#The killer of the movie is not very calm # I especially like Yukiki Mitani's classic comedy "Magic Moment", so I am looking forward to this adapted version. Fortunately, this film did not waste this IP, in zun

#The killer of the movie is not very calm # I especially like Yukiki Mitani's classic comedy "Magic Moment", so I am looking forward to this adaptation. Fortunately, this film did not waste this IP, and under the premise of respecting the main line and not changing the magic, it also changed its own characteristics. Not only did the corresponding localization design and simplified the relationship between the characters in the plot clues and laughter points, but also some of the bridges were more interesting than the original, and the laughter was very successful. It can only be said that a remake with quality also requires a lot of effort in many details.

Wei Chenggong's character has several turning points in the second half: playing a late friend for five years, seeing a crab at low tide in the moonlight after being hit, and finally saving Milan's "ultimate drama", all of which have poking in the heart beyond laughter. This love for the film inherits the essence of the old version, and also brings "new theory", not just a simple copy and tribute. What it wants to talk about is what belongs to every ordinary person, doing everything for life, dreams, and emotions.

From this perspective, in addition to being a real and hilarious Chinese New Year comedy, this film also has its side as a "meta-movie" and a "semi-autobiography". The former refers to the fact that it is a film about making a movie, a film that deconstructs a movie, and pays homage to a large number of films (The Godfather, "In the Rain", "The Dart Trilogy"). The latter refers to wei Xiang's real encounter outside the play, he has accumulated a large number of dragon set role experience from the film for 23 years, and only waited for the opportunity of the male protagonist of this Spring Festival movie to prove himself. For Wei Xiang, it took an unknown amount of struggle and effort—to endure the cold eyes, but still to seize every small opportunity. In the end credits, you can see him crying because of this opportunity, which is also intertextual with the film itself.

Perhaps in real life, the life of the dragon set group performance is mostly a failure and stumbling. The absurdity and authenticity of all this, this film does not ignore. The cruelty and innocence contained in it are like the song in Xu Guanjie's "Genius Idiot Dream" that sings, "Everyone is looking for dreams, dreams are not divided into west and east, a moment of spring breeze is proud, and unknown scenes are hazy." Life is like a dream, in the dream of auspiciousness, seeking happiness and hardship, not knowing that suffering and happiness are the same. ”

#Movie this killer is not too calm ##这个杀手不太冷静大爆笑 #