Chinese painting pays more attention to the vividness of the atmosphere, emphasizing more on the subjective taste of the lyricist, rather than sticking to the portrait of the appearance of the object, and more of a sense of "magic between similarity and dissimilarity". Chinese painting itself is a poetic expression of painting in poetry and poetry in painting.
The spirit of Chinese poetry and painting originated from China's classical philosophy, "painting is a kind of silent poetry, poetry is a kind of sound painting", poetry and painting are homologous, Chinese painting is a typical form of painting in chinese national culture tradition, with brushes, ink, paints, rice paper or silk unique tools and materials, such as points in the technique, with points of different sizes and shapes, showing the abstract feeling of the objects attached to the object.
The artist we invited today has devoted himself to the art of painting since he was a child and has practiced solid basic skills. Whether it is landscapes or flowers and birds from her pen, she can contain deep affection and show a good sense of brush and ink, she appeals to the brush, trying to hand over the landscape and water in her heart with the rushing talents to swing a picture of interest, in order to identify the appearance and path of the spirit. This is enough to see that it has excellent aesthetic ability, accurate aesthetic feeling and integrated aesthetic psychology. She is the painter Zhang Guorui.
Zhang Guorui image photo
Biography
Zhang Guorui, Xiao Ning, ZiYu Jin, Xue Bing Yu'er Xuan Lord. Born in Gansu in 1976, he currently lives in Beijing. He studied art theory research and calligraphy and painting creation at Tsinghua Academy of Fine Arts, a special study on modern Chinese landscapes, flowers and birds. He was taught by Li Baolin, Kuang Xiaojin, Shen Fu, etc. He is a member of the China Artists Association, the China Gongbi Painting Society, and the China Women Painters Association. Director and manager of Beijing Yujin Moyun Cultural Communication Co., Ltd. He is a special director of the Beijing Tongzhou District Artists Association, a member of the Beijing Tongzhou District Calligraphers Association, a director of the Gansu Tianshui City Artists Association, and the vice chairman of the Qinzhou District Artists Association of Tianshui City, Gansu Province. Vice President of Beijing Xinyandu Painting Institute, Vice President of Beijing Hongsen Shangyi Painting Institute, Vice President and Secretary General of Beijing Hanyuxuan Calligraphy and Painting Institute. Contracted painter of Beijing Yuanguxuan Calligraphy and Painting Institute.
Major achievements
His works have been selected for national exhibitions several times and have been exhibited and collected in Beijing, Jiangsu, Shandong, Hunan, Anhui, Xi'an, Gansu and other places. It has also been published in "Artists' Newsletter", "Excellent Works collection of art theory research and calligraphy and painting creation advanced research class of Tsinghua University Academy of Fine Arts", "Qinyuan Chunxue Works Collection", "Works Collection", "Chunhua Qiushi", "Huaxia Hao Danqing", "Ink Qinghua Danqing Wonderful Talk", "Oriental Elegant Rhyme", China Calligraphy and Painting Newspaper, Fine Arts Newspaper, etc.
In January 2022, he was invited to participate in the exhibition of "Yinhu Yingchun" of contemporary Chinese painting masters at the Beijing Shangshang Art Museum. In November, CeTV2 and CETV4 of China Education Television Station invited famous teachers to give lectures. In December, he was invited to participate in the "Avenue of a Thousand Autumns - Academic Invitation Exhibition of Chinese Famous Artists" at Yigeng Art Museum in Beijing.
In August 2020, he was invited to participate in the "Gate of Wisdom - Academic Invitation Exhibition of Contemporary Chinese Painting Masters" of Beijing Li Kejian Painting Institute, and in July, he was invited to participate in the "Magnificent Mountains and Rivers - Taihang Sketching Style Famous Artists Invitation Exhibition".
In 2019, "The Tree Is Thousands of Feet High and Can't Forget the Roots" was selected for the "Hunan Chinese Painting Biennale" organized by the China Artists Association. "Happiness is all struggle" was selected for the "13th National Art Exhibition Celebrating the 70th Anniversary of the Founding of New China" Gansu Fine Arts Selection Exhibition. It was selected by the 4th Silk Road (Dunhuang) International Culture Expo and the 9th Dunhuang Tour The Silk Road International Culture Festival was selected for exhibition and was grandly exhibited at the Dunhuang Cultural Expo in Gannan, Gansu, China. "Toyama AnjuTu" won the first prize in the Beijing "Danqing Painting Dragon Boat Painting Sujiatuo" calligraphy and painting competition. "Fushan AnjuQuan Yintu" was selected for the exhibition of Chinese paintings "Celebrating the 70th Anniversary of the Founding of the People's Republic of China and Commemorating the 70th Anniversary of the Liberation of Lanzhou" and was collected.
