The threshold for entering the headlines is relatively low, and the flow of sharing a reading of Yan Geling's works is not as good as the flow account of a mother-in-law war. There is no market, and no one cares about the best works.
Someone bought a Hong Kong Star concert ticket scalper
4000, or the corner of the material of the station ticket, may not be able to buy; Hao Lei, Ma Tianyu starring in the stage play "Parasite" C bit 1080; the Central Ballet of "Swan Lake" first class seat maximum ticket price of 1080. I remember that several ballets and operas performed in Rong were not highly attended.
Friends who do drama reviews invite relatives and friends to watch the drama for free, and people say they don't like it; I also invited my husband's classmates to watch the large-scale drama "Su Dongpo", who knew that his old man was sleeping and snoring in the theater. There are very few adults in the theater, most of them are students who have been arranged by the school. When the actors closed the curtain, the audience's sparse applause woke up my husband's classmates, who looked at me with great embarrassment.
Why are good works and elegant plays snubbed in front of the door, while short videos with hip-hop drops are deeply popular? The perceptual quality of culture and art is on the one hand, the interests and hobbies of each person are on the one hand, and it is the common sentiment of people that they are grounded because of "customs".
