The dance poetry drama "Only This Green" is provided by CCTV
Beijing, February 1 (China News Network) (Reporter Gao Kai) In the painting, the qingfeng peaks are stacked, and the floating clouds and green water loom; the dancer's green long skirt, the lips are high, the long sleeves dance between the sharp eyebrows, and the Er is hidden in the painting... CCTV Spring Festival Gala, from the Song Dynasty famous painting "A Thousand Miles of Rivers and Mountains" dance poetry drama "Only this green" appeared, the audience was instantly hit by the beauty of song Dynasty art.
"A feast of pure Chinese aesthetics" "Unconsciously shed tears, the ultimate beauty is really shocking", "I feel that my heart is being pulled into it, is this the so-called cultural DNA being launched"... The high heat of the screen on social networks is enough to present people's shocking surprises.
Chinese New Year's Eve the Year of the Tiger, this beautiful scene of human-painting interaction will surely become another classic picture page in people's memories of the Spring Festival Gala. Behind the ultimate effect is the collaborative creation of art and technology.
At the artistic level, from the costume modeling to the design of the entire dance posture, to the dancers' performances with "jing" as the starting point and full of majestic power, all of them are carefully explored and honed, and the final green is silent, and the hands and feet are all loud sounds and invisible elephants.
The beautiful fusion of the characters in the program and "A Thousand Miles of Rivers and Mountains" pushes this aesthetic feast to the extreme. According to reports, the cutting-edge technologies such as XR and holographic scanning in this Spring Festival Gala can enable the actors' performances to break through the limitations of time and space, so that the digital model and the actors can complete the action performance synchronously, efficiently and accurately, and create a magical visual effect of virtual and real interaction.
The combination of the two, the ancient scrolls are slowly exhibited, and the dancers in the paintings on the water and clouds tell the classic legend of "A Thousand Miles of Rivers and Mountains" with dance phrases such as walking alone, waiting, and contemplating. Between pitches, freeze the green and green for a thousand years; the dynamic and static contrast, listening to the sound of history.
"No name, no money, only this one volume; green for a thousand years, mountains and rivers are boundless", if the paintings have been passed down to this day contain too many accidents, then the charm, beauty, the deepest "round of bright moon" is the chinese cultural inheritance so far stable and permanent inevitability, "why China", is China's Vientiane, but also in this green, landscape, sleeve and dance.
Creative music and dance poetry painting "Remembering Jiangnan" CCTV courtesy of the picture
The Spring Festival Gala of the Year of the Tiger, a fusion and innovative program that highlights the Chinese cultural heritage and the aesthetic pursuit of the times, can be described as a brilliant one. In addition to the breath-taking "Only This Green", landscape tai chi, creative music and dance poetry and painting, etc., are deeply integrated through technology and culture, creating a visual effect full of poetry and detail beauty in unreal and realistic.
The evening's creative music and dance poetry painting "Remembering Jiangnan" is also a comprehensive use of the latest technology to reunite the world-famous work "Fuchun Mountain Jutu". Pu Cunxin, Feng Yuanzheng, Li Liqun (Taiwan), Ding Zhicheng, Ayunga, Yang Zongwei (Taiwan), Zheng Qiyuan, Cai Chengyu, etc. suddenly entered the painting, performing chanting, fishing, reciting in xiushui qingshan, painting with the song blowing away, people walking in the painting. The audience seems to travel with the ancients in the vivid picture scroll, reading the classics and seeking to taste Jiangnan.
The landscape Tai Chi "Flowing Clouds and Flowing Water" breaks through the limitations of stage space, and the three martial arts and tai chi champions flash and move in four cloud-based high-rise buildings in Shanghai, Chongqing and Guangzhou, and move the skyline of the city in one move and one move, which means that the divine interpretation of "heaven, earth and people are one".
Where the clouds are, one move at a time, the harmonious symbiosis between man and nature; overlooking the city in the air, surrounded by clouds and mist, buildings are like steel and bamboo forests, and the three Tai Chi "masters" move and take action between them, showing the audience another kind of collision but harmonious and timeless beauty and shock.
"Why China", this move of momentum and introversion, determination and modesty, modern steel and iron bones on the clothes fluttering, white shirts win the snow, is also an answer.
On the night of the Chinese New Year's Eve year of the ox, when the first-class national cultural relics and the Buddha head from the eighth cave of the Tianlongshan Grottoes in Shanxi appeared on the Spring Festival Gala stage, the audience inside and outside the screen gushed out infinite excitement and emotion. After one year of age, a century-old archaeology once again traces back to the roots, in this stage of the world's Chinese attention, to provide human civilization with the answer of the era of "why China".
In the evening, veteran actor Zhang Guoli unveiled the bronze mask of sanxingdui's newly excavated cultural relics, and the real appearance of the country's heavy weapon suddenly appeared. According to reports, the bronze mask is the largest and well-preserved large bronze mask excavated from the Sanxingdui site, which has been more than 3,000 years ago, reflecting the understanding and thinking of the ancient Shu ancestors on the natural things and the world of gods and gods.
The shocking bronze mask on the spring evening not only makes people appreciate the brilliant and colorful bronze civilization, but also laments the profundity of Chinese civilization. "3,000 years at a glance", in addition to the shock, the answer to "why China" is also in it, waiting for permanent exploration.
"Unforgettable tonight", year after year, the curtain has fallen on the Spring Festival Gala in the Year of the Tiger, and the beautiful and majestic, classical and modern presentations in this side of the stage this year cannot help but sigh, "Why China"? In the past, in the present, there are answers everywhere in this land. (End)