin, and becomes a modern writing that is very interesting to Chinese culture and wind and god, and is full of the main spirit and artistic personality.
Mingren Jin Sheng sighed, "will not use the author, a stroke only for one stroke, will use the author, a stroke for a hundred or so pen use", Mr. Chen Yuanfang's painting with a pen outline rich rhythm, rhythm, in the halo and rendering, workmanship and agility, rigorous and not lacking in freedom, it shows that its exquisite technique and the maturity of the ink like gold, the work no matter how big or small, the picture no matter simple and complex, shows the characteristics of deep roots, the realm of elegance and beauty, and the "royal wealth" of traditional painting, has been absorbed and dissolved into the deep spiritual elements of the work, It is displayed as a floating business, the refreshing freshness of the wind god, the simplicity and clarity, the exquisite vividness, and the lush charm and appearance of the wind god.
To a certain height, art is actually a person's quality and cultivation, and what he shows to the reader is not only a painting and a word, but a work that embodies the soul of spiritual reproduction and has a strong spiritual appeal. Only those who yearn for a better life with a love of nature can be immersed in passion and depict works that are exhilarating and passionate. Mr. Chen Yuanfang's paintings are spicy, rich, and his love for nature is as strong as the colors on his own paintings, which are beautiful and elegant. We always believe that Mr. Chen Yuanfang's paintings are the backbone of Chinese painters, and it is worthy of the attention of the art world, the calligraphy and painting circles, and the collecting circles.