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Meng Xianchun: Du Fu's poetry in Huazhou is patriotic and people's livelihood

Du Fu's poems in Huazhou were patriotic and people's livelihood

Author Meng Xianchun

Du Fu (712 AD – 770 AD), courtesy name Zimei, called himself Shaoling Yelao, Han Chinese, native of Xiangyang, and later migrated to Gong County, Henan. Du Fu's influence on classical Chinese poetry was so far-reaching that he was called "Shisheng" by later generations, and his poems were called "Poetic History". Later generations called him Du Shiyi and Du Gongbu, also known as Du Shaoling and Du Caotang. Du Fu is a realist poet, he is worried about the country and the people, noble personality, exquisite poetry, highly respected in classical Chinese poetry, far-reaching influence, has a profound impact on Chinese literature and Japanese literature, especially in the Yellow River Basin eight hundred miles east of the Qinchuan Huazhou left "Three Officials", "Three Distinctions" immortal poems, occupies a very important position in the history of ancient Chinese poetry, his poetry creation traces in the Yellow River Basin for posterity left a magical legend, thousands of years, Let the ancient Yellow River waft out the fragrance of Tang poetry.

Meng Xianchun: Du Fu's poetry in Huazhou is patriotic and people's livelihood

"Du GongBu Collection" from the network

Du Fu's family was born in the Jingzhao Du clan, which was a northern Tushi clan. His distant ancestor was Du Zhou, a famous cool official of Emperor Wu of the Han Dynasty, and his grandfather Du Zhenyan. Du Fu and Du Mu, another great poet of the Tang Dynasty, "Little Li Du", were both after Du Pre, a scholar and famous general of the Jin Dynasty. When Du Fu was a teenager, due to the superior family environment, he lived a relatively stable and prosperous life. He was studious since he was a child, and at the age of seven he could compose poetry, "seven years old thinking is strong, opening his mouth to sing the phoenix", and he aspired to "to jun yao shun, and then make the customs pure". He was also very naughty when he was a teenager, "remembering the fifteenth heart of the child, healthy as a yellow calf to come back." In August before the court, the pear dates are ripe, and the tree can be used a thousand times a day."

Du Fu lived in the historical period of the Tang Dynasty's transition from prosperity to decline, from a family of generations of "Confucian officials", and his family was very knowledgeable. The early works mainly expressed the ideal ambition and the desired life path. On the other hand, he expressed his political ideal of "to the king Yao Shun, and then to make the customs pure", during which many works reflected the people's livelihood and political turmoil at that time, exposed the ugly behavior of the rulers, and thus embarked on the road of life and creation of worrying about the country and the people. As Tang Xuanzong's politics became more and more corrupt in his later period, his life fell into a state of poverty and disappointment day by day. In a life of upheaval and displacement.

In the sixth year of Tianbao (747), Emperor Xuanzong ordered the world's "Tongyi Artist" to go to Chang'an to take the exam, and Du Fu also took the exam. Because Li Linfu, the minister of power, choreographed and directed a farce of "wild and untouchables", all the scholars who took the exam were not selected. Since the road of the imperial examination was not feasible, Du Fu had to turn away from the door of the powerful and give him gifts to the elite in order to realize his political ideals, but to no avail. He lived in Chang'an for ten years, running to give gifts, depressed, frustrated in his career, living a poor life, "not in the middle of the ranks, trapped in Chang'an".

In the first month of the tenth year of Tianbao (751), Emperor Xuanzong would hold three grand ceremonies to sacrifice the Taiqing Palace, the Taimiao Temple, and the Heaven and Earth, and Du Fu pre-presented the three "Great Gifts" in the winter of the ninth year of Tianbao (750), which was appreciated by Emperor Xuanzong and ordered to be placed in the Jixian Temple, but only qualified to "participate in the election order" and waited for the assignment, because the main examiner was still Li Linfu, so he did not get an official position.

In the fourteenth year of Tianbao (755), Du Fu was awarded a minor official of Hexi Lieutenant, but Du Fu was unwilling to take this official position of "not being a Hexi lieutenant, but being desolate and bending his waist", so the imperial court changed him to the Right Guard and led the fu soldier Cao to join the army (a low-ranking official position, responsible for guarding the armor and staff, managing the access control lock key). Du Fu, who was forty-four years old and had been in Chang'an for more than ten years, accepted this useless position for his livelihood. In November, Du Fu went to his home in Fengxian Province, and Du Fu had just entered the house when he heard crying, and it turned out that his younger son was starving to death. Based on the feelings of Chang'an in the past ten years and what he saw along the way, he wrote the famous "Five Hundred Words from Beijing to Fengxian County".

