Click on the "Included in Topics" category to view all.
Tip: The graphic information comes from the Internet, and the copyright belongs to the original author. The picture is not sure of the authenticity of the work, not as the basis for investment collection, only for everyone to share and learn, if the author believes that it involves infringement, please contact us, we will verify and delete it immediately.
Mountain stones are the main body of landscape painting and the key to painting landscape painting well. The ancients said that "stone is the bone of the mountain", so there is a saying that "painting the mountain first draws the stone".
1． The ancients said that "stone is divided into three sides", only by drawing three sides, can we show the structure and three-dimensional sense of stone. When painting the three sides of the stone, it is necessary to use the contrasting relationship between black and white to deal with the yin and yang sides. Generally, it is white and black, left white, right black or right white, left black, and there are also two sides of black and middle white. This requires the addition of wrinkles, that is, the inferiority is not on the top, the left is not on the right, or the right is not on the left. If the two sides are added, there must be more or less, and it cannot be averaged.
The stone is divided into three sides
2． Painting stones should be suitable for accumulation. For example, the stones that need more on the screen cannot be the same size or scattered. There must be big and small, gathering and dispersing; there must be large rooms and small rooms, and small rooms should be large. The experience of the ancients is: near the mountain, large stones between small stones; near the water, because of the number of gravel, so it is a small stone between large stones.
The upper part is a small stone between large stones, and the lower one is a small stone between large stones
3． Hooking, rubbing, dyeing and dotting are techniques for expressing the texture and form of mountain stones, which are formed by the careful observation of natural mountain stones by successive generations of painters, continuous discovery, summary and development, and are the essence of traditional techniques, which have played an important role in the creation of mainland landscape paintings, and still have practical guiding significance. We must conscientiously study, inherit and develop to make landscape painting meet the requirements of the times and show a new look.
Hook - the outer contour of the stone and the texture inside the stone are outlined with ink lines, which is the general structure of the stone. When ticking, use the pen to be strong and powerful, and use the center to flank. It is good to use a dry pen (with less water content) to show the hard texture of the stone.
Wrinkle - is to hook the dark place of the stone pattern, with a pen to be chopped, so that the stone shape shows a three-dimensional sense, the wrinkle is not a one-time can be completed, can be first faded and then thickened. It can be semi-dry, that is, it can be fully dried and re-boiled. Broken ink can be used when it is broken, and ink can also be accumulated. It depends on the picture needs, personal habits and techniques.
Wipe - Use a semi-dry pen to rub a layer of black on the screen to increase the depth of the picture. But there are pen marks, and the wipes have no pen marks, only shades of chroma.
Dyeing - is rendered with light ink to further deepen the three-dimensional and deep sense of the mountain stone. But it is also necessary to talk about brushwork, not flat paint. When dyeing, blank space and fly white can also be used to lighten the thick method to increase the soft atmosphere of the ink color that has been painted.
Dots – refers to mosses that instantly add life to dull rocks. Generally, it is necessary to order after the picture is completely dry, or it can be pointed out when it is half dry and half wet, and it can also be pointed at the edge. If the stones are good, you can not point moss. It is advisable to point out the moss to be simple.
Long draped in numbness
Short-laced
Small axe splitting
Big axe splitter
4． It is very important to master the main method of painting mountain stones. The ancients painted mountain stones and created many methods of piling, axe splitting, unsounding, folding belts, lotus leaf wrinkles, rice dots, chaotic firewood and cloud head wrinkles. Among the many methods of acupuncture, especially axe splitting and philing are the most important. Axe splitting is mostly used for stone mountains, and Phi Ma Chuan is mostly used for earth and stone mountains. Most of the other methods are derived from these two methods. Phi Ma Chuan derives from long Phi Ma Chuan, Short Pi Ma Chuan, Xie Suo Chuan, Lotus Leaf Wrinkle, Cloud Head Wrinkle and so on. Axe splitting is derived from large axe splitting, small axe splitting, folding belt and so on. We don't have to learn everything, we have to learn the most important and basic things well, and the other derived methods are naturally bypassed. Traditional methods can be learned from, but they cannot bind themselves. It is necessary to observe and feel in nature, deepen the understanding of various methods, and flexibly apply them according to the actual situation. At the same time, it is also necessary to discover and explore new ways of expression.
