Beijing Tongzhou Release (bjtzfb)
The official WeChat of the Beijing City Sub-Center
"Five rivers and seven rivers converge through the state, and one water and two points are oasis." If we talk about the past and present lives of Tongzhou, from the "Lu County" of the Western Han Dynasty to the "Tongzhou" of the Jin Dynasty, the road passage is reached and the same line is inherited.
After the opening of the Grand Canal, the east-west avenue intersected with the north-south river, and the name of "Tongzhou" added a prayer of "Water Transport and Tongji". Accessible in all directions, both land and water, "the wealth of half the world, through this road to enter", Tongzhou has become an important transmission channel of the Maritime Silk Road.
The "floating City of Beijing" is inseparable from the Grand Canal and cannot bypass the state city. This place, where "the key meeting of land and water, the throat of Kifu; the spokes of boats and cars, and the exchange of crown covers", is known as the "gateway to Beijing" and "the important town of Kifu".
Tongzhou Xiaobu (Beijing Tongzhou Release: bjtzfb)
Learned:
Time flies, thousands of years pass. Here and now, a "new" millennium city is rising on the banks of the Grand Canal. However, the construction of Beijing's urban sub-center has never been a new city from vacant land, but has been deeply rooted in many years of development, and carries a heavy historical background.
The ancient rhyme of Tongzhou, the rhyme of canal water, and the charm of the times are gradually emerging in today's sub-center. It takes the ancient as the scripture, takes the present as the weft, melts the ancient and casts the present, and slowly unfolds a beautiful picture of the canal meandering and flowing, the ancient city with water, the beautiful picture of "blue and green intertwining bottom, milky way string ancient and modern, half the city warm and half the city clear", realizing the wonderful ending of the east extension of Chang'an Avenue.
Keep the roots
Looking back at yesterday, the history of more than 2,200 years of city building has been vast. In the meantime, the list of cultural heritages is numerous. For Tongzhou, the most special thing is the "shadow of a tower" - burning the lighthouse. "After the new rain of PuFan, a tower shadow recognizes Tongzhou", Wang Weizhen of the Qing Dynasty described The famous poem of Tongzhou, giving the 1400-year-old lighthouse an incomparable landmark significance.
"When will the Three Temples and One Pagoda Scenic Area reopen?" I heard that the reconstruction and reopening is a national 5A-level scenic spot, and the Forbidden City is a level, really looking forward to it. "Chen Yunwei, a native of Tongzhou, lives on South Avenue, plays under the lighthouse when he is young, and sees that the environment here has undergone earth-shaking changes." Not only cultural relics, but also our people have to benefit, and the intensity of transformation around this area is too great. ”
Cultural relics protection has long been a simple concept of restoring one place and one thing. From 00:00 on June 13, 2020, the "Three Temples and One Tower" scenic spot, which has been repaired for many rounds, pressed the "Pause" button and was completely closed. This time, not only comprehensively repaired the cultural relics in various places, but also reshaped the historical pattern of part of the Temple of Literature, restored the Xita Hutong, and packaged and improved the surrounding environment of the scenic spot.
Up to now, the cultural relics of the scenic spot have all been completed, and the curation has begun around the theme of Zhuangyuan culture. In front of the scenic spot, the 20,000-square-meter square was put into use in advance, shaking bamboo and flying kites, which became the favorite activity center of the old neighbors.
If urban construction and cultural relics protection "collide", who will give way?
At the beginning of 2005, the key folding project, the beiyuan viaduct north side auxiliary road project, and the original site protection project of the Imperial Tongzhou Stone Monument on the south bank of the Tonghui River were "collided". According to the original plan, the stone monument was to be moved elsewhere.
Ren Deyong, an expert in the literature and history of the Grand Canal, witnessed this scene that year, "As a witness to the connection of the Tonghui River to the Grand Canal, the stone monument is of great significance to the 'national highway' that started and ended at the Tongzhou Caoyun Wharf to the Chaoyangmen Guocang of the Beijing Division. After we clarified it, the leaders of the two levels of the urban area made a decision on the spot: the original site of the monument did not move, adjust the design, and let the road go around the monument. ”
Tongzhou has always been unambiguous in the protection of cultural relics and monuments. In the early archaeological stage of the construction of the sub-center, more than 2,000 people from 9 units with archaeological group leader qualifications from all over the country actively supported.
In 2016, the ruins of the ancient city of Xihanlu County were born. The site has a very high value for the study of the appearance of ancient Chinese counties and county-level administrative characteristics, filling the academic gap in the archaeology of county-level city sites in the Han Dynasty, and was rated as one of the top ten new archaeological discoveries in China in 2016.