In November of the fourteenth year of Tianbao (755), the Anshi Rebellion broke out, and in June of the following year, Tongguan was lost, and Xuanzong fled west in panic. In July, the crown prince Li Heng was located in Lingwu, for Emperor Suzong. At this time, Du Fu had moved his family to qiang village in Yanzhou (present-day Fu County, Shaanxi) for refuge, and when he heard that Emperor Suzong had ascended the throne, he went north alone in August and defected to Lingwu, on the way unfortunately being captured by the rebels and taken to Chang'an. Wang Wei, who was also captured, was strictly guarded, and Du Fu was not imprisoned because of his small official size. In April of the second year of De (757), Guo Ziyi's army came to the north of Chang'an, and Du Fu ventured out of Chang'an from the Jinguang Gate in Chengxi through the two armies facing each other to Fengxiang (present-day Baoji, Shaanxi) to defect to Emperor Suzong, and on May 16, he was awarded the title of Zuo Shiyi by Emperor Suzong, so he was called "Du Shiyi". Unexpectedly, Du Fu soon resented Emperor Suzong for rescuing Fang Zhen and was demoted to Hua Prefecture (华州, in modern Huazhou District, Weinan City, Shaanxi Province), eight hundred miles east of the Yellow River Valley, to join the army as Sigong (present-day Huazhou District, Weinan City, Shaanxi Province), responsible for rituals, rituals, schools, elections, medical rafts, and examinations.

Meng Xianchun: Du Fu's poetry in Huazhou is patriotic and people's livelihood

Du Fuhua prefecture went to the map Zhang Qihua

In July, Du Fu arrived. Si Gong joined the army and was in charge of local ceremonies, schools, elections, medical treatment, examinations, and other matters. Du Fu was an upright man who worked seriously and never desecrated his duties. As a close courtier, he played for the upper court, slept in the official, and "asked how the night was." Now come to Huazhou, is encountering hot weather, there are many inconveniences in life, poisonous scorpions infested at night, into autumn, and there are mosquitoes and flies disturbing. But he still buried his head in work. He also wrote a "Map of the Situation of Entering and Destroying the Remnants" for Guo Lingjun of Huazhou, analyzing the situation of the remnants at that time: "Although the remnants of the present day are getting poorer and worse, and they are unable to save themselves, they are still worried about their rebellious handsomeness and looking forward to the convenience of the autumn high horses, and they are planning to break through and resist the ruts." He proposed that the officers and soldiers should adopt offensive tactics: "The generals should advance in the middle of nowhere." Qiu Zhao'ao praised: "Such words can really sit and speak, and those who rise and walk, who are not scholars at the beginning, talk about soldiers and soldiers." Discussing huaixi affairs with Han Changli, he pushed the text of the state's use. Du Fu also wrote the "Five Songs of the Huazhou Trial of The Soldiers in the First Year of the Qianyuan Dynasty", which put forward his views on taxes and transportation. At this time, Du Fu also toured the Xiyue Huashan Mountain, leaving behind such a famous verse as "Xiyue Junzhi is respected, and the peaks are like children and grandchildren", he galloped his imagination and stretched his chest: "Ande Immortal Nine Scepters, carry to the jade girl washbasin? However, this poem "Wangyue" lacks the magnificent spirit of "being at the top of the mountain and seeing the mountains and small".

Three kilometers away from Huazhou City, there is a Xixi, Xixi is a lake filled with water from Qinling Yu, a secondary tributary of the Yellow River, and was the place where the Tang Dynasty's water army was trained at that time. This charming scenery has become a great place for Du Fu to relieve his depression. When Du Fu was in Huazhou, he often traveled to the banks of the Xixi River, according to the villagers in the old Guantai area, there were hundreds of acres of lotus ponds and boundless rice fields near xixi, where Du Fu often watched the farmers plant rice and lotuses, and listened to the farmers singing small songs in the fields.

