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First, the basic steps of landscape painting
Under the long-term summarization, observation, generalization, rounding, and induction of Chinese landscape paintings, Chinese landscape painting can be roughly divided into the processes of outlining, rubbing, dotting moss, and coloring.
1. Outline
The starting pen of the outline can be used as a flanking, or a center, the pen should have virtual and heavy changes, generally draw a close-up scene and then draw a distant view, use ink to dry slightly, large stones and small stones should be evenly matched, gathered and scattered. The painting stone should not be too square, nor should it be too round.
2. Wrinkle method
Obara refers to the cracks that crack the skin after being frozen, and the expression in landscape painting refers to the volume and texture of mountains and rocks, peaks and peaks, as well as various textures of veins. There is no definite method, the ancients did not draw only one kind of wrinkle method in a painting, mainly to see how to express the object to the most appropriate, sometimes a painting can have a variety of mixed use. Such as phi ma chuan, axe splitting, folding belt wrinkles, unsophistication, cattle hair, watercress and so on.
3. Wipe and dye
Generally, when painting landscape paintings, sometimes the rubbing and rubbing are carried out at the same time, which is mainly when the author uses the pen to paint the wrinkle method well, and the pen head is slightly dry while the wiping step is completed. Rub is mainly to increase the hazy feeling of the mountain stone, in order to achieve a more realistic performance of the object. Dyeing is an important step in landscape painting, which can make the picture light and dark, the primary and secondary, and at the same time make the texture of the mountain stone more abundant.
4. Dot moss
This step is the finishing touch in landscape painting, and traditional landscape painting is inseparable from this step. The role of dotted moss mainly makes the front and back layers between the mountains and rocks more distinct, and can also be used as a small forest and a small tree. The whole painting can be vivid and more vibrant with a little moss.
5. Coloring
The color is generally based on light landscapes, small green landscapes, green landscapes and golden landscapes. When we initially complete a picture of ink bone to dry, we can color, such as taking the light landscape color as an example, first of all, the light side of the stone with ochre (or ochre plus ink) baking color, to pay attention to the color is not a simple flat coating, must be according to the front and back of the mountain stone there are shades of change, to be the ochre is not completely dried, and then the ink blue (flower blue + garcinia + ink) to paint the dark side of the mountain stone, and the combination of ochre and ink green will naturally transition, forming the effect of natural vegetation.
Second, the shallow landscape painting method
Light landscape is currently one of the most common kinds of Chinese landscape painting, which mainly adopts the color setting method with ochre, ink green and juice green (flower blue + garcinia garcinia) as the main color. It is characterized by a light and elegant color, bright and clean, and a strong sense of transparency.
Ink green method, juice green method (cool color)
1. First paint the ink manuscript well, after drying it thoroughly, it will be colored (generally based on plant pigments), first ink green, mainly paint the dark part of the mountain stone, and when it will be dry, dye the light ochre on the sunny surface, so that the ink green and the ochre are naturally moistened at the junction, and there is no stiff brushstroke.
2. Add deeper ochre and ink green when it is dry, but it can only be added locally. It can also be rendered with juice green and dark cyan, so that the whole picture style is cool, which is a more elegant coloring method. Finally, place the money on the right side of the picture to balance it.
Sardine method (warm color)
1. Color the stones, trunks and houses on the sunny side first, and then use the darker ochre to outline the main lines after it has completely dried. At the same time, in the dark part of the mountain stone, use ochre plus ink to render and rub, pay attention to the natural transition between the original light ochre color and the ochre plus ink color.
2. Pay attention to the color to be thin, transparent and uniform. After the whole painting is completely dry, use color or ink to dot the moss to increase the layering and thickness of the picture. Finally, the money is placed on the left side to balance the picture.
3. Ink landscape painting method
1. Ink landscape, as the name suggests, is to replace the color with the shade of ink color, so the ink landscape is to express the nearness, primary and secondary and artistic conception of the landscape in black and white contrast. The ancients said: "Ink is divided into five colors", that is, to use black and white contrast in an ink landscape painting to distinguish dry, wet, thick, light, scorched and other phenomena. Therefore, it is quite difficult to paint a good ink landscape painting, you must complete the whole work without using color, and you cannot give people a feeling of sloppy and dirty picture. The first step of ink landscape painting is very important, first of all, the basic form of the landscape is expressed, but the most critical step is dyeing, and the good or bad of a painting is reflected in the kung fu of dyeing.
2. Generally painting ink landscapes, dyeing should be slightly deeper, because it does not need to color this process, dyeing well will make the whole picture vivid and lively. Finally, choose a good placement to seek the balance and integrity of the picture.
Fourth, the green landscape painting method
The green landscape and the ink landscape are similar, the basic techniques are similar, but the green landscape is mostly characterized by neatness. Green landscape is a more traditional painting method, the Sui and Tang Dynasties have begun to prevail, also known as gongbi heavy color landscape, the picture is magnificent, with decorative effects. It is divided into small green, large green, golden green and so on. The stone green and stone green in the green landscape, because the hue is fresher, not composed, easy to float in the picture, appear tacky, so generally use colored paper to paint first.
Green landscape often on the screen to play the background color, as a green or cinnabar stone block, if the original background color is not deep enough, mineral color frivolous, you can deepen the silk backing method. This method can be used for raw paper, but not for cooked paper. Stone blue can be lined with flower blue or cinnabar, and can also be lined with earth yellow, ochre and earth red. The substrate enriches the mineral tone, making it less light and varied.
1. Use thick ink lines to outline mountain stones, trees, etc., and pay attention to the dense relationship between lines. Use light ink to roughly sort out the dark side of the stone, and then dye it with ochre throughout.
2. According to the needs of coloring, if you need to put on stone cyan, you will first dye it with cinnabar color, and then use ink green to dye along the pen line, requiring the light effect to be dyed. Some key parts can be repeatedly dyed to increase the rhythm of the picture and the texture of the picture.
3. On the basis of the above two steps, start to put on the stone color (mineral pigment), and dye the part of the stone blue thinly with two or three greens in preparation, and leave the foot of the green mountain of the dyeing stone. Pay attention to the use of two pens, after the coloring pen is used, that is, use another clear water pen to transition and connect the hierarchical relationship, so as not to leave a stiffer stroke.
4. After the color is all dry, go up to stone blue and stone green. The color should be more than a few times, it is better to be thin than thick, and the color is not hindered by ink until you are satisfied. When coloring, it is best to go from top to bottom and left to right to avoid staining the picture. Do not color too thickly, once in place, so that the colored picture will lose the rich charm of the green landscape. On the top of the stone green mountain, there can also be some head blue, so that the mountain stone will appear to be varied, and more elegant and thick.
As for the coloring of houses and trees, it can be determined according to the needs of the picture. Usually the house is lightly hooked with ochre, and the walls can be lightly painted with white powder. Mangroves can be dyed thinly with cinnabar, and then dyed according to the beginning of the leaves with the same color after drying, once can not be re-dyed multiple times, to all dry can also be used to point out the rouge, which can reduce the brilliance of cinnabar. When the full-length work is complete, it can be used with flower and juice green dot moss, re-hook pine needles and leaves. Locally, use burnt ink to wake up the mountain and so on.
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