Text/Chu Xunhuan
He is knowledgeable about the past and the present, and he has written a lot of books, and he does not think of himself as a calligrapher, nor does he initially use the name of a calligrapher, but people with aesthetic eyes know that his pen and ink are hidden in the rivers and lakes, and there is a threshold for appreciating his calligraphy.
At a national calligraphy exhibition, a good person in Sichuan sent his calligraphy to the exhibition, which greatly annoyed the organizers. They said to the person who sent the work, "What is this word, like a child writing." How can such a word be sent to the exhibition, too unserious."
Xie Wuliang: As a busy tourist, the guest stayed in the spring to return home
For example, he gave a couplet to "Mr. Chongzheng": "As a tourist busy turning over, the guest stays in the spring to return home." He stretched the word "body" very long, shortened the word "busy", raised the word "turn" to the left, and turned it obliquely down on the right.
He tipped over all kinds of constraints, and later generations called his calligraphy "baby body".
Writing and writing poetry is a daily routine of his heart. He is not long and short with dot painting, and he is often intoxicated with the spring and autumn on the "post". His calligraphy does not seem to pay attention to the law, but it once became the object of people's direct acquisition of the law.
He put aside the pure literati orientation of calligraphy, and also adopted the Rigidity of the Han and Wei Inscriptions and the Junxiu of the Jin and Tang Dynasties, and also integrated the folk residual paper interest in order to have both style and bone.
His calligraphy inscriptions are blended and full of natural interest, breaking the difference between the literary and wild fields of theology, expanding the scope of the path of the thesis, thus sweeping away the sour rot and weakness of the ming and qing literati at the end of the style, revealing a kind of healthy and simple beauty.
His calligraphy has changed from brilliant to plain, looking clumsy, but in fact it is broad and profound, and behind it is the support of learning that is not easy for ordinary people to reach, which is by no means comparable to ordinary folk words.
There is a sentence in Dongpo: Retreating from the pen is like a mountain that is not enough to treasure, and reading ten thousand volumes begins to understand the gods.
He does not consider himself a scholar, but he has a deep learning in pen and writing.
Mr. Yu Youren once commented on his calligraphy: "The pen is full of vitality, the wind and bones are moist, and the rhyme is more than the pen, and I am ashamed of myself." ”
Mr. Shen Yinmo also praised: "Immeasurable calligraphy, the elegant health of the Wei and Jin Dynasties, the majestic style of the next generation, the strength of the pen, the beauty and freshness." ”
In January 1956, Xie Wuliang was invited by Mao Zedong to a banquet in Beijing during the Second Session of the Second National Committee of the Chinese People's Political Consultative Conference (Wei Lihuang in the center and Xie Wuliang in the right), which was published in the People's Pictorial, No. 9, 1956.
He was Mao Zedong's guest, and Mao asked him what the characters were? He laughed at himself: "Chairman Mao asked me who was the writer?" I couldn't get it right for a while. It seems that in the future, it is really time to study a good family. ”
In order to commemorate their friendship, Ma Fu changed his name to Ma Yifu, saying that "within the four seas, the only knowledge has begun, starting from the crown of the child, the old Mi Du". Ma Jun and he, on a par with him, were very different from the world at that time, a deep and solemn, green lantern scroll, a bold and uninhibited, "as a busy traveler".
Like Fa Chang, he was also an unruly Shu man; he was born in the same year as Su Manshu, the ancestor of love Zen, and he was full of morale, and he scattered his wealth like dung, messed up and dressed, did not wear clothes, drunkenly lay in a flower and wine casino, and his brilliance with light and dust was also like Manshu.
He is the thanks of a generation of people in terms of scholarship, poetry, and calligraphy.
In his later years, Xie Wuliang was called "Xi Weng", and he wrote a book with people with a direct title, and then went to "Xie", and people did not understand and inquired about it. Xie replied: "Writing one less word can save time, without him."
Xie Wuliang does not like to add seals to writing, and people have people who ask for his seals. He said, "Are you not at ease when you look at me in person?" If you have to stamp it, others mistakenly think it is a forgery, and I will not recognize it when I go out."
Some people also said to him: "Writing and painting are not stamped under the author's name, as if the beauty has no eyebrows and is understaffed." He said, "If a calligraphy and painting were to be used as a seal to prove its authenticity, or to increase its beauty, it would be a problem in itself." ”
Xingshu Wuyan Lian 143× 38cm×2
Zhiwen: The wind is exhausted, and the steps are confused and humble.
Xiling Printing 2014 Spring Auction Transaction Price RMB 598,000 (including commission)
In December 1964, Xie Wuliang died in Beijing Hospital at the age of 80. Ma Yifu wrote Bang Lianyun:
In the world, they have made deep friendships, mourned and forgotten, and realized that death and life are the same day and night;
Riding on the wind He is too fast, the language is broken, and the empty tears spill on the hills.
"Tired of looking at the flowers, I still have the heart to ask." This is the sentence written by Xie Wuliang in 1960.
"If you seek beauty, you can't be beautiful, if you don't seek beauty, you can't be beautiful", Xie Wuliang, who has no intention of being a bookmaker, "Clouds have no heart to get out of Xiu", and he has gone straight into the realm of Rulai.
Mr. Xie Wuliang was in the study
Knowing the immeasurable thanks again, the return is still a teenager.
He lived his life as a children's day, and played a song "Rulai Childlike Heart" with a combination of learning, temperament and talent.
Today, re-read a poem by Wu Weijun, "The First to Chengdu", in memory of this extraordinary genius:
Miserable and worried about the road, difficult to Jincheng.
Lu Xinchang is ugly, and Shu Mu is still horizontal.
Divide and conquer the old man, and pity Mizuki Kiyoshi.
Roaming without choice, parasitizing anywhere.
2020/6/1
Xie Wuliang (1884~1964)
Thank you for being immeasurable, Sichuan lezhiren. The original name was Meng, the word Da Cheng, the number Xi Fan, after the name shen, the word is immeasurable, do not sign the temple. Famous scholar, poet and calligrapher in modern times. In 1901, he entered Nanyang Public School with Li Shutong and Huang Yanpei. At the end of the Qing Dynasty, he served as the supervisor of the Chengdu Cungu School. In the early days of the Republic of China, he served as Secretary General of Dr. Sun Yat-sen, Chairman of the Senate, and Instructor of the Whampoa Military Academy at the base camp of Dr. Sun Yat-sen. After that, he engaged in education and writing, and served as a professor at many universities in China. After the founding of the People's Republic of China, he successively served as the director of the Chuanxi Museum, a professor at Chinese Min University, and the deputy director of the Central Museum of Culture and History. In terms of scholarship, poetry, and calligraphy, it is allowed to be a generation of people.
Thanks for the immeasurable works
Thirteen Words of Letters To the dream of the spring to break the willows and the miserable bananas, in front of the lamp pillow away from the traces of joy are all thoughts
174.5×27cm×2 Collection of Longhua Temple, Shanghai
Chuanshan Sentence (Xingshu) Sichuan Jiabao 2013 Spring Chinese Calligraphy and Painting Auction
Banner titled "Minjiang Sheng Overview Volume"
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