Meng Xianchun: Du Fu's poetry in Huazhou is patriotic and people's livelihood

Huazhou Xixi Ruins Photographed by Song Dynasty Peak

Du Fu often walked alone along the creek, ascending to the far horizon, and the gulls and herons on the creek reminded him of the birds of prey and the eagle, thus issuing the exclamation of "the sky is close to the people, independent and worried"; the buffalo lying or drinking by the stream reminded him of the warhorses abandoned in the eastern suburbs of Huazhou. "Self-injury and degrading officials" "Skinny Horse Line": "The cold weather is far away from the geese as companions, and the sun does not collect birds pecking sores." "To pin down on the feelings of war horses." He patronized the Spring Pavilion on the shore, sat quietly and pondered, and improvised the poem "Pavilion of Zheng County": "The pavilion of Zheng County is on the shore of the stream, and the household is rejuvenated by high development." Yun broke Yue Lian Linda Road, Tianqing Palace willow dark Changchun. Wild finches on the nest side bully swallows, and the peaks at the bottom of the flowers are far away from the people. I want to write poems full of green bamboo, and I am afraid of hurting God when I come late. It seems that although the scenery of Xixi is beautiful, it is difficult to hide Du Fu's resentment that he was humiliated. The vast and clear water of the lake cultivated emotions and cooled Du Fu's previous ardent desire to "go to Jun Yao Shun, and then make the customs pure". Being degraded to Huazhou and staying away from the emperor made him truly go to the masses of the people. Although Du Fu, who had always spoken for the people, had been degraded, he was still intolerable to the dark forces, and secretly threw cold arrows at him, which made him very desperate, intolerable to the corruption of the officialdom, and completely losing confidence in his career. In July of the second year of Qianyuan, he came to the Xixi Youchun Pavilion again, and angrily waved his pen and drafted the poem "Li Qiu Hou Title": "The sun and the moon are not spared, and the festival sequence was separated last night." Xuan Cicada has no stop, and Qiu Yan is already like a guest. I wish to go alone in my life, and I am sad for half a hundred years. Dismissals are also made by people, and what is the matter of bondage. After the poem, she finally bid farewell to Huazhou Xixi and resigned. The Song Dynasty history book "Tang Jian" Yun: "Du Fu who Huazhou Sigong, the wind and the wind, the xixi to send xing". Xixi flows north in the west of Huazhou City, through the old Guantai Village of Xinglin Town. The Ming "Huazhou Chronicle" called Xixi "a thousand winds and smokes." The view of the most beautiful place to visit. The ancient and modern people Mu DuSi Gongzi's beautiful wind, one by one, is Xiaoqu Jiangyun. When mentioning the origin of the name of the old Guantai Village, the Qing "Chronicle of Continuing Huazhou" said: "Du Shaoling You Xixi once appeared on the stage, and posterity thought of it, named it and passed it on to its image." "The old Guantai Village was built on a high platform on the west bank of the Xixi Stream. Lao Guantai is also called "Lao Guan Tai", and there are two local theories about the origin of the name of this village. One is to commemorate "Du Laoguan" and the name "Old Guantai", and the other is to say that this is the place where Lao Du visited, and the name is "Laoguantai". Whatever that is said, it is all related to Du Fu's activities here. During his tenure, Du Fu also visited friends and played in the area of Lantian (present-day Lantian County, Shaanxi), and thus wrote poems such as "Cui Shizhuang in Lantian in September" and "Cui Shi Dongshan Caotang".

Although he personally suffered misfortunes, Du Fu was always worried about the country and the people. At the time of the Anshi Rebellion, he watched the development of the situation, during which he wrote two articles: "Diagram of the Situation for Guo Junjin of Huazhou to Destroy the Crippled Crown" and "Five Songs of the Trial of The Soldiers in huazhou in the first year of the Qianyuan Dynasty", offering advice for the suppression of the Anshi rebels and considering how to reduce the burden on the people. When Li Siye's soldiers and horses passed through Huazhou, the strong force of the rebel rebellion, the Zhenbei Tingjiedu, he wrote a poem entitled "Guan'an Xi Soldiers Passing through Guanzhong and Waiting for Orders", expressing patriotic enthusiasm. At the end of the first year of the Qianyuan Dynasty (758), Du Fu temporarily left Huazhou to visit his relatives in Luoyang and Yanshi (both in present-day Henan Province). In March of the following year, the Battle of Yecheng (邺城, in modern Anyang, Henan) between the Tang army and the Anshi rebels broke out, and the Tang army was defeated. On His way back from Luoyang to Huazhou, one day Du Fu passed through Shicheng Village (石壕村, in present-day southeastern Shaanxi County, Henan), late in the morning. He went to spend the night at a poor family, and he was received by an old peasant couple. In the middle of the night, when he was turning over and couldn't sleep, there was a sudden rapid knock at the door. Du Fu listened quietly in the room, only to hear that the old man next door had climbed over the back wall and fled, and the old woman agreed while going to open the door. Entering the house were the servants sent by the government to arrest Zhuang Ding, and they shouted loudly and asked the old woman, "Where have your men gone?" The old woman said with a cry: "My three children have all gone to Yecheng to fight, and just two days ago, a letter from a son said that both brothers had died on the battlefield." There is only one daughter-in-law and a nursing grandchild in the family. Who else do you want? The old woman said many words of pleading, but the messenger still refused to give up. The old woman had no choice but to be taken away by the messenger herself and went to the barracks to do hard labor for the soldiers. When Du Fu left the house at dawn, the only person who was sent away was the old farmer. Seeing this miserable scene with his own eyes, Du Fu was very uneasy in his heart; seeing the endless disasters brought to the people by the war and the patriotic behavior of the people to endure humiliation and bear heavy burdens to join the army and participate in the war, Du Fu felt a lot of emotion, so he worked hard to create an immortal epic poem -- "Three Officials" ("New Officials", "Stone Trench Official", "Tongguan Official") and "Three Farewells" ("New Marriage", "Weeping Old Farewell", "Homeless Farewell"), and after returning to Huazhou, he revised it and took it off the draft.

