Six Lanting Award winners appreciate calligraphy and see how their level is?
This painting of Mi Hao is written with the eyes of the Yangtze River and the mountains of He County. It has always been a thousand miles, and now it is in a window. All the trees are late, and the lonely clouds are not returned. There are good sentences in this, and the judgment is not related. This is Chen Youyi's "Inscription Xu Daoning Painting". This painting is fresh and cheerful, the glyph is well-behaved and lively, and it is full of romantic atmosphere.
This painting of Wu Xing is written by the Song Dynasty Li Qishi yun sea waves, gaotang cloud fog xing. Kyushu looks at the rain, and Su Ruyi soars. This painting is written in a flexible way, and the letters and pens are written in a beautiful posture.
Wei Siqin's writing is that the moon shadow of the building head is near the river, and the sound of the wind on the beachhead sends rain. This painting is square, handsome, clean and neat, and well-behaved.
Chen Hailiang's writing is to study books in the Fa, and its beauty lies in people. The Fa can be passed on to everyone, and the magic must be unique in the chest. If people have different faces and different sexual divisions, although the calligraphy is one, each has its own convenience. Those who study books start by not working, and then seek work by not working. Those who do not work, the extremes of work. The book is mysterious and will be encountered by God, and it cannot be tried to be also. Cleverness must be realized, not seen. The ancients discussed the number of books. This painting is exquisitely written, beautiful and smooth, fresh and elegant, and the style is high and ancient.
Qiu Gaochi's painting is written by the sudden sight of the cold plum tree, the blossoming Han waterfront. I don't know if the spring is early, and I suspect that it is a pearl maker. This is Wang Shi's "JiangBinMei". This painting is written in high antiquity and has a very ancient meaning.
Zhang Weizhong's writing is moving boats to berth Yanzhu, and the sun is sad and new. Wild sky low trees, Jiang Qingyue is close to people. This poem is from Meng Haoran's "Su jian de jiang" in the Tang Dynasty. The mother's hand is threaded, and the wanderer's body is clothed. The seams are tightly sewn, and I am afraid that I will be late. Whoever says anything will be rewarded with three Chunhui. This calligraphy of the Wei Monument incorporates the cursive brushwork, the lines are flexible, full of power, and the style is high and ancient.