Since 2016, as of the end of last year, the city sub-center has completed exploration of nearly 10 million square meters and excavated 165,600 square meters. A Han Dynasty city site (Luxian Ancient City) was found, and more than 7,000 tombs from the Warring States to the Ming and Qing dynasties were excavated, as well as kiln sites, ash pits, housing sites and many other places.
At present, the ruins of the ancient city of Luxian are under construction in the heritage park, and the first phase is expected to open this year. "This park is not ordinary, and when the time comes, everyone can experience archaeology and feel the long history." Li Ziqiang, director of the District Cultural Relics Institute, said.
In the history of "Yesterday", the ancient town is a unique cultural heritage.
Zhangjiawan Ancient Town, which blends ancient and modern, has a history of more than 700 years and was once known as the "first pier of the Grand Canal". The ruins of Zhangjiawan City and tongyun Bridge, as typical river sections and important heritage sites on the Grand Canal, were upgraded to the seventh batch of "national security". Today's Zhangjiawan has become a modern and innovative place in the sub-center with a design town.
In September 2020, Zhangjiawan Park in Tongzhou District just opened and became a place for Internet celebrities to punch cards. "The boat to Zhangjiawan, the rudder in Liersi" - here recreates the scenery of a thousand years ago, the park's "Surabaya Ancient Lane" was built from the industrial compound, through exquisite gardening, reproducing the historical "Water Lane Tea Shed" scenery.
Last year, the sub-center had four immovable cultural relics on the city's first list of revolutionary cultural relics, namely the former site of the Tongzhou Barracks, the former site of the Pingjin Campaign Headquarters Songzhuang, the former site of the 249 Artillery School, and the Dashawu Revolutionary Martyrs Monument.
Chen Xibo, a specially invited member of the Tongzhou District CPPCC Committee, has been collecting and sorting out red culture, and he introduced that the sub-center will create a red tourist resort, and the relevant planning clearly states that the red memorial sites such as the former site of the Pingjin Campaign Headquarters and the former site of the Tongzhou Barracks should be completely protected, and the revolutionary cultural relics will be displayed on display.
Heritage preservation is always on the way. According to the data, there are 238 immovable cultural relics registered in the whole region, of which 50 have been announced as cultural relics protection units at all levels. In the past five years, a total of 71 cultural relics have been rescued and repaired, with an investment of nearly 200 million yuan, involving the protection and restoration of 18 cultural relics.
If it is said that every place of extraordinary significance is like scattered pearls, each telling a fascinating historical story, then the ancient cities and towns that have gone through vicissitudes are like the coordinates of time and space, recording the historical context of urban changes. The three ancient cities of Tongzhou Ancient City, Zhangjiawan Ancient Town and Luxian Ancient City Ruins will be classified and protected and utilized, and a protection pattern of "one river and three cities" will be constructed in the sub-center, so as to retain the historical imprint to the greatest extent and vividly reveal the past and present life of the sub-center of the city.
Draw the ancient run to the present
The Grand Canal is the cultural soul of the sub-center of the city in the new era. Inheriting the land passage of the southern foothills of Yanshan Mountain, the waterway that gathers the cultural vein of the Grand Canal, this land is built along the river, prospering because of the water, and connecting a series of cultural relics to form an overall protection pattern of "one river, three cities, one multi-point".
Nowadays, the sub-center is relying on the characteristic landscape and historical and cultural relics to delineate the cultural essence area, forming a historical and cultural landscape system of the urban sub-center that combines points, lines and surfaces, and forming a full-coverage canal cultural inheritance system.
Inheritance, first of all, we must make cultural relics come alive and fire.
The reuse of the old guild hall is one of the microcosm. Created in 1922, the Swastika is an antique two-entry courtyard in Tongzhou. For 100 years, it was first occupied by Japanese agents, then set up a Tongzhou municipal government office, and then a restaurant, and in 1991, it was converted into a museum, exhibiting objects that are more than 2,000 years old in the city. The old guild hall has added practical new functions and become a good place for citizens to "touch history" and feel culture.
In the construction of the sub-center in full swing, how to excavate the rich historical and cultural resources of the Grand Canal, protect, inherit and make good use of the precious heritage left to us by the ancestors of the Grand Canal, all parties are actively exploring and trying.