Du Fu spent almost a year in the military service of Sigong in Huazhou. During this year, Du Fu was influenced by his grandfather poet Du Zhenyan and the Confucian zhongjun patriotic people's livelihood ideas, and his poems had strong realism and humanist overtones, and the poetry of this period was a model of Classical Chinese realism. The working people at the lowest level have become the protagonists of his poetry creation, and in the "Three Officials" and "Three Distinctions", the entire group of poems runs through a strong patriotic and people's livelihood true feelings, and with full realism, truly portrays the psychology, actions, thoughts and emotions of soldiers, officials, old husbands and wives, children, newlyweds and other classes in the specific historical environment of the Anshi Chaos, and vividly the voices of the broad masses of the people. In addition to "Three Officials" and "Three Distinctions", Du Fu also created many poems, "Gift to Wei Eight Virgins", "Tomorrow across the mountains, the world is two vast", "Independence", "Heaven is close to personnel, independent and worried", "Summer Sigh" "I can't eat food, my heart is not harmonious"... Worried about the country and the people, full of complaints. Among them, the busy official duties at the beginning of the depreciation once made Du Fu miserable. He described his situation in a poem titled "Early Autumn is Bitter and Hot, and the Pile of Cases Remains":

On July 6, it was steamed bitterly, and it was not possible to eat temporarily.

Self-sufficient scorpions in the middle of each night, but many flies after autumn.

The belt screamed furiously, and the book was in a hurry.

Looking south at the short ravine of the green pine frame, Ande barefoot layer of ice.

The weather is hot, poisonous scorpions at night, and there will be many flies in the autumn, and the living environment of Huazhou Renshou is really too bad. More than a year ago, after escaping from Chang'an occupied by the Anshi rebel army, he defected to Fengxiang (in the area of Fengxiang and Baoji in present-day Shaanxi) at that time, and the reason why he was really unhappy was that his superiors summoned his cattle and horses, that is, "books and books are in a hurry to come to the same place".

In the second year of Emperor Suzong of Tang 's reign (759 AD), there was a great drought in Huazhou and Guanzhong, Du Fu was sad and troubled, and the poem "Summer Sigh" written by the refugees of the Yong Lamentation Country in the summer of that year specifically described the tragic situation of this natural disaster: the summer sun came out of the northeast, and the Lingtian Passing Middle Street. Zhu Guang was thick and thick, and yu steamed. The heavens have been thunderless for a long time, and there is no order to be obedient! The rain does not fall, and the fertile fields rise yellow. Birds die of bitter heat, pond fish dry their mud. Thousands of people are still redundant, and the eyes are only Artemisia. So far, the north of the river has turned into a tiger and a jackal. Hao Dang wants to ghost thistle, Wang Shi'an zai? I can't eat food, and my heart is not harmonious. At the beginning of the Zhen Zhenguan, it is difficult to go with the number of children!

