Yang Lan asked Guo Jingming: "You want to use "Little Times" to break a layer of window paper, what is this layer of window paper? ”
Guo Jingming: Restore the real Shanghai.
Yang Mi went to Guo Jingming's house, and Guo Jingming was pictured in a fan sweater, and Guo Jingming said: "Yes, transfer me 460,000 yuan, it is yours." ”
Frightened, Yang Mi quickly put his hand back.
The Shanghai in Guo Jingming's heart is probably like this, tens of thousands, millions, or even hundreds of millions of places, and his current home is the most true portrayal of Shanghai:
700 million idle houses, 790,000 crystal lamps, 1 million foreign handmade carpets, 2 million tea tables... In addition, Guo Jingming also has a wall cup cabinet, and the cup placed in the cup cabinet is at least 4 digits.
On that occasion, Yang Lan interviewed Guo Jingming and mentioned a sentence that Guo Jingming once said: "In fact, this society has always had such a materialistic tendency, I just broke a layer of window paper." ”
Yang Lan looked at Guo Jingming, who had a childish face, and asked with a slight touch: "What is this layer of window paper that you want to break?" ”
Guo Jingming's original words were: "It is not to break it, but to restore as much as possible the way this era is, the life of a young man in Shanghai, what he should look like, I think it is what it is." ”
"Even if I don't shoot, there are no famous brands in it, no one wears good clothes or anything, then there are so many famous brand stores in Shanghai, and they disappear out of thin air?" That's not possible. ”
Typical Guo Jingmingxue, typical small era.
Guo Jingming's original family was not very rich, and when he went to Shanghai to study, he saw the bustling metropolis and was envious.
However, when the school asked for the purchase of the three musketeers necessary for film and television choreographers: DV, camera, and computer, he was surprised to find that the strangeness and drunken dreams of the magic capital had nothing to do with him.
Years later, Guo Jingming still remembers the tens of seconds of silence on the other end of the phone when he called his parents and said he was going to buy the "Three Musketeers".
He knew that the money would require three months' salary from his parents not to eat or drink.
"Baby, does school have to?" Guo Mu still asked undeadly.
"Yes."
About half a month later, Guo's mother sent the money to Guo Jingming, who said that he did not dare to ask his parents how the money was raised, because he was afraid of hearing more uncomfortable words.
And his parents didn't tell him how they got it.
But it has to be said that the lack of money hit Guo Jingming so hard that he succeeded later, and he began to show off his wealth madly, trying to use money to make up for past injuries and resentment.
"I tasted poverty when I was in college, so I have to enjoy life now."
"I don't really mind labels, I'm just very material."
"It's done by my own efforts, and I have a right to enjoy it."
These are the golden sentences of Guo Zong and Guo Dao, full of his values and his true portrayal. The law cannot characterize his behavior, but after becoming famous, he has been challenging traditional morality.
460,000 sweaters account for only a small part of his income, but can this extravagant and popular style really make up for the heart that has been hurt by poverty?
Shanghai's designer stores won't be decided to stay because of a movie, but shouldn't capable people, and people who were once from small places, work to reduce this gap between rich and poor?
Having seen prosperity and experienced poverty, I know that "the heavens and the earth are not kind, and all things are dogs." If we don't have the ability, since we have this economic strength, we shouldn't take the world as our own responsibility, and do we really make heaven feel that "the saints are not benevolent, and the people are dogs"?
If you don't know how to converge, heaven will certainly call people "things will be reversed."
