Han Han and Guo Jingming, born in 1982 and 1983, are definitely representatives of the post-80s cultural phenomenon. As the cultural symbol of the post-80s, these two post-80s idols of young writers, as the cultural symbols of the post-80s, have become the representatives of the youth of a generation. At that time, Han Han and Guo Jingming were talented, and the two people came out with the novels "Triple Gate" and "How Much Do You Know About the Flowers in Your Dreams", and later Han Han opened a blog, just like the image of a young hero, with a sharp point of view and dare to say it. However, nearly 20 years have passed, looking at the present, looking back at the past, the teenager who was once invincible is now a year of confusion.
In addition to literature, Han Han and Guo Jingming have also been involved in many other industries, including entertainment, racing, and film. However, because of the difference in physical fitness between the two, the most similar thing between Guo Jingming and Han Han is that both of them have experience in the entertainment industry and are mixed in the entertainment industry, which seems to be the same choice between the two after many years of fame. Many people do not understand why the teenagers who once regarded themselves as culture and the idols who used the pen as a sword entered the entertainment circle filled with the smell of copper many years later. This kind of thinking is also natural, if it were put 20 years ago, it would have been a matter of course. However, as a post-80s Zhou Youjun, to some extent, he also understands the choice of Han Han and Guo Jingming.
We recall that 20 years ago, the post-80s were still teenagers who were just under 20 years old, and at this time we were full of expectations for life and full of expectations for the world. At that time, in our inner subconscious, it seems that the future world is all ours, and how many dreams of life are calling us in this consciousness. Therefore, at this time, When Han Han dropped out of school, he left a contemptuous smile on his teacher, and Guo Jingming founded his own newspaper and magazine. Young teenagers, extraordinary, dream years, also flicked.
These two idols, each in a different way, entered the public eye of society. Han Han is debauched and sharp-tongued, while Guo Jingming is empty and beautiful. In fact, each era has its own cultural symbols, and the cultural symbols of the post-80s generation naturally have some differences from those of the predecessors. Before Han Han and Guo Jingming, the representatives of popular literature were Jin Yong, Gu Long, and Qiong Yao. To say that the content of the content, especially Jin Yong's most orthodox vast. However, in literature, Han Han and Guo Jingming did not inherit the achievements of Jin Yong and others. Compared with these masters, Han Han and Guo Jingming are at best stars under the guise of literature.
Perhaps once upon a time, they were also eager to inherit the cultural traditions of the masters, and at least for a while, many readers read some of Lu Xun's flavor in Han Han's writings. However, a person's achievements, a person's external performance, in addition to his own personality, also need to be set off by the environment. Since Han Han and Guo Jingming are representatives of the post-80s, in them, there are naturally common problems faced by the post-80s group.
80 years later, at a stage, it seems to be untamed, once liked the so-called postmodernism, admired the stars of Hong Kong and Taiwan, and chased Japanese and Korean culture. But we must know that the post-80s group still can't get rid of the objective life trajectory. Today, the youngest post-80s generation has also stood in its thirties, and the largest post-80s has passed the age of 40. These people, after the series of years, have long ceased to be the green teenagers they once were. They slowly grow and mature as the years erode. Some people even have a sense of vicissitudes.
And what are Guo Jingming and Han Han busy doing? As cultural symbols of the times, they have rarely engaged in writing work. These two men became almost unprofessional as film directors and racing drivers. Because of their fame, no matter what they do, they have been labeled as idols and stars. During this period of time, the quality of their work is still worthy of recognition, but after achieving a career, Han Han and Guo Jingming's careers have gradually declined.
Why? In the entertainment industry, if you want to be famous, in addition to being recognizable, you must also have a group of loyal and stable fans. But han han and Guo Jingming's followers are now mature and have started a family. In such a situation, will they still pursue the two green onion idols they once were? Obviously, this sense of identity will be reduced a lot, so will Han Han and Guo Jingming have no market? At least they have accumulated some post-90s fan groups, but these fan groups soon found that these two elderly idols are much behind their understanding ideologically.
Under the influence of various factors, the personal charm of Han Han and Guo Jingming is rapidly declining, and their decline also marks the loneliness of an era and the gradual maturity of a generation. Historically, there have been cultures that are eternal, and these cultural traits are echoed or continued by orthodox cultures. Then there is the trend culture represented by Guo Jingming and Han Han, these people have a certain degree of talent and learning, but their arrogance is, to a certain extent, the age symbol of young people, and this symbol has evolved with the different times.
So later Guo Jingming and Han Han began to transform into directors, they can still attract some fans to pay, but after a long time, we will find that the nature of the two tickets is too heavy. They became the directors of the film, and to some extent, the gimmick of the film's publicity, and in such a situation, their serious attitude towards the film was limited. As a result, although the film was directed by Han Han or Guo Jingming, they still needed a large number of professionals to support them in some key creative factors. The ancients said that there was a specialization in the art industry, but Guo Jingming and Han Han's "art industry" seemed to be too scattered.
This is also a manifestation of their growing up, maybe there was a time when they created movies or racing cars, and it was a continuation of their dreams, but now they are grown. They began to take on individual or family responsibilities, and at this time, their behavior began to evolve from artistic to commercial. Their choice also represents the growth situation of most of the post-80s, and after more than 20 years of social shock, the post-80s group has begun to become pragmatic and mature.
The lead is washed away, and we who have returned are no longer teenagers. The decline of the cultural symbols of the post-80s represented by Guo Jingming and Han Han is a manifestation of the growth and maturity of the overall post-80s group. Those uninhibited past events have long been scattered with the wind, and the once dancing teenager now has the appearance of an adult.