Due to the long drought and no rain, the vast farmland was sunburned to the ground. Birds can't withstand the hot dry weather and die of thirst, and the bottom of the fish pond has a wide crack, and the fish has long been dried. In the fields, only drought-tolerant artemisia grass shows a little life. Coupled with the anshi rebellion, the price of goods soared, reaching "seven thousand dollars of fighting rice". We do not know the concept of seven thousand dollars for doumi now, but when we compare it, we know that in the early years of Tang Xuanzong's new century, doumi only had twenty dollars, and the price of grain at this time rose by three or four hundred times, and the people's disaster can be imagined. Du Fu, who served as a petty officer like Sigong of Huazhou, was no longer enough to support his family. Due to natural disasters and years of war, the devastated and economically desperation of the Tang Dynasty has been unable to rescue the victims, and many people have left their homes and fled in all directions. In the summer and autumn of that year, Du Fu was distressed by the dirty current politics, so he gave up his post of Sigong of Huazhou to join the army, went west to Qinzhou (in present-day Tianshui, Gansu Province), joined the exiled refugees, and began a long wandering career.

In his life journey, due to social turmoil, unsuccessful career, depressed mood, and hard work, Du Fu's original healthy body was gradually occupied by diseases, and he often suffered from diseases, suffering from malaria, lung disease, thirst-quenching disease (diabetes) and other chronic diseases. During his military service in Huazhou, due to his difficult life and economic constraints, he had to go to Shaohua Mountain to collect medicines to sell them in the market in exchange for daily necessities, often taking medicine and planting medicine as spiritual sustenance, he often collected and prepared Chinese medicine to cure his own chronic diseases, and obliged to treat the surrounding people. He often got up early and greedily went to shaohua mountain to collect medicine, and pinned his hopes on Chinese herbal medicine. He wrote in the poem: "Long and long white wooden handle, I give birth to a child to think of life, yellow essence without seedlings, snow in the mountains, and the number of short clothes does not hide the shins." Du Fu knew that the snow had closed the mountain, and it was difficult to find the seedlings of huang jing in the mountains, but he still had to go up the mountain to collect medicine against the fierce cold wind for his livelihood, vividly depicting his desolate life at that time. Because of the arrangement of fate, Du Fu's life and Traditional Chinese Medicine have formed an indissoluble relationship with Traditional Chinese Medicine, leaving many legendary stories in the history of Chinese medicine, because Du Fu has long been in contact with Traditional Chinese Medicine, observed the growth of Chinese medicine plants, accumulated a large amount of knowledge of Traditional Chinese Medicine, in addition to being an official in Huazhou, he did the work of traditional Chinese medicine treatment and drug identification, corrected the long-standing errors in many Chinese medicine works, he once used "curing the wind with curly ears (that is, Chinese medicine Cang'er)", he also steamed, took flax to make up for weakness and disease, treated thirst and complications, He believes that there are dietary therapy, medicinal therapy, and acupuncture, different treatment of the same disease, a variety of ways.

Meng Xianchun: Du Fu's poetry in Huazhou is patriotic and people's livelihood

Distant view of the old Guantai Village in Huazhou Photo by Liu Huanmin

Du Fu's life was turbulent and displaced. He sold medicine three times to practice medicine, the second time was in 759 AD, Du Fu took his family from Luoyang back to Huazhou, at this time the medicine selling career was even more bitter, to the situation of "short clothes can not hide the shin", "men moaning and women groaning four walls quiet". Du Fu, a great realist poet of the Tang Dynasty on the mainland, who is known as the "poet saint", recorded in his poems his life as an official and worried about the country and the people, cared about the sufferings of the working people and his career of collecting medicines, selling medicines, and curing diseases, and left a brilliant chapter in the field of mainland poetry and traditional Chinese medicine. He was not only a poet, but also an authentic medicine saint.

Looking at Du Fu's life, he was born in Gong County, after joining the WTO, he went to Chang'an to do the left left of the dpron, because of his outspoken advice, angered the powerful, was degraded to Huazhou, his poetry creation traces all over the Yellow River Basin Shaanxi, Henan, he visited relatives and friends, traveled to the motherland's great rivers and mountains at the same time, mingled with the low-level people, although his life was poor and downcast, still concerned about the people's suffering, with poetry to reflect the voice of the people, wrote a number of realist poems. In his spare time, he often traveled to the Pavilion of Zheng County (near laoguantai village in present-day Xinglin Town, Huazhou District) on the banks of the Xixi River, a second-class tributary of the Yellow River, to dispel his worries. At the end of the first year of the Qianyuan Dynasty (758 AD), Du Fu temporarily left Huazhou to visit his relatives in Luoyang and Yanshi (both in present-day Henan Province). He returned to Huazhou from Luoyang, passing through Xin'an, Tongguan, Shi trench and other places. In the second year of the QianYuan Dynasty (759 CE), Du Fu, distraught over the filthy current politics, gave up his post as Sigong of Huazhou to join the army and went west to Qin Prefecture (秦州, in present-day Tianshui, Gansu Province). Du Fu went through several rounds of work, and finally arrived in Chengdu, with the help of Yan Wu and others, on the banks of Huanhua Creek in the west of the city, built a grass hall, known as "Du Fu Caotang", also known as "Huanhua Caotang". Later, he was recommended by Yan Wu as the capital of Jiedu, and the whole family lived in Fengjie County, Sichuan. Two years later, he left Fengjie County to flee to Jiangling and Hengyang. In the fifth year of the Tang Dynasty (770 AD), the poet fell ill and died in a small boat on the Xiang River in Hengyang City.

