On February 20th, the "National Art Museum of China Academic Invitation Series Exhibition: The Elephant of Bone Rhyme - Chen Hailiang's Calligraphy Works Exhibition" was launched at the National Art Museum of China.
Two Tang poems in cursive, Chen Hailiang, 2022, 137×69cm, on paper
The exhibition exhibits 12 of Chen Hailiang's recent works, which are mainly cursive calligraphy, and the dot paintings are arbitrarily and swaying, showing the vigorous and grand aesthetic pursuit and the high-pitched and majestic rhythm of life.
"Chen Hailiang's calligraphy is full of meanings and riches, and his cursive writing is even more charming." Wu Weishan, member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference, director of the National Art Museum of China, and vice chairman of the China Artists Association, commented: "As a contemporary cultural person, he adheres to the established direction in the cultural trend of the times, and with his unswerving initial intention, he reaches middle age and continues to make progress in the dual variations of practice and theory. ”
Lin (Ode to the Master), Chen Hailiang, 2022, 29.5×33cm, on paper
Chen Hailiang received the first doctorate in calligraphy practice and theory of the China Academy of Arts, and in the years of study, pen and ink tempering and life accumulation, he has always adhered to the ancient precept of "knots are passed down from time to time, and it is not easy to use the pen for eternity", and pursue the realm of "the ancient times are not obedient, and the present is not the same".
The works in this exhibition, with their determination and frankness that move with their nature, reflect the true feelings and ingenuity of virtual reality and reasonableness.
Xingshu (On Three Poems), Chen Hailiang, 2022, 85.5×25cm, on paper
The exhibition will run until March 5.
(All pictures in this article are provided by the organizer)
Editor-in-charge: Wu Min