Folding bands
Unraveling
Rice
Millet
Messy wood
Lotus leaf
Cloud head wrinkles
5． The use of various ink methods in landscape painting is also important. In "Techniques for Using Ink", various ink methods are introduced, and different ink colors produce different artistic effects. For example, the ink breaking method makes the ink color penetrate and cover each other, moisturizing the green; the ink accumulation method is moist and thick; the ink splashing method is full of vigor and momentum.
Splash the ink first and then tick the dots
First scatter the light ink to draw the mountain, and then check the dots
First scatter the light ink to sweep the mountain shape, and then hook the dot dye
After sketching the mountain shape with light ink, then rubbing the dot dye and using the accumulated ink in the dark
First use the scattered front to sweep the mountain shape, and then use the axe to split the line
First use rice dots to draw a general mountain shape, and then use heavy ink to outline the stone pattern of the mountain, and then make up the tree
First, paint the shape of the mountain with light ink, and then paint the nearby stones, slopes, and trees with thick and light
First use thick ink to paint nearby stones and trees, then paint distant mountains with light and thick, and slightly scratch a few strokes when not drying
6． To paint a mountain, we must first understand the part and structure of the mountain. Mountains have heads, faces, backs, ridges, shoulders, mountainsides, and foothills. The highest part of the mountain is the top of the mountain, the front is the mountain, the reverse is the back of the mountain, the junction is the ridge, the side is the shoulder, the middle section is the mountainside, and the bottom is the foot of the mountain. Mountains have peaks and peaks, and those who are steep in the situation are peaks, and the low, rounder mountains are peaks. The tall mountains are the main peaks, and the peaks of different heights around the main peaks are called peaks. The main peak and the group peak should take care of each other and form a whole. The mountain has a main body, the main mountain is large, and countless other peaks surround the main mountain. When a painting has a subject, it avoids clutter. The continuous mountain has veins, and in the winding direction, the veins of the mountains should be revealed.
7． To draw a mountain, we must first draw the general outline of the mountain, look at the big picture, do not accumulate a lot of rubble into a mountain, and give up some messy things. It is necessary to look at the mountain from a distance, with the potential as the mainstay, and the law and structure must be subordinated to the potential.
8． Landscape paintings are framed by the "Three Far Methods", namely: high and far, far-reaching and peaceful. Looking up at the top of the mountain from the bottom of the mountain is said to be high and far, from the front of the mountain to the back of the mountain, it is said to be far-reaching; from the near mountain to the distant mountain, it is said to be flat and far. The "three-distance method" is to observe the perspective changes formed by observing different viewpoint positions, which is the basic law of traditional landscape painting framing, and also the basic method of traditional landscape painting composition.
"High and far" is suitable for expressing myopia and looking up at the abrupt towering of the mountain; "far-reaching" is suitable for expressing the overlapping and continuous of the gradually higher and farther away mountains; "pingyuan" is suitable for the endless view of the deep mountain. This method of framing, which is not fixed in one viewpoint and is on multiple viewpoints, can not only express high, deep and flat feelings, but also reflect different artistic conceptions. In traditional landscape painting, various techniques are often used to express the painter's feelings about height, depth and flatness.
As mentioned in the painting theory, "if you want it to be high, you should take the spring high", "want its depth, when the cloud is deep", "want its flatness, when it is flat with smoke", that is, to use the spring, smoke, and cloud to enhance the feeling of "three distances", but also enrich the mood of the picture and deepen the artistic conception.
Click: "Included in the topic" Next article, turn the page to read.