Du Fu's year in Huazhou in the Yellow River Basin was just another difficult journey for Du Fu, who was ill-fated. As the Song Dynasty literary scholar Wang Anshi summed up in the poem "Portrait of Du Fu", "The poverty of the fate of the poor, upside down and no harvest." The green shirt old was more reprimanded, hungry to go half Kyushu. "Du Fu spent his whole life busy trying to solve the problem of hunger in his whole family. The memory of the Yellow River to Du Fu is also very painful, the poet left more than thirty poems in Huazhou in the Yellow River Basin, recording the physical and mental torture he and his family endured in this dangerous mountain and bad water, and also recording the difficult life of the people in the Yellow River Basin during the turbulent years, which is a group of realistic poetry masterpieces describing the lives of the people in the Yellow River Basin.

Du Fu's year in Huazhou in the Yellow River Basin left many popular stories, his poetic style was somber and frustrated, patriotic and worried about the people, and accurately summarized his style of work with the four words of "depression and frustration". Du Fu's year of living, serving and creating in Huazhou was precisely the historical period of the Tang Dynasty's transformation from prosperity to decline, his poems were mostly involved in social turmoil, political darkness, and people's suffering, his poems reflected the social contradictions and people's sufferings at that time, his poems recorded the great historical changes of the Tang Dynasty from prosperity to decline, expressed the lofty Confucian spirit of benevolence and a strong sense of patriotism and people's livelihood, and was thus praised as "poetic history". Du Fu was worried about the country and the people, had a noble personality, and was exquisite in poetry. In his lifetime, Du Fu wrote more than 1,500 poems, many of which are famous passages that have been passed down through the ages, such as "Three Officials" and "Three Farewells", and have been passed down from generation to generation; among them, the "Three Officials" are "Stone Trench Officials", "New An Officials" and "Tongguan Officials", and the "Three Farewells" are "New Marriage Farewell", "No Home Farewell" and "Farewell to the Elderly". In the Yellow River Basin in Shaanxi, Henan, the draft of "Three Officials" and "Three Distinctions" are more ancient and unique, patriotic people's livelihood thought is the soul of Du Fu's creation of poetry, this rich, touching patriotic feelings have achieved his depressed poetry style, the realist poetry creation has been pushed to the climax, in the classical poetry art, the original "origin of events" of the new Lefu poetic style, the use of colorful expression techniques and extremely artistic appeal, far-reaching influence on future generations, has become a peak in the history of the development of Chinese poetry, As The writer, poet, and democracy fighter Wen Yiduo commented on Du Fu, "Du Fu is the most solemn, magnificent, and permanent brilliance in four thousand years of culture."

About author:Meng Xianchun, male, from Huazhou District, Weinan City, Shaanxi Province, pen name Sanqin Fengyan, graduate degree. His works have appeared in "Chinese Writers", "Mountain Flower", "Yanhe", "Prose Monthly", "China Culture Daily", "Shaanxi Daily" and other publications, with a total of more than 1.5 million words of essays, novels, poems, literary and art reviews, plays, and essays, and authors of "Dream Meng Chun Ni" and "Field Primrose", which have won the Excellent Work Award of the China Federation of Literary and Art Circles and the China Literary and Art Critics Association, the Most Popular Readers Award of the Shaanxi Writers Association and "Yanhe" Magazine, and the vivid teaching materials dedicated to the 100th anniversary of the founding of the Party" He has won 43 national and provincial literary awards and essay awards, including the Special Award of the 15th (2021) Academic Annual Conference of Shaanxi Province.

Meng Xianchun: Du Fu's poetry in Huazhou is patriotic and people's livelihood

Original source: Author's contribution

Original author: Meng Xianchun

Editor's arrangement: Huazhou Literature and History Collection

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