In January 2018, "Rural Style Ink Rhyme" was selected for the "'Postal Road, Canal Feelings' National Exhibition of Chinese Paintings (organized by the Sino-US Association). In September, "Spring Water Valley Quiet" was selected for the "Auspicious Grassland" fine exhibition of the Beijing Tibet Autonomous Region Academy of Calligraphy and Painting. Two works were specially invited to participate in the "Qinyuan Spring" in Shaanxi Province. Snow" calligraphy and painting exhibition and collection. In November, "Inheritance" was selected to commemorate the 40th anniversary of reform and opening up in Gansu Province' second art "Golden Camel Award" exhibition. (Sponsored by Gansu Provincial Artists Association).
In July 2017, "Quiet Night Homesickness" won the "Dream Weihaiwei" National Chinese Painting Exhibition Excellence Award and was collected. (Highest Award). September "Wind Objects. "Yi" was selected for the national Exhibition of Chinese Paintings in commemoration of the 110th anniversary of Ye Qianyu's birth, "Dashing Tonglu" and was collected. In April, "Songfeng Flowing Stream" won the Excellence Award and was collected in the "Junlong Culture Cup" Chinese Painting Exhibition in Beijing.
In June 2016, "Songfeng Youquan" won the Excellence Award and was collected in the Chinese Painting Category of the National Calligraphy and Painting Exhibition of the Chengxin Cup. In September, "Fuchun Renjia" was published in the "Great Beauty of Xinjiang. Hua'er Changji won the third prize and was collected in the "Calligraphy and Painting Exhibition".
In 2015, "Striving for Glory" reported to the motherland that "the 12th German Art Shuangxin Chinese Culture Exhibition Activity won the bronze medal in the painting category and was collected."
Today we invite teacher Zhang Guorui to create a freehand landscape painting "Spring Wind Listening to Sound Map" around this "fire" character.
This picture comes from a poem by Bai Juyi, "Wildfires burn endlessly, and the spring wind blows and grows again", the fire on the field cannot be burned out, and the spring wind blows it and is full of vitality; through the depiction of the wild grass on the ancient plain, it expresses the feeling of attachment and regret when saying goodbye to friends. It can be seen as an ode to weeds, and thus an ode to life.
The teacher first sketched out a character, which is today's painting eye, the teacher said that there is no specific standard for painting, you can draw the road first, and then draw people. The tree can use a very spontaneous pen to draw branches and lines, and then point the leaves very steadily. The teacher first represented one tree with moss, and then used the clipping leaves to represent another tree. When painting mountain stones, the center flanker is used alternately when using the pen, so that the lines of the picture look very rich, dry and wet, flying white, and dry brushes are readily available.
The name of this work is "Spring Wind Listening to The Sound Map", and the sound that the teacher wants to express is the sound of the stream. When painting such a mountain with a gentle vista, we must be careful and steadily painted, and then add some smoke clouds, and the smoke clouds shown by the lines are more attractive.
When coloring, the face of the character is first colored with cinnabar, and then a mixture of deeper cinnabar and ochre colors is used to make the painting eye jump out of the picture. The upper right house has a light ochre color plus a cinnabar color because it is farther away. Then use ochre, cinnabar, goose yellow to outline the smoke clouds we need. Ochre with coke tea can also be used to render the trunk in pure burnt brown.
The teacher used the complex colors made of four shades of lake blue, flower blue, ultramarine and stone green to express this vibrant scene. In the green landscape, stone green can be used boldly, and then use ultramarine, flower blue, lake blue to make a complex color, highlighting today's theme "fire" word, to achieve a vibrant, lush effect. The last question can be stamped.
As far as this painting is concerned, either the mountain, or the stone, or the grass or the wood, on the basis of the wrinkle, the dry brush is used to rub the texture of the smoothness and roughness of the texture. Like the poet, he expresses his thoughts, temperament, psychology, temperament, aesthetics, wisdom, and shows the overall artistic aesthetic value in order to create this artistic emotion!
Well, this freehand landscape painting "Spring Breeze Listening to sound map" is here, I hope you like it!
Appreciation of works
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