Canal symbols can be found everywhere. In June last year, the Beijing section of the Grand Canal was opened to tourism. On both sides of the Gantang Gate are reliefs created according to the "Luhe Supervision and Transportation Map", and the downstream Yulinzhuang Locks are also inlaid with relief murals, showing the grand scene of Caoyun in the past. The four artistic characters of "Gantang Fish Leap" on the railing of the viewing platform have become a "punch card" resort for photography enthusiasts.
The canal works are exhibited in a collection. The sub-center set up the Grand Canal Cultural Research Association, built a think tank platform for cultural research talents on the Grand Canal, and edited and published a number of historical and cultural series of books. The famous writer Wang Zifu's latest novel "Caoyun Boat Gang" came out last year, and at this point, the "Caoyun Trilogy" that took 20 years to create finally came to a perfect end. "Forty miles of Tonghui River to Tongxian Na, and the thousand-year-old river is closely connected..." In a melodious song, the original drama "Canal 1935" tailored for the sub-center was staged at the 2019 Tongzhou Canal Culture and Art Festival, a boat, a bridge, a long penny, the vivid and vivid customs and customs of the canal jumped in front of the eyes, and the artists of Beijing, Tianjin and Hebei jointly presented the indomitable backbone of the children of the canal. In recent years, the city has created and launched 118 literary and artistic works on the theme of the Grand Canal, telling the historical context, customs and customs of the Grand Canal culture and the legends of the palm.
Cultural and creative gifts are constantly innovating. Last year, 7 kinds of gifts originally created by Tongzhou enterprises were successfully selected into the new batch of "Beijing Gifts". These original gifts of Tongzhou include the big country craftsman series - Dougong Exploration Plug-in Toys, the Grand Canal Gift Metal Bookmark Series, the Corner Tower Old Shadow Gift Brush of Jinghua Brush Factory, the Intangible Cultural Heritage Handmade Broom, etc. These culturally flavorful cultural and creative products let more people know the past and present of the sub-center.
The artist is passionately supportive. During the Spring Festival, a winter Olympic ice and snow theme exhibition opened, and 90% of the 30 sculptures on display were written by sculptor Zhang Hua. He has been rooted in the sub-center for many years and has created a large number of works. His works "Sea Breeze" and "Soaring" have permanently settled in the Bird's Nest and Zhangjiakou Chongli, becoming one of the most distinctive landscapes in the city.
Technology interacts with variety. In order to allow more people to contact the local culture, the "mobile museum" has to open into parks and streets every year, and people can feel the changes of the Grand Canal with a sense of technology electronic digital devices, and a variety of interactive ways to "move" cultural heritage to the public.
Non-genetic inheritance is vivid and vivid. Before the opening of the Winter Olympic Games, Mr. Samaranch Jr. received an intangible cultural heritage gift from the sub-center in the Winter Olympic Village, the Beijing Silk People. They all come from Tang Renfang, a well-known national tide cultural enterprise in the sub-center of the city. The ones who appeared in the Winter Olympic Village as a "Winter Olympic Gift" are Sun Wukong, Yang Guifei, Mu Guiying and Hua Mulan, four Tang dolls with great Chinese culture and high international recognition. This also allows the non-heritage products of the sub-center to appear to the world.
Enrich activities to expand the circle of friends. In 2019, the "Beijing-Hangzhou Dialogue" was officially launched, and the 2020 Beijing-Hangzhou Dialogue was held in Beijing, launching nearly 20 activities. Last year, Beijing's Tongzhou District and Hangzhou's Gongshu District signed a framework agreement on strategic cooperation in friendly urban areas. At the same time, Chinese and foreign media set off from the banks of the Grand Canal in Beijing and arrived in Hangzhou through the areas along the canal, using various forms such as text maps, live broadcasts, and short videos to tell the story of China's Grand Canal to the world and show the style of the ancient canal in the new era.
The ever-growing Grand Canal has become the most distinctive cultural symbol of the sub-center. The city sub-center is carefully cultivating the cultural brand image of the Grand Canal, improving the display of cultural creativity and other measures to exert the value of the Grand Canal's golden business card, extract the essence of culture, and carry forward the cultural spirit.
Beads are threaded
Drawing nutrients from cultural accumulation and growing jointly, the sub-center of the city is full of vitality, vitality, and more and more international style.
"The Year of the Tiger is a mix of East and West because we had a great New Year at Universal Theme Park." Han Xiaokun of the Tongzhou Campus of Beijing No. 2 Middle School said endlessly.
During the Chinese New Year Festival, Universal Beijing Theme Park became the hottest tourist destination, and the first Special Chinese New Year event launched, "Global Chinese Year", was well received. At the Global Dragon and Tiger New Year Show, visitors can not only enjoy the Xiangshi Xianrui Lion Dance performance with traditional Spring Festival characteristics, but also the "God of Wealth" incarnated by Kung Fu Panda Ah Bao, the minion dressed as a tiger image, and the Chinese-style hun jiaohu and Meimei interactive New Year's Greeting, bringing a unique New Year experience.
In September last year, Universal Beijing Resort opened its doors in a big way. It is predicted that it will radiate more than 100 upstream and downstream industries to form a whole industrial chain of cultural tourism, and it is expected to drive investment in related industries to exceed 100 billion yuan.
According to the data, the global theme park has received more than 2.1 million tourists, and the revenue of the cultural, sports and entertainment industries above designated size in Tongzhou District last year increased by 367% year-on-year, and the income of the accommodation industry increased by 122%, and the spillover effect began to appear.
This year's Spring Festival, Cao Nü, the owner of the homestay in Shagudui Village on the Banks of the Grand Canal, issued an invitation in the circle of friends to "visit Universal Studios, enjoy the canal scenery, live in a country house, and have a different Chinese New Year". "It was easy to drive around the world from here and I was able to offer a ticket service. Since the opening of Universal Theme Park, the guests in the courtyard have obviously increased. Cao Nu smiled happily.
Not only her, but also many country houses, boutique hotels, catering, culture and other industries are also sharing the spillover dividends of Universal Theme Park.
According to the plan, in the next five years, Beijing Urban Sub-Center will make every effort to build a humanistic city with the integration of ancient and modern times and cultural tourism. Among them, it focuses on "one district, one river and three towns", takes the construction of cultural tourism zones and the Grand Canal Cultural Belt as the axis, organically connects characteristic towns and important nodes, creates a Jingdong tourism boutique route, and gathers popularity, business spirit and cultural atmosphere with the development of cultural tourism, showing the humanistic grandeur of ancient and modern Tonghui. Form a development pattern of "the river is the line, the city is the bead, the line is beaded, and the bead belt is the surface".
There is Zhangjiawan Design Town in the south, Taihu Performing Arts Town in the north, and Songzhuang Art Town in the north, and the pattern of cultural tourism has been initially determined, and the town is continuing to exert its strength.
Zhangjiawan Ancient Town will combine historical and cultural resources to create an area where ancient and modern memories meet, a window for caoyun culture display, and an immersive ancient town cultural tourism and leisure destination. In 2021, the permanent venues of the three major activities of Beijing International Design Week, Beijing Fashion Week and Beijing Urban Architecture Biennale will be settled in Zhangjiawan Design Town. At the beginning of the new year, the permanent site of Beijing International Design Week has been completed and unveiled, entering the interior decoration stage of the venue, and is scheduled to be delivered in June. After the permanent site is completed, the China Design Museum will be gradually improved.
The good news continues, the first performance venue in Taihu Performing Arts Town to pass the joint acceptance and review of six departments - Taihu Performing Arts Workshop Qinglitang Teahouse Theater holds a certificate, and more than 10 performances to benefit the people have been launched during the New Year.
As for Songzhuang Art Town, it will focus on the development of artistic and creative production and derivatives trading, focus on realizing the value of artistic creativity, and create a characteristic consumption block.
According to the plan, the "14th Five-Year Plan" period of the Grand Canal National 5A level tourist attractions were fully completed, the North Canal Non-genetic Institute and other major cultural and tourism integration projects were completed and opened, and the first grand scene of the North Canal with a sense of the times was reproduced, which will become a new landmark of cultural tourism in Beijing, and by 2025, Tongzhou District will be built into a national wisdom cultural tourism leading area, a national cultural tourism business integration development demonstration area and a modern international tourism city.
Wang Xin, deputy director of the Standards Committee of the China Tourism Scenic Spots Association and president of the National Dream Jiuzhou (Beijing) Tourism Planning and Design Institute, said that the canal beaded development model of the sub-center, which reflects the glory of ancient and modern times and integrates culture and tourism, is of exemplary significance for the construction of the Grand Canal Cultural Belt. The construction of the three characteristic towns is guided by the cultural tourism industry and led by the standardization of scenic spots, which will become a new highlight.
The trend of ambition is far-reaching. Where the ambition is, there is no insistence. Along the banks of the canal to feel the ancient style and charm, the new landmarks of the capital began to show splendid embroidery, and the characteristic towns blossomed more... In the past, the key points of land and water would be full of scenery and poetry.