Text/Feng Haitao Landscape Painting/Zhang Zhiyong
The old and the new alternate, another new year has arrived, and at every moment there are thousands of thoughts, some joy and some sorrow. However, this year is a great year for Teacher Zhang Zhiyong, because in the Year of the Ox, his hard work and hard work in Chinese painting have been recognized and affirmed by all walks of life and professional groups, and he was transferred to the Gansu Academy of Painting to become a full-time painter.
The development of Chinese painting is also a drastic change every year, and the introduction of innovation is carried out every moment. If a painter is always in the same place, then his title as a painter is absolutely nothing, because if there is no self-achievement in the field of art, then it is actually a worker, and only a painter who has his own artistic views and understandings and can be presented in the picture can be called a painter. Therefore, every time the Spring Festival arrives, it will be a time for the group of painters to review, because this time is the most active in the art market, and it is also the time when every painter will show his works.
Zhang Zhiyong's landscape paintings
Many people think that this is the most elegant word. But if they are all out of the ordinary, this society will not exist. Therefore, it is a false proposition, and it is also a fucking word. Because only by walking in the secular world can we cultivate the right results, and only by practicing in the secular world can we create works that are pleasing to the whole world. And works of art, if they are out of the ordinary, are also out of touch with life. Can a work that is detached from life still be called a work of art? This is a question we need to think about. Looking at the masterpieces of ancient and modern Chinese paintings, which one work is not the worldliness of painting, which work is illusory. However, many Chinese painters cannot recognize this, so most of the paintings painted by modern painters are works without provenance and connotation. However, teacher Zhang Zhiyong understood the essence of art early. It not only seeks the major academies of fine arts, but also walks in the red dust, in order to paint the mother river, the Yellow River. He treaded with both feet on both sides of the Yellow River. During the walk, it is not only to observe the Mother River, but also to understand the customs and folk customs along the Yellow River. Incorporate these mundane things into your own paintings. This is also why when viewing his works, it is easy to be pulled into the painting by the content of the picture.
Painter Zhang Zhiyong
Painter Zhang Zhiyong: Male, Bachelor's degree in Painting (Major in Chinese Painting) from the Central Academy of Fine Arts, master's degree from Xi'an Academy of Fine Arts (Practical Class) (Landscape Painting Creation Research). He is now a member of the China Artists Association, a member of the Chinese Gongbi Painting Society, a member of the Gansu Provincial Artists Association, and a full-time painter of the Gansu Painting Academy (in the process of editing).
Academic Papers:
1. The role of the concept of virtual and quiet aesthetics in landscape painting" was published in the article "Xi'an Academy of Fine Arts "The Tension of Art" The Third Graduate Academic Papers Collection" Northwest University Press
2. The article "The Creation of The Southern and Northern Divisions" was published in the Tangdu Academic Journal, No. 6, 2016. At the same time, it was published in the "Collection of Sketches of Wang Baoan Graduate Students from North to South", Tianjin People's Fine Arts Publishing House
3. The article "My Understanding of Loess Theme" was published in Chinese Chinese Painting Classics, No. 3, 2015
4. "Yellow River Magnum" was published in People's Art, No